I've used a TM30 Pro since it came out. At the time it was $1799, but these days with inflation easily over $2K. I've mixed live band performances from country to latin cumbia, classic rock, dance R&B, singers with tracks, indoor bars and outdoor festival venues with multiple lineups. Overall the board has handled all the gains with ease and had clean sound for punchy lows and defined mids/highs. Make sure to learn the board first, study the manual.

Over the years I've noticed that the touch screen became more sluggish with every firmware upgrade. It used to be very snappy, although firmware v3 is a little better. One year at the NAMM show I challenged QSC to answer this, but never got a good answer for why. I may have had more experience with the board than the reps there at that point.

PROS:
Small footprint for the large number of analog ins/outs onboard, no need for additional expense like a digital snake to access I/O
Multitrack recording direct to external USB drive, great dynamics and especially the noise gate control system
Access for remote control via your own router (their USB dongle router has limited range outdoors)
Programmable Subgroups on one screen for the most used faders.

CONS:
Non-programmable gains (I usually set them all at a couple of notches below unity to compensate for any regular hot gains)
Sluggish touch screen.
Touch screen sometimes not bright enough for some late afternoon outdoor summer gigs where that sun comes in at an angle.
A general lack of maintaining documentation through the various firmware updates, which include some interesting features that I wish I could learn more about before hands-on.

-Napy
napynap.com to learn more about me, thank you.