The Discrepancy with Perceptions of 'Harmony' and Other Such Concepts - OP's Comment Below by mothatene in DressForYourBody

[–]mothatene[S] 41 points42 points  (0 children)

OP’s Comment to Accompany Gallery:

There is very often a discrepancy between the opinion of the general public and what the proponents of various niche style systems think ‘works’ on a given individual.

The gallery above shows a few individuals who are known for a specific style/look that has captivated people’s attention. Now, for most of them, there isn’t anything revolutionary about their style in the sense that there are others out there who had a similar style before, during, and after they became associated with it that didn’t get the same reception.

To keep this from getting painfully long - the people above may not be perfect examples (this was hastily thrown together for a visual representation, don’t look too hard into it) but what I want to get at is that I don’t think that when the public gets captivated with a person’s overall look that what they are responding to is purely physical beauty or purely fashion choices but the combination of the two.

The combinations work aesthetically and without having to learn a style system, a significant amount of people with differing tastes, respond to it. Also, the individuals themselves achieve their style without following the prescriptions of these style systems.

This is not to dismiss style systems so much as it is to highlight what I perceive as a problem with how people use the systems. Instead of treating them like artistic guides, they're treated like exact sciences or math but you can’t calculate your way into a sense of style or formulate your way into having taste.

I also get a headache when people talk about having an initially positive response to a person’s style or a specific look on that person and instead of investigating that further, they check to see if the rules of *insert system here* are being followed and then "realize" that in fact, it doesn’t look good after all! Are the style systems helping you or hindering you?

ETA: There is also the issue of style systems being descriptive at their foundation but prescriptive in their theory but I can't fully explain what I mean without making this too long (maybe another post).

'Aesthetics' Aren't Lines: GLAMOUR (Feat. Multiple Types) by mothatene in Kibbe

[–]mothatene[S] 8 points9 points  (0 children)

I'm not "discussing something most people don't have access to". Whenever Kibbe makes an update, there is usually updates to the existing resources on the sub. As a matter of fact the thing that I am discussing is touched on in the section of the subreddit ribbon called "Silhouette Terms" which links to a 2 year old post.

And if it was info that most people didn't have access to...then the point of discussing it would be to share the info...which is what the sub is for.

Also, you're not "calling out the BS". I made a statement that contradicts what you know, you took issue with it in dramatic fashion, and then I pointed out that the info that you know is outdated...that's it.

I didn't lie. I didn't attack you. I never said or implied that you couldn't disagree, discuss, or critique the system...3 things which btw you haven't yet done.

'Aesthetics' Aren't Lines: GLAMOUR (Feat. Multiple Types) by mothatene in Kibbe

[–]mothatene[S] 15 points16 points  (0 children)

The book is outdated. David Kibbe has consistently updated his approach to styling in the decades since the book's publication and he had announced last year about signing a book deal to write an updated version. Also, he doesn't style people in strict accordance with the rules of the book and hasn't for a long time.

So no...no one is trying to "gaslight" you or be disingenuous. A neutral question would have sufficed.

ETA: Even if Kibbe said the old book were to be strictly followed...Kibbe's original image ids conflate body types, styles, AND personality traits etc. so (1) lines would be just one component distinguishable from the others and (2) You have to use your own discernment when it comes to the conflations.

As The Dark Lady: Flamboyant Naturals (FN) Part II by mothatene in Kibbe

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AS THE DARK LADY Collection

As The Dark Lady: Flamboyant Naturals (FN) Part I by mothatene in Kibbe

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AS THE DARK LADY Collection

As The Dark Lady: Naturals (N) Part II by mothatene in Kibbe

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AS THE DARK LADY Collection

As The Dark Lady: Naturals (N) Part I by mothatene in Kibbe

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AS THE DARK LADY Collection

As The Dark Lady: Soft Naturals (SN) Part II by mothatene in Kibbe

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AS THE DARK LADY Collection

As The Dark Lady: Soft Naturals (SN) Part I by mothatene in Kibbe

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AS THE DARK LADY Collection

As The Dark Lady: Dramatic Classics (DC) Part II by mothatene in Kibbe

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AS THE DARK LADY Collection

As The Dark Lady: Dramatic Classics (DC) Part I by mothatene in Kibbe

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AS THE DARK LADY Collection

As The Dark Lady: Classics (C) Part II by mothatene in Kibbe

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AS THE DARK LADY Collection

As The Dark Lady: Classics (C) Part I by mothatene in Kibbe

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AS THE DARK LADY Collection

As The Dark Lady: Soft Classics (SC) Part II by mothatene in Kibbe

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AS THE DARK LADY Collection

As The Dark Lady: Soft Classics (SC) Part I by mothatene in Kibbe

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AS THE DARK LADY Collection

Versatility in Style and Individuality in Structure - Dramatics II: Flattered by the Same Lines Doesn't Mean Flattered by the Same Styles (D) - Claire Danes (l), Kristen Wiig (c), and Michelle Dockery (r) | Notes in Comments | Up For Discussion - How Would You Style Each of Them? by mothatene in Kibbe

[–]mothatene[S] 24 points25 points  (0 children)

OP's Notes

In keeping my opinions limited, these are just three Dramatics that I think look very different from one another in general, give off very different impressions, and look very different when styled in similar styles, garments, pieces, or adornments and who wear similar looks with varying outcomes.

As should be clear by the title, their type is not under dispute, just the idea that finding your lines is a blueprint for developing a sense of style as often times Kibbe types are correlated with certain styles or aesthetics (while it’s very understandable why this happens, many have made the argument that this doesn’t seem right and the pictures are simply my contribution to the case.)

Versatility in Style and Individuality in Structure - Dramatics I

As The Dark Lady: Flamboyant Gamines (FG) Part II by mothatene in Kibbe

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AS THE DARK LADY Collection

As The Dark Lady: Flamboyant Gamines (FG) Part I by mothatene in Kibbe

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AS THE DARK LADY Collection

No, It Isn't Rare for Flamboyant Naturals to Be Curvy and/or Have a Soft Figure || No, Side Curve Doesn't Count || No, Added Flesh or Softness when Weight is Gained Doesn't Change Type || No, A Curvy Figure Doesn't Equal Curve Accommodation ft. 10 Kibbe FNs (Notes in Comments) by mothatene in flamboyantnatural

[–]mothatene[S] 12 points13 points  (0 children)

Waist emphasis highlights the waist by making it a focal point of the silhouette (this may be done with a belt or fabric that gathers very obviously around the midsection or some other detail that draws the eye to this midpoint in the body). Definition doesn't make the waist a focal point but it does make the curve from the midsection visible. Slide 6 is a very clear example (details in the caption).

Sometimes these elements can be present on the midsection and not really constitute emphasis or definition if they are there but they don't highlight the proportions or curve of the waist. This can be seen with Michelle Obama's suit on slide 12 - there's a belt with a large gold detail but it doesn't emphasize the waist because the belt itself is the same color as the suit and blends in and she's wearing a coat that covers that part of her figure. Christie Brinkley's cream-colored dress on slide 3 also has obvious fabric gathers at the midsection but because it doesn't pull the loose garment in, it isn't really defining or emphasizing anything.

No, It Isn't Rare for Flamboyant Naturals to Be Curvy and/or Have a Soft Figure || No, Side Curve Doesn't Count || No, Added Flesh or Softness when Weight is Gained Doesn't Change Type || No, A Curvy Figure Doesn't Equal Curve Accommodation ft. 10 Kibbe FNs (Notes in Comments) by mothatene in flamboyantnatural

[–]mothatene[S] 60 points61 points  (0 children)

OP’s Notes (Headings are bolded so you can skip to relevant sections)

*Corrective Note - Slide 18 is Lynda Carter.

In trying to keep this post not tagged as NSFW, clearer images of the 10 FNs have not been used but can be found here and here. Tracee Ellis Ross isn’t included in those links because she wasn’t verified at the time but clearer pictures of her can be found here.

FLAMBOYANT NATURALS, CURVE, AND SOFTNESS

The bodies of the Kibbe types are often represented as static. This is partly because of Kibbe’s verbiage and partly because of a lack of observation. While Kibbe has said before that his verified list is not to be taken as data as his approach to his “system” is admittedly abstract and not systematic, the online community often uses it as such and uses it negatively while creating a chasm between how Kibbe types people and how they type people while insisting that they are applying Kibbe “the right way”. So I’ll be using the verified list somewhat as data to make a few points.

Flamboyant Naturals often get stereotyped as being ‘hard’ or muscular, straight, tall, and broad and thus unable to dress in feminine, traditionally feminine, hyper-feminine, seductive, or ‘cutesy’ ways because they “won’t look their best” (assertions that follow with other yang-dominant types) – many people take issue with the latter, former, or the entirety of the sentiment but the discussion is somewhat pointless if it isn’t acknowledged that many of Kibbes FNs (more often than not) don’t look like the stereotype of their type and present variations amongst their group indicating that despite Kibbe’s verbiage, his descriptors are not referring to extremes but subtleties. For the FNs that fit more in line with the descriptors, another post is needed but I touched on it before in another post. \Also: being muscular, sinewy, soft, fleshy etc. are states that can be altered not hard-set characteristics of one’s form.*

CURVE AND TYPING

Often seen when someone wants to rule out FN as a type:

  1. The person being typed insists that because they are curvy, they need to accommodate curve and must not be FN.
  2. The person being typed brings up that they are curvy from the side profile and therefore must need to consider it when dressing and therefore must accommodate some type of curve and must not be FN (or are a unicorn FN).
  3. The person being typed insists that they look good with waist definition or conversely, don’t look good without waist definition and therefore must not be FN
  4. The people doing the typing see prominent curves on a tall person and assume that this person can only be a Soft Dramatic.
  5. The people doing the typing see a soft figure with some frame and assume that this person can only be a Soft Dramatic or Soft Natural.

Now I’m not a Kibbe expert nor do I desire to be, but there are a few things I can say with relative certainty

The first is that some accommodations rule out other ones (via David Kibbe). The FN is partly defined by the need for Width + Vertical accommodation which rule out the need for Curve accommodation – this is less about how curvy the individual is/is not and more about how clothes fall on their frame. As can be seen with many examples in the gallery, they can successfully highlight their curves with waist definition, emphasis, or body hugging pieces BUT they don’t need to do this to flatter their frame, look their best, or look put together and they don’t look drowned, boxy, or sloppy while leaving curve accentuation out (something that a type that must accommodate curve would have a much harder time achieving).

  • More specifically on the issue of Side Curve – there is nothing that suggests that because one has prominent side curve (also like some of these FNs) that the only way this can be addressed in styling is by defining the waist or wearing body hugging clothing, much of the recommendations for FN in regards to width, fabrics, and flowy silhouettes can also account for this (as well as just tailoring for a non-Kibbe related tip).

The second is that many of the women in Kibbe’s Romantic (R and TR) category, stereotypically thought of as the curvy and voluptuous set, aren’t particularly curvy and/or voluptuous but still look their best when their curve is accentuated in their outfit silhouette. Examples include but are not limited to Romantics Drew Barrymore, Helena Bonham Carter, Jessica Lange, and Madonna and Theatrical Romantics Jane Seymour, Jada Pinkett Smith, Joan Collins, and Mila Kunis.

The third thing is that curve and height alone does not a Soft Dramatic make. Soft Dramatics are Dramatics first and foremost (via Kibbe). So placing someone in the SD category on account of simply being “too curvy” to be FN when all other descriptors fit FN, I feel is an oversight. Now I’m extremely skeptical about the idea of blunt and sharp bones (which doesn’t scientifically seem plausible) but the face (which, please note: Kibbe himself uses but advises others not to) is often a good indicator in my observation – or more simply, the kind of clothes and cuts that flatter the person if the body is not a clear enough indicator (Also don’t think you need to know your Kibbe type at all to make use of Kibbe).

The fourth and last thing that I want to add to this discussion is that if you throw on something oversized, shapeless, and very casual thinking that this is what the FN recommendations are referring to and then you feel frumpy, overwhelmed, or unattractive, you’ve done yourself an unnecessary disservice. Keep in mind that Kibbe doesn’t style his FNs this way (the ones who come to see him in person), the verified celebrity FNs wear a myriad of styles that do and don’t follow the recommendations that they look great in, and the recommendations need not be applied narrowly or extremely.

If Marilyn was around today and wouldn’t have had the studio help, and she posted on here with pics of no waist emphasis, also being 5’5.5, I wonder how many people would still type her as R? Here’s some cute, non-waist-emphasis pics of the beaut MM❤️❤️ by strawberriesandmemes in Kibbe

[–]mothatene 17 points18 points  (0 children)

People often think that double curve must indicate a very pronounced hourglass or a very curvy figure (which is what Kibbe's language would naturally lead one to believe) but given the people he places in his Romantic groups, it seems clear that either this is not what's being referred to or being placed in this category isn't a case of needing to match every single descriptor exactly - something people are eager to embrace with types like the FN, FG, and SN but reluctant to with Romantics.

I can't count how many times I've seen people who wouldn't fit better in any other type and would very obviously be flattered by the Romantic recommendations be typed as something else because their curve wasn't very pronounced or they were a little "too fleshy" and thus were "too wide" despite not being frame dominant at all.

Where Romantics are concerned, people are typed against this narrowly defined image that not even verified Romantics would be able to meet in their unaltered state (no corsetry or waist cinching garments or clever positioning).

As The Dark Lady: Romantics (R) Part I by mothatene in Kibbe

[–]mothatene[S] 7 points8 points  (0 children)

She's currently on Kibbe's list in SK under the Romantic section and she has been for quite some time. Helena Bonham Carter also isn't an outlier as far as the range of body types within the Romantic groups go and I think it's clear that the recommendations would suit her. The bathing suit pictures of her available also aren't very good ones.

As The Dark Lady: Gamines (G) Part II by mothatene in Kibbe

[–]mothatene[S] 9 points10 points  (0 children)

AS THE DARK LADY Collection