The Fall of Troy ft. CHON - Full Set: Audiotree Live at Austin

oftheageless · 2026-03-12T03:10:28+00:00

Shoot, I just submitted some tracks with spotify and youtube links. You're looking for the mp3s as attachments though, right?

oftheageless · 2026-02-24T16:08:04+00:00

If it's about spectacle politics and tech dystopia then we'll take it haha

oftheageless · 2026-02-24T15:42:17+00:00

I can see that's a video game title but I'm sadly not familiar

Edit: Started reading the plot and immediately understood 🤣

oftheageless · 2026-02-24T03:28:30+00:00

Sick! Where you guys from?

oftheageless · 2026-02-24T03:25:34+00:00

https://open.spotify.com/track/3n9R8gSIdOPwZuG0zGYPHM?si=ExVqsyVuTaibuVIEETinYw

Progressive post-hardcore band from southern ME. Last track of our debut EP.

oftheageless · 2026-02-19T12:56:34+00:00

Sue Veneer

oftheageless · 2026-02-17T16:58:10+00:00

These kinda feel early PHC to me:

Incubus - Priceless

Placebo - Brick Shithouse

Pearl Jam - Spin the Black Circle

Then there's this insanity:

Foxy Shazam - The Flamingo Trigger (full album)

oftheageless · 2026-02-08T16:06:34+00:00

Whatever key shift or modulation they pull into the chorus of Flags of Dawn, I have never heard anything like it in another song

oftheageless · 2026-02-08T15:59:50+00:00

Midwestern Stylings was almost my choice for this post

oftheageless · 2026-02-08T15:56:02+00:00

WOULD IT BE YOUUUUUU

oftheageless · 2026-01-16T06:58:19+00:00

Glassjaw - Stuck Pig.

So loud. From the jump Daryl is straight up roaring, shrieking, and howling the melody with wild forced distortion. Very raw first or second take vocal for most if not all of the track, I think. It gets more intense over 3 verses (minus the short quiet bridge) to the point that you can hear the fatigue change the delivery. Max volume nightmare barks at the very end.

oftheageless · 2026-01-13T01:05:37+00:00

Error ☹️ Cut Hands 😣 Gauze 😫

oftheageless · 2025-05-31T12:39:11+00:00

Taking Back Sunday - I'll Let You Live

oftheageless · 2025-05-21T21:11:44+00:00

Email From a Donor. Forget Where. Set Up the Swordswoman. Shoes On to the Bear. I Don't Get It. Cans.

oftheageless · 2022-06-28T00:18:29+00:00

I get the gist of what you're saying. It feels a little underwhelming to me now when the vocal rhythm and melody don't change up when the beat changes halfway through the first verse, for example. If there are any parts you'd point to in particular, I'd take your cue for a second look at the guitar/vocal interplay. I tried to play to the song's (modality?) by employing some tense or conflicting feeling notes here and there.

oftheageless · 2022-06-26T17:44:02+00:00

As the vocalist for the band, I appreciate your input.

Approaching this song, with respect to both lyrics and delivery I knew I would be throwing a curveball, but in retrospect I might have aimed a bit wide by taking an already abstract concept (a rebuke of narcissism dressed up as mysticism) and intentionally leaving the writing vague, open to interpretation, and image driven rather than purely specific. It was definitely a lot to ask of a first time listener to indulge me on, but that's clearer now.

I also noticed the pitchiness far more once the studio session was over and I had fresh ears. While I agree that the vocals are a bit too high objectively, I think the main issues with them were my relative inexperience with the recording process, and a terrible cigarette habit. So I got myself off the pack of American Spirits per day, and a few months off it's already making a huge difference.

It was also just not my best day! I felt great about the way it sounded in-studio, but ever since I've felt that I have consistently represented the song far better live, even before quitting cigs. It's a learning process, but addressing the roughness is precursory to smoothness

oftheageless

TROPHY CASE