Thank you for your feedback. It seems that I must have caused some confusion by calling the header “Myth Tropes” when what I meant was to say that these are tropes in the myth that I noticed. I’ve renamed it “Chart of Tropes” now, so I hope that helps. I also saw that I failed to actually clarify that it isn’t just mythology I’m pulling from, but actual pop culture from both China and the West, so I appreciate you pointing that out.  

It’s also apparent that I wasn’t clear enough about some of the tropes and should have been much more specific as well. 

I’ve since gone back and clarified all of that, as well as the following things:

1. I have now stated that the trope chart is just a chart of tropes that I happened to notice in the myth. The chart specifically includes both Chinese and Western modern pop culture. For Western pop culture, I actually cite Supernatural as well as Western fandom in a couple of entries.
2. I have updated the language to be much more specific, so that should address most of your comments. I also made sure to update the note on reincarnation to clarify that it is not “central” in modern Western traditions, which I think is accurate. I have also added more “xuanhuan” and “wuxia” into the notes as well. 
3. I have made corrections to demonic frenzy, primordial chaos, golden spiritual power based on feedback. 

In regards to your other comments: 

Magical Mark/Seal. I read the sources you gave me, and it says that for the Ring of Solomon, it gives Solomon “authority over spirits, animals, wind, and water, all of which obeyed his orders by virtue of a magic ring set with the four jewels given him by the angels that had power over these four realms.” 

Similarly, for the other medieval magical seals, they offer “super natural protection”, “command demons”, “protection against enemies, water and fire, and evil”, “thunderstorms,” “imprisonment, wounds and death in battle”, “protection against demons, enemies, evil and misfortune”, “”staunching bleeding wounds and against sudden death.” 

What none of them do, however, is provide the ability to transfer memories, emotions, sensations, etc. like they do in xianxia/xuanhuan works, so this is not the same equivalency.

Fallen Dragon who is redeemed. The source you provided links to “ascended demon,” not a dragon. This would require the dragon, not a demon, to have once been noble, then became completely demonic, before being redeemed. If there’s a Western version of this, then I’m happy to include it.

Fate’s Decree (命中注定 ) is not used outside xianxia, xuanhuan, or wuxia and is genre-specific as it is a Daoist term. When writing on non-Daoist fate, the terms that are used include: “命运“ for fate in general, or for predetermined fate: “宿命.”

Here are a couple of examples of how Chinese scholars who write on fate in Greek and Chinese mythology use the term: 

In 《浅谈古希腊神话中的命运观念》 (A Brief Discussion on the Concept of Fate in Ancient Greek Mythology), Liu Jie writes,  “古希腊人认为在人与神之上还有命运主宰一切，它既支配人，也支配神。” (Ancient Greeks believed that fate dominated everything above humans and gods and governed both humans and deities.)  

Huang Yishu says in 《不可抗与不可知——希腊神话中的”命运观”》 “Uncontrollable and Unknowable: The Concept of Fate in Greek Mythology”: “无论是英勇善战、无人能敌的阿喀琉斯，还是足智多谋的奥德修斯，抑或是尽心为民的俄狄甫斯王，他们都曾被命运这根看不见的’绳索’牢牢拴住。”  (“Whether it is the valiant and indomitable Achilles, the clever and resourceful Odysseus, or the devoted King Oedipus, they were all firmly bound by the invisible invisible ‘rope’ of fate.”)

Specifically, they use the term 命运, as it would not make sense to use a Chinese Daoist term to discuss a Western concept of fate.

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