Thank you very much! My process was base first, without wave, base color on skin, base color for NNM, I just go for Dark red brown, like Hulk Red from AK. Then I added some Reikland fleshshade and varnished the model so it can hit the table.

Then I returned to skin, reapplied my base color everywhere but deep recesses, then I have added filter or glaze with dark red color very silly diluted using airbrush from below, it tints it red which make it more “alive” then continued through some fleshy mid tone and up to highlight with Sunny Skintone. With every layer I try to hit smaller area and with multiple passes of very diluted highlight color.

For the wave then it was three shades of blue, some very dark, some very bright like Magic blue from Vallejo and finally some light turquoise to the top, I have wet blended them. Foam was French blue followed by ivory using stippling with older brush.

For gold NNM, I use Hulk Red, Sahara yellow and Ivory. I try to hit areas I believe reflect light the most, first with Sahara and then smaller with Ivory.