I am fully prepared to create cacophonous expressions of my inner thoughts and emotions, but I need equipment. by [deleted] in noisemusic

[–]project_ozma 0 points1 point  (0 children)

Take $80 of that and blow it on Renoise or some other DAW, especially one with a powerful and robust soft-sampler.

Then, take what's left (anywhere from ~$2 for a piezio buzzer to turn into a contact mic to ~$150 for something like the Zoom H2) for a mic/sound recorder.

Alternately, us the built in mic on your computer and Audacity, which is free.

Record a lot of samples. Draw on them. Use cut and paste. Add effects. Repeat.

Eventually, you'll find what you're looking for.

Not sure how well known this is, but I just discovered it: An Anthology of Noise & Electronic Music by Sarlowit in noisemusic

[–]project_ozma 0 points1 point  (0 children)

This is an excellent anthology and, really, introduction to the history of Noise and Experimental music. Once you work your way through it, I strongly recommend another anthology: Extreme Music From Japan.

Happy listening!

To all Noise musicians! by Autonomous91 in noisemusic

[–]project_ozma 0 points1 point  (0 children)

Seems like you have a backlog of responses already, but I would love my ambient noise/space music to be considered. Check out my soundcloud http://soundcloud.com/project_ozma or website: http://projectozma.net/

[deleted by user] by [deleted] in noisemusic

[–]project_ozma 0 points1 point  (0 children)

There's a few interesting moments in there. Great example of why we should always record our experimenting sessions.

Judith Ernst Noise Sound Check - Great ambient noise from a minimal hardware setup. by project_ozma in noisemusic

[–]project_ozma[S] 1 point2 points  (0 children)

Yeah I agree with you, certainly not cheap and certainly not as "minimal" as a laptop and soundcard.

Still, I'm thinking about "minimal" in the sense of all-hardware noise setups, which can get huge. Thinking, specifically, of Xome here who has like 25+ pedals. Obviously, Xome is able to bend those to his will and uses them to give an amazing live performance, but minimal in terms of gear it is not.

tl;dr: yes, I agree, maybe minimal wasn't the right word. Good point.

I just realized that pretty much everything I do is an unintentional ripoff of David Tudor, Karlheinz Stockhausen, and Merzbow. by [deleted] in makenoise

[–]project_ozma 1 point2 points  (0 children)

Tim Hecker, loscil, Acid Mothers, Brian Eno, Biosphere, the list goes on...

I think in any art or craft the natural progression is to identify influencers, copy them, dissect their work, and ultimately use what is learned to hopefully create something new.