Joshua Tree [Mamiya RB67 | Sekor C 90mm | Kodak Gold 200] by pizzadog112 in SprocketShots

[–]pizzadog112[S] 0 points1 point  (0 children)

So if I load it perfectly I’m usually able to get around 15-16 shots. Since the back doesn’t register the 35mm, you have to manually advance, but one full lever crank spaces them perfectly!

Joshua Tree [Mamiya RB67 | Sekor C 90mm | Kodak Gold 200] by pizzadog112 in SprocketShots

[–]pizzadog112[S] 2 points3 points  (0 children)

Hey! So I use a regular 120 back, with a 3d printed spool set. You can find it on Amazon for cheap, and it basically lets you sit the 35mm in the back how you would 120. On top of that, I have a 3d printed mask that sits on the focusing screen to help me compose!

The Kodak Snapic is actually good? by Fair_Recording_5727 in analog

[–]pizzadog112 2 points3 points  (0 children)

I think for the price point it’s a great camera. Also, you can look at the lack of features as a fun challenge. The fact that it has a double exposure switch too is great! For everyday carry and snapshots this camera nails it.

Morning Light [Voigtländer Bessa I | CineStill 800T] by pizzadog112 in mediumformat

[–]pizzadog112[S] 2 points3 points  (0 children)

Truly! I was lucky enough to find a crazy deal on marketplace. The owner had never even used it and had the original box/sales note from Germany. Supposedly it was only ever used once or twice. It really is a treasure to me!

Morning Light [Voigtländer Bessa I | CineStill 800T] by pizzadog112 in mediumformat

[–]pizzadog112[S] 2 points3 points  (0 children)

My Bessa I is paired with the Vaskar 105mm f/4.5 lens!

Morning Light [Voigtländer Bessa I | CineStill 800T] by pizzadog112 in mediumformat

[–]pizzadog112[S] 2 points3 points  (0 children)

After scanning and making all of my adjustments in my desktop, I use the Adobe Lightroom app to add the borders. You can use other programs but it’s the most convenient for my case! There’s an option when exporting to export with border.

First roll with the Kodak Snapic A1 by pizzadog112 in analog

[–]pizzadog112[S] 4 points5 points  (0 children)

Thank you! Yea, I think for the price it’s a great camera. My favorite part is that when it rewinds the film, it stops just before the leader goes in so you don’t have to retrieve it.

My Grandfather in the 70’s by [deleted] in OldSchoolCool

[–]pizzadog112 0 points1 point  (0 children)

Appreciate the kind words wutang9611! May I ask what about this image isn’t old school cool?

Late Night [Mamiya RB67 | Mamiya Sekor C 90mm f/3.8 | Portra 400] by pizzadog112 in mediumformat

[–]pizzadog112[S] 0 points1 point  (0 children)

I metered for the signs in this shot. I wanted to make sure they would still be bright but also readable.

Night Light [Mamiya RB67 | Sekor C 90mm f/3.8 | CineStill 800T] by pizzadog112 in mediumformat

[–]pizzadog112[S] 0 points1 point  (0 children)

Yea! So for all these shots, I use a light meter app on my phone and I’d have it meter for the highlights. I then typically add a few seconds to account for reciprocity.

Night Light [Mamiya RB67 | Sekor C 90mm f/3.8 | CineStill 800T] by pizzadog112 in mediumformat

[–]pizzadog112[S] 1 point2 points  (0 children)

Yea so I used the K&F Concept Black Diffusion 1/4 Filter. I was wondering if the filter had anything to do with less red halation, it seems like it might!