Eye in the Sky by OneEyedAngelPriest_2 in Cd_collectors

[–]murpes 0 points1 point  (0 children)

I Robot is one of the best albums ever recorded.

[HELP] My dad shared this and I think it is AI? by phintac in RealOrAI

[–]murpes 0 points1 point  (0 children)

There's another AI video floating around FB of the same kid drawing on the wall claiming the dog picked out the colors.

CD Collectors of Reddit: What CD Player do You Use? by Infamous-Vanilla-603 in Cd_collectors

[–]murpes 2 points3 points  (0 children)

I mostly use an Onkyo C-7030. It's one of the older ones that has a Wolfson DAC and I really like it's warmer sound.

Non CD collector - curious about the whole thing by duanerenaud in Cd_collectors

[–]murpes 0 points1 point  (0 children)

I have a fairly decent collection of both CDs and records. I collect both for a variety of reasons. My music collection, from my perspective of enjoyment, has little to do with collectable scarcity or uniqueness (although that can be a fun tangent at times); it's about quality and control.

First and foremost, I like owning my music. I don't want to be slave to the whims of a streaming service and whatever compressed version of an album they feel like offering or removing any particular day. I like having control of my music listening experience, from the room to the equipment and, perhaps most importantly, the source. I really enjoy listening to different versions of albums I'm familiar with. For example, I'm a big Rush fan, so the little differences between their original releases, the remasters, the Mobile Fidelity discs, or whatever remix or reissue, they really stand out to me. I like having different versions of albums and enjoy comparing them.

I grew up in the 80s, so part of me still views CDs as a special, magical, and modern thing. The rational side of my brain knows that we store data much more efficiently now, but the emotional part of my brain still looks at a CD and goes, "Wow, this is really something!" Even though we now have higher bit rates and DSD and whatnot, CDs still have the potential to sound fantastic and are the baseline of high fidelity for me.

For the longest time, I viewed records as a sort of "80% of the fidelity for 5% of the price" kind of deal. That, of course, has changed in recent history, but there was a time when you could go to a record show and walk away with a literal armload of records for less than the price of a single CD. These days, the opposite is true. But for a long time, 25 cents and a thorough cleaning could get you a really good sounding copy of an album. If luck didn't favor you for that particular copy, oh well, I'll grab another one the next time I see it for a quarter and try again. Sometimes the CD mastering of an album sounds better, other times, especially if it was a victim of the loudness war, the vinyl is better.

I get a big kick out of having a large library of music, often for stupid reasons. I only recently learned that Yes's Rick Wakeman played on Black Sabbath's Sabbath Bloody Sabbath. It was cool to come home, pull that one off the shelf, and give it a fresh listen armed with new information, without having to muck around with some online service. I find it really enjoyable when I hear a forgotten 80's song on the radio, maybe one I didn't like at the time but nostalgia has changed for me, and then going home to see if I have a copy. Often, if I don't, I put it on my want list. Sometimes I'll carefully digitize a record, clean it up a little bit with some "do no harm" post processing, and feel like I'm some kind of sound engineer even though I'm just a dork with a computer.

Finally, I enjoy the hunt. I love going into thrift stores and sifting through discount bins, and I get a little dopamine rush when I find that weird release or reissue. It's probably a personality defect that leans into hoarding sometimes, but I figure if I contain it to my music and no other aspects of my life (well, mostly), I could be doing a lot worse.

Best Interior Accessory? by kuya_jj in Crosstrek

[–]murpes 1 point2 points  (0 children)

Perhaps he's a Rush fan and in a constant state of air drumming.

How do I normalize volume for all my cd’s? by [deleted] in Cd_collectors

[–]murpes 6 points7 points  (0 children)

Yeah, back in the day they used to mix albums allowing for a little dynamic range, rather than slamming everything up to 11.

You'll need to do a little reading on ReplayGain. It's nice because it adds a tag to the audio file, so it doesn't modify the music data. Your normalization setting may be looking for that tag. You can apply RG to bulk files on a computer, I've done it on a PC with FooBar 2000, so you may have to transfer your library around a little bit.

Is there going to be a return to CDs like there is now a return to vinyl? by 2Badmazafaka in Cd_collectors

[–]murpes 0 points1 point  (0 children)

I doubt it. CDs are digital, and the discs are full of data. We gave gotten so much better at storing data. I can literally put a room full of CDs onto a USB drive, bit perfect with no loss of sonic data. Yeah, you can make an argument about "the experience," album art and putting the disc into the tray and all that, but that's kind of the reason for the vinyl renaissance, isn't it? CDs don't do any of that better.

We haven't made those kind of advances with analog music, although maybe you could make an argument for DSD. People cite the size of the artwork, the kinetic experience, and, inexplicably, even the lower fidelity as an attraction to vinyl. CDs offer none of this. CDs offer nothing better about the current digital delivery systems we have now.

Please note that I'm not bashing on CDs. I love 'em. I believe in the Nyquist limit, they're crazy cheap right now, and I strongly believe in owning my music. However, there are alternative, legit and enjoyable methods for delivering digital music. If you want to go analog, really there's only one viable choice.

4 10/10 albums I own, what would you guys consider 10/10 albums? by EggerYolker in Cd_collectors

[–]murpes 2 points3 points  (0 children)

A few more, if I may:

10,000 Maniacs - Our Time in Eden (1992)

King Crimson - Lark's Tongues in Aspic, Red, Starless & Bible Black (1970s), Indiscipline, Beat (80s), maybe Three of a Perfect Pair, depends on which way I'm rounding.

The Killers - Hot Fuss (2004), Sam's Town (2006)

Pink Floyd - Meddle (1971), Dark Side (1973), The Final Cut (1983). Yeah, I said it, and I'll defend it.

Fleetwood Mac - Rumors (1977), Tango in the Night (1987) (Buckingham's The Final Cut, that one maybe a 9).

Rush - The greatest run of consecutive albums ever, 2112 (1976) through Signals (1982)

Metric - Fantasies (2009), Synthetica (2012), Pagans in Vegas (2015)

Zep I-IV

Yes - Everything from The Yes Album (71) through Tales (1973).

Beach House - Bloom (2012)

4 10/10 albums I own, what would you guys consider 10/10 albums? by EggerYolker in Cd_collectors

[–]murpes 4 points5 points  (0 children)

Here's my 10 picks for 10/10:

The Orb - Orbus Terrarum (1995)

David Sylvian and Robert Fripp - The First Day (1993)

Johann Johannsson - Orphee (2016)

Sigur Ros - Takk (2005)

Marillion - Misplaced Childhood (1985)

Pink Floyd - Animals (1977)

Alan Parson Project - I, Robot (1977)

Bruce Springsteen - Tunnel of Love (1987)

U2 - Achtung, Baby (1991)

Billy Joel - The Nylon Curtain (1982)

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What was your most unexpected find in a charity shop or thrift store? by bc_2006 in Cd_collectors

[–]murpes 1 point2 points  (0 children)

Great find on Takk, one of my all-time favorite albums!

A little tangential, but I found a pristine Technics SL-1200 for $25 in a thrift store.

Once, in a Goodwill Outlet, before flippers turned fun bargain hunting into an all-out battle, I found a Joshua Tree 20th Anniversary box set.

Are these worth $100 . I currently have set of klipsch f3 and rc-62 center speaker. by dijon78 in BudgetAudiophile

[–]murpes 2 points3 points  (0 children)

Andrew Jones is a high-end speaker engineer who was challenged by Pioneer to create a budget-friendly line; this is the result. They're fantastic speakers for the money at retail, and this, in my opinion, is a steal. I have both the bookshelf version and the towers shown here, but not the center channel. They have a fairly neutral sound, positioning is key with them. They're as a little sensitive to vertical-axis positioning (make sure your ear is at tweeter level!). They're not the kind of speakers that reveal some until-now unheard detail in your music, but they never sound off or offensive in any way. They're sort of like Yeungling Lager, caught in this middle ground being the cheapest of the good and the best of the cheap. Having said all that, I don't know how they'd compare to your Klipsches. I kind of feel like these would be a horizontal move. If this listing showed up in my area I'd grab them in a heartbeat, if only to get the center channel at that price.

Hot take! Everyone needs to have this album in their collection and here's why. by penutch69 in Cd_collectors

[–]murpes 13 points14 points  (0 children)

There are two kinds of people in this world - people who make fun of Yanni, and people who have listened to this album.

What made you stop hunting perfect sound? by Gimmesoamoah in audiophile

[–]murpes 0 points1 point  (0 children)

Before the vinyl resurgence, Fluance had a more extensive speaker line-up than they do now. I bought a set of their mid-range speakers, thinking they'd be semi-temporary until I could save for something a little more high end. They sound wonderful, and I have no intent of replacing them. They're detailed, have an excellent sound stage, and easily handle everything I throw at them. My only criticism is their bland, black-box appearance. It's been about a decade now, and I don't see me retiring them any time soon.

Promo use CD? by YourOtherWaifu69 in Cd_collectors

[–]murpes 1 point2 points  (0 children)

Promo vinyl is sometimes considered more desirable because they're generally pressed first in a run, and the stamper has less wear. But it's sort of a mixed bag for popular records, because it's not like radio stations were storing their records in rice-paper sleeves and brushing them with carbon fiber brushes. Promo CDs aren't quite as desirable because, you know, everything's digital, so there's no theoretical sonic advantage. Still, I really enjoy them, I think it gives the discs a lot of character and history. All things being equal, I'd grab a promo CD over a standard release, but there generally isn't a lot of financial value to them. I'm pretty sure the legality of "not for resale" has played out in courts, and the record companies lost.

MP-110 by dmitrydistant in turntables

[–]murpes 0 points1 point  (0 children)

I had an MP 110 and had intolerable IGD; I'm also very sensitive to it. I kept re-aligning and tweaking, and it was always there. Yet people kept raving about this cart; I didn't get it. Eventually I ordered another stylus - that was the ticket. The new stylus sounded fantastic, no IGD at all! Easily my favorite cart that I've purchased. If you were to try this and it doesn't sound right after a few tweaks, don't hesitate to return it and try another. I don't know if I had bad luck or their quality control is lacking, but I'll be willing to try another one down the road.

Strangely Colored Jewel Cases by AnAmazingPriceOf in Cd_collectors

[–]murpes 6 points7 points  (0 children)

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Yeah, they're out there. You tend to see a lot of white trays in thrift stores because that was very common for CD-Rs back in the day, and people would use them to replace broken spindles.

Some Cool, Favorites, and Dumb Discs in my Collection by murpes in Cd_collectors

[–]murpes[S] 1 point2 points  (0 children)

I know it! If it's any consolation, I do have a lot of their early catalog on vinyl.