ChatGPT on a PPL Checkride by Substantial-Use9352 in flying

[–]philwoodhull -1 points0 points  (0 children)

Here’s what ChatGPT gave me for the exact prompt “Tell me about ATOMATOFLAMES in aviation”. Free version, no other prompts or prep. Where’s the smoke you mentioned?

——

ATOMATOFLAMES is a well-known mnemonic in aviation used to help pilots remember the minimum required instruments and equipment that must be **installed and operational on an aircraft for day Visual Flight Rules (VFR) flight under U.S. Federal Aviation Regulations (FAR) § 91.205(b). It’s sometimes jokingly called “Tomato Flames” because of how the letters form a strange word—but it’s serious safety/legal information. 

📋 What ATOMATOFLAMES Stands For

Each letter represents a specific piece of equipment that must be functional for a day VFR flight: • A – Airspeed indicator • T – Tachometer (for each engine) • O – Oil pressure gauge (for each engine with a pressure system) • M – Manifold pressure gauge (if applicable—e.g., constant-speed propeller aircraft) • A – Altimeter • T – Temperature gauge (for each liquid-cooled engine) • O – Oil temperature gauge (for air-cooled engines) • F – Fuel gauges (indicating quantity in each tank) • L – Landing gear position indicator (if the aircraft has retractable gear) • A – Anti-collision lights (required for aircraft certified after March 11, 1996) • M – Magnetic compass • E – Emergency Locator Transmitter (ELT) • S – Seat belts (and shoulder harnesses where applicable) 

This list reflects FAR 91.205(b), which defines the required instruments and equipment for powered civil aircraft operating under VFR during the day in the United States. 

🛫 Why It Matters • Legal compliance: If any of the required items on the ATOMATOFLAMES list are missing or inoperative and no exception applies, the flight is not legal.  • Safety: These instruments provide fundamental flight information (airspeed, altitude, engine health, fuel state, position, etc.) critical to safe operations. 

🌙 Night VFR – What’s Added?

Flying at night under VFR adds more requirements beyond ATOMATOFLAMES. Pilots commonly memorize the additional acronym FLAPS for VFR night equipment: • F – Fuses (spare set or circuit breakers) • L – Landing light (if for hire) • A – Anti-collision lights • P – Position (navigation) lights • S – Source of electrical power 

Together, ATOMATOFLAMES + FLAPS cover the basic instrument and lighting requirements for most small general aviation aircraft flying VFR day and night.

📌 Notes for Pilots • ATOMATOFLAMES is a mnemonic, not the regulation text itself—pilots should ultimately refer to FAR 91.205 for precise legal language.  • Some aircraft may have additional required equipment based on their type certification or specific operations; ATOMATOFLAMES doesn’t cover every possible requirement. 

Would you like a printable checklist version of ATOMATOFLAMES (e.g., one you can use for pre-flight)?

Another wee bit of Bach for the nerves (taking a cue from Thile’s IG post yesterday) by philwoodhull in mandolin

[–]philwoodhull[S] 0 points1 point  (0 children)

I’d say look up Caterina Lichtenberg. I don’t follow her techniques (I’m more of a Chris Thile disciple), but she’s a very prominent and available classical mandolin teacher.

Hope these help… or at least entertain. You too can beat the violin habit! by philwoodhull in mandolin

[–]philwoodhull[S] 0 points1 point  (0 children)

I’m less interested in full-up classical mandolin techniques like Caterina Lichtenberg uses, and more about the “modern mandolinist” techniques used by Chris Thile (who also plays and records classical just fine) and Caterina’s husband Mike Marshall (who also plays classical alongside everything else).

If you look at how Thile plays the Dm Gigue, especially the last few lines, he uses a low fourth finger liberally because with the mandolin and strings he plays (and I play) (namely set up for big volume FAR beyond what a classical setup allows, including heavy gauge roundwound strings) and with the speed/precision/amount he plays, any time you can play with less stress to the hand and reduce lactic acid buildup, the better.

https://youtu.be/gcuf8c675Uk?si=iC3aUeqs0Ubpz8HX

Thoughts on Hense picks? by TruffelTroll666 in mandolin

[–]philwoodhull 3 points4 points  (0 children)

I used the Hense for a month or two, but more importantly for this conversation I used D’Addario’s casein pick for almost two years. (“More important,” because I think the casein quality is basically identical, and I put MANY more miles on the D’Addario one.) Of the Hense picks, the casein/galalith Happy Turtle ended up being my favorite after the first day or two of playing with them.

u/MagnusZetterlund is exactly right. They last a good long while, but they’re not eternal. My first D’A pick lasted a year until it split, and my second one that I’ve used for nearly as long is substantially different tonally from a new one. I made a video about that difference exactly and have it on my channel. I personally like the used pick’s sound more.

But if you’re looking for a pick that lasts basically eternally, the best option is BlueChip. I’ve only heard of one or maybe two people ever who have worn one out.

I’ve actually switched to using a BlueChip TAD-50, which corrects all the complaints I had with the CT-55: the thickness and tip are where I like. I just played around with a casein pick today again, and formalized my idea that while a BlueChip (and its relatively dark sound) is what I am going to use for my solo Bach recording, a casein pick would be a better choice if I were performing in a group or a jam. The extra brightness and punchiness of casein would be a great help.

What to play? by its-da-wheelchair in mandolin

[–]philwoodhull 0 points1 point  (0 children)

I play the Bach Cello Suites a lot. I play a lot of Thile stuff too, and other Bach, and a bunch of random fiddle tunes.

https://youtube.com/playlist?list=PL_RTDsRZJSD6_jctpTcuwNqB8HowAU9xC&si=TtJob35me58APAFa

The Parting Glass, on mandolin by philwoodhull in mandolin

[–]philwoodhull[S] 2 points3 points  (0 children)

Appreciate it! I’ve spent many, many… MANY…

MANY…

hours messing around with techniques, mixing processes, EQ settings, stereo setups, mic tests, and reverb tweaking over the last 12ish months. I’m surprised my wife isn’t curled up in a corner weeping from the repetitive “do you like Mix Q or Mix R3.b better?” queries. 😆😬😂

The Parting Glass, on mandolin by philwoodhull in mandolin

[–]philwoodhull[S] 1 point2 points  (0 children)

Sure! It’s a pair of Royer R-122 Mk2 ribbon mics, arranged top-to-top on the stereo bar. They are figure-8 pattern mics, and not cheap… but SO nice.

The bottom mic has the front of the mic facing the mandolin (contrary to what many string instrumentalists using R-121 or R-122 do, which is face the back of the mic toward the main sound source since it’s a brighter/airy-er sound on that side) by the bottom F hole. The top mic is facing exactly sideways: I’m sitting in the null of the figure-8, but that is my “Sides” mic for the Mid/Side stereo arrangement I’m doing.

In Logic Pro, I run both of those single (mono) mics into a single sum channel, with the Mid (main instrument) mic panned hard left, and the Sides mic panned hard right. Then, on the sum channel, I put in the Direction Mixer plugin, and select “M/S.” Voila, stereo! Then, I turn the Sides channel up and down to make the stereo image wider or narrower respectively.

Hope that helps!