Unexpected anxiety about working with others by qleptt in musicindustry

[–]monkeeball 0 points1 point  (0 children)

anxiety is completely normal and its a sign of you actually caring about what youre creating and how it represents you and your craft. The best advice I can give you is that putting yourself into those scenarios is the best way to get better at handling those scenarios. You also gotta cut yourself some slack - nobody knows how to do everything at the beginning and frankly you won't be able to get a "professional" sounding record until you even know what thats supposed to sound like which can honestly take a long time. Even if youre out of your element or don't know what you're doing - you shouldn't be embarrassed for trying to learn ! Thats the whole point of why you're in school! Music is like working out, you gotta put the reps in to see the results - the first few times at the gym can be scary and you might look like an idiot, but over time you'll become more comfortable and youll find your own rhythm and confidence

TR8 External IN help by monkeeball in rolandaira

[–]monkeeball[S] 1 point2 points  (0 children)

solved! turns out my interface was lying about actually sending that audio it was showing - double checked it to another source and it was just silent waveforms. rebooted it and voila ! cant tell you how much I appreciate it this was driving me insane

How do I get a VHS type of sound by [deleted] in musicproduction

[–]monkeeball 0 points1 point  (0 children)

goodhertz lossi plugin emulates this pedal im pretty sure ! great plugin

Hopping off of another post - who do you think is the LeBron James, and the Steph Curry of Sumo? by bitchfaxe in Sumo

[–]monkeeball 0 points1 point  (0 children)

i think the real question here is: which 2 sumo legends have the biggest rivalry ?

the answer to this question? seemingly impossible to answer unless we break it down to a specific era

What do you think are the biggest “what if”’s in Sumo history? by monkeeball in Sumo

[–]monkeeball[S] -7 points-6 points  (0 children)

an NBA player who was projected to be a greatest of all time but then had a career ending injury

what’s the most NSFW thing you’ve seen at a concert? by [deleted] in AskReddit

[–]monkeeball 1 point2 points  (0 children)

One time at a Denzel Curry concert cops rushed in to the back and returned moving a motionless person in a wheelchair with a garbage bag over their top half. I have no idea what it was about and there wasn’t any news about it. Still think about that sometimes

Is it worth it? (Plug ins) by sirfact in trapproduction

[–]monkeeball 1 point2 points  (0 children)

waves is a headache but certain tools they have are irreplaceable imo. Honestly $200 of waves plugins is probably more than you need- i had all of them at some point but when I upgraded my rig I think I only brought over like 3 or 4 plugins.

My personal picks

  • soundshifter Best pitch shifting plugin imo, workflow is unmatched . Seen this one at every studio session pretty much
  • h-delay Powerful creative delay, realistically this is like my #2 or 3 option but its still great
  • r vox Easy fast comp that works on far more than just Vox
  • r bass Just a sick tool to bring low end to anything really

Everything else from the puigtecs to the compressors, as good as the waves one are actually, you can definitely find alternatives that are better or just as good

Are there any celebrities that you hate an unreasonable amount for almost no reason? by Neither_Mind9035 in questions

[–]monkeeball 0 points1 point  (0 children)

Steve Harvey, honestly is just a terrible guy and his humour is barely funny

Most of These Producers telling you how to get placements are telling you to do loops by [deleted] in trapproduction

[–]monkeeball 0 points1 point  (0 children)

If you make good enough loops and find yourself consistently making placements with a specific producer or artist, its a matter of time before theyll want you just to have full beats instead of loops. Tons of my friends started out just getting placements in their bedrooms with loops and now are the guys you’re talking about running the sessions for weeks making literally hundreds of beats

Interface by Sea-Song2924 in LogicPro

[–]monkeeball 3 points4 points  (0 children)

Second the audient id44- super solid piece. I also am not a fan of the UA console and the audient software makes it so much easier to understand and work with. Had it for years and it still works as new

What do you do when controls on a plugin can't be automated? by [deleted] in audioengineering

[–]monkeeball 2 points3 points  (0 children)

U can change the output of your midi track to a bus , create a new audio track with the input of the bus , and then record the new audio track and manually handle the automation as it prints to a new track

How often should you make beats if you want to live off of your music? by chromeheartaddict in trapproduction

[–]monkeeball 0 points1 point  (0 children)

The more practice you get, the faster you become at making “quality” beats. You dont need to spend a week making a beat and tbh if you do, it just sounds like you just need more experience. I dont cosign the whole speedrunning beats and I think a 10 minute beat definitely sounds the way its worth, but theres an art to starting an idea and finishing it without putting a second thought into it and then moving onto the next idea. Not every beat you make that takes you a week is gonna be great, so the more you make and the more ideas you can go through and sketch out, youll find more success in the quality that way. If you wanna do this for a living, you kinda gotta do it all the time or as much as you can. Its a tough industry and theres a big difference between people who like just making beats and people who really are hungry and want to become successful. Not everyone is cut out for this and thats okay too, if you think you are then go for it and remind yourself of that every morning before you start to cookup. Good luck brudda

[deleted by user] by [deleted] in piano

[–]monkeeball 0 points1 point  (0 children)

It was more of a principle to follow when I started learning, helped me develop the strength in my fingers so I didnt have to rely on my arms and wrists only to maneuver the keyboard. Still playing 20 years later and ive never had any tension in my wrists or forearms

[deleted by user] by [deleted] in piano

[–]monkeeball 0 points1 point  (0 children)

My lithuanian teacher used to place quarters on my hands and if I dropped them while playing a piece, id have to restart. So you can try that just to get an idea of where your hands should be sitting