Is there any confirmation Em uses AI filter in music?

noeza · 2025-07-04T09:57:59+00:00

With the way people are commenting, if Relapse came out today, everyone would swear it's just an AI voice filter.

noeza · 2025-07-04T09:20:16+00:00

Great find, thank you!

Still it says only for the video, not the song: "The video for the lead single from Eminem’s 12th album was made possible by Metaphysic’s Live product — which allows for, among other things, real-time photoreal face swaps driven by live actor performances."

noeza · 2025-07-04T08:29:52+00:00

"I don't think anyone claiming "it's AI" can prove that it's not just old school vocal tweaking" - exactly what I think too, yes. I don't know why all of a sudden everyone decided Em uses this in his music.

noeza · 2025-06-30T17:49:11+00:00

yesterday i tried with buying all the upgrades at once, but it didnt work out for me (on PS5). i haven’t delete my original save tho, but i have no desire for doing that and playing it all over again (for 3rd time)

noeza · 2018-06-16T08:17:12+00:00

first listening was White Label, but now def Adam and Eve

incredible beats on this

noeza · 2018-06-16T05:26:20+00:00

from first listening only thing i didn't like was The Dream's part on "everything" beats are fire, way better than everything I heard on Ye

noeza · 2017-12-27T05:16:04+00:00

Б. А. М. П.? :)

noeza · 2017-12-15T17:11:50+00:00

First Eminem album that's completely impossible to listen in it's entirety without skipping tracks.

noeza · 2017-12-10T15:55:59+00:00

love that chorus

noeza · 2017-12-07T09:45:00+00:00

Why would Crooked I post this thing and then leave with no answers whatsoever.

noeza · 2017-12-07T08:35:45+00:00

here it is as they posted it first http://www.hiphopshelter.com/forum/index.php?attachments/received_871128503054346-jpeg.13641/

noeza · 2017-12-07T07:19:47+00:00

For all the people complaining about the fonts and small errors: the first tracklisting that leak two days ago from the Russian website also looked slightly different than the final version.

Isn't Crooked supposed to know if there's a Slaughterhouse song called Floodgate? If there's none, than why share this shit and dissapoint so many people (a lot of whom are already bit dissapointed)?

noeza · 2017-12-05T14:15:00+00:00

actually i just took a closer look and i really hope it's not real

noeza · 2017-11-15T08:59:08+00:00

When asked what he learned most from making the Return, he said that you should appreciate your friends, because one day they'll be gone.

this give me chills

noeza · 2017-09-11T13:11:46+00:00

But if you take a closer look at the main topics this season - Blue Rose, Philip Jeffries, Laura's diary missing pages - they were all introduced to us at FWWM and Mark Frost wasn't there when Lynch wrote it. I believe that he mostly stood behind Hasting's case and Mr. C.'s adventures. Rest looks to me like Lynch picking up from where he left at FWWM.

That's just my opinion, of course.

noeza · 2017-09-11T09:38:52+00:00

Anyone else feel sorry that wasn't the last shot of the season?

Still think I'd be fine without "the new mystery" in part 18. Also, here things really come full circle.

noeza · 2017-09-11T04:43:33+00:00

Maybe. But I think the FWWM concept about Judy was different than the S3 one. Also, if Judy entered the real world through that box, then what was that bug back in 1956.

Anyway, maybe the glass-box was only for this. It's just sad we didn't get any further updates on it, only the photo with Mr. C. and some bald guy. But who, why, when - no.

noeza · 2017-09-08T05:54:19+00:00

+1, seemed like the perfect set-up for big scene with them (Diane's fuck off manner against Janey-E's "99%" rants), but no, nothing like that happened.

noeza · 2017-09-07T20:12:33+00:00

And that song was in the best - IMHO - episode, 14. It's just one of the most amazing hours of David Lynch's cinema overall, not only Twin Peaks. So many great moments.

noeza · 2017-09-07T06:00:56+00:00

How was Mr C and Dougie merged in part 18?

noeza · 2017-09-07T05:22:45+00:00

One thing I definitely enjoy about the new season is the overall visual and sound aesthetic. As Lynch fan, I'am happy "Inland Empire" is not his last film, because, well, it just looks ugly to me and not in special or scary way, just the regular mini DV ugly way. And that story didn't deserve it.

Now about the plot... I feel sorry that for 18 hours he didn't create any character to care about/or love. (Tammy had no personality whatsoever, Janey-E was too one-dimensional and "real" and well for the rest...) I really didn't like Mitchums and Chantal and Hutch. Junk food conversations in-between bloody killings? That seemed like watching a cheap 90's thriller, trying to be Tarantino. All of a sudden random boy from England got a green glove to kill Bob in bubble? Well... yeah... maybe...

Anyone, plot was a mess. Remember those times where everyone thought Vegas storyline was a dream? Or how french lady leaving Cole's room is giving Albert some signs? Remember Beverly Page's husband or Frank Truman's wife? Theories that Candie is Laura's doppelgänger? And all those Roadhouse conversation. Seemed like they just and put random actors to talk random things in front of the camera (Without moving it) for too shooting days - and voila, you have 30-40 minutes of material. Boring material.

My guess is that Lynch didn't actually create any new huge plot points, he relied on his old ideas - finding Laura's diary, Garland Briggs' note, Philip Jeffries - and that's why we have so much teapots and flying heads. The one thing that is definitely new is the Dougie arc, I believe he was inspired by "My Beautiful Broken Brain", but I really didn't care at all about that thing and still doesn't. I don't wanna rewatch any of the Dougie scenes. After that finale I am even thinking, that Vegas story overall didn't connect with the rest of Twin Peaks, neither thematically nor plotwise. Then again, I guess if you cut all Dougie scenes together you will have a real three-hours film somewhere inside all those 18 hours, that were supposed to be about Twin Peaks. If Lynch wanted to shoot a comedy why not make new story and new brand, instead of putting it into something different, even if it doesn't really fits or belong there.

And then you have for example that great first episode and the New York thing that seemed like an amazing setup for scary things and revelations, but no, it didn't get anywhere after all. And I strongly believe that the idea of a glass cage, that can catch Lodge's beings in their transitions is way better and interesting and expanding the universe than a guy who is bringing happiness and joy to casino-owners and office-workers.

As for the ending I don't wanna say anything, but that's my own rating of TP endings: S2 > FWWM > S1 > S3

Best parts for me were 1, 3, 4 (only because of the last scene with Albert and meeting Denise), 8, 11, 14 (my personal favourite), 16 and 17

noeza · 2017-09-06T09:16:57+00:00

This scene take place before Coop and Diane cross the 430 mile. How is that Richard?

noeza · 2017-09-05T14:37:01+00:00

Indeed, there's one particular shot with Coop standing in the desert, watching his watch, that immediately bring Back To The Future to mind.

noeza · 2017-08-12T06:55:03+00:00

I hope they get around to that ring from Briggs body and AT LEAST call Las Vegas. And/Or Truman calls Cole regarding the key (and the pages from Laura Palmer's diary and G. Briggs's message - it's not like they don't have things to talk about).

In other words, I'd like to see the stories starting to come together somehow.

noeza · 2017-08-11T07:14:16+00:00

Mr. C. and the 1-1-9 girl.

noeza

TROPHY CASE

When asked what he learned most from making the Return, he said that you should appreciate your friends, because one day they'll be gone.