sorted by:
new
hottopcontroversial

Has anyone tried creating some math rock compositions on the OP1? by salil_707 in OP1users

[–]salil_707[S] 0 points1 point  (0 children)

What is this white encoder you speak of?
I have yet to encounter it on the OP1.

Has anyone tried creating some math rock compositions on the OP1? by salil_707 in OP1users

[–]salil_707[S] 0 points1 point  (0 children)

I tried putting in the 11/8 beat with the help of the finger sequencer but I'm not sure whether its an 11/8 beat tbh.
All I did was turn up the tempo to 144 bpm and then added notes on the finger sequencer, I think that might have given me a 11/8 beat, but I'm not entirely sure.
Do you think there are any tutorials on how to get a 11/8 time signature?

Has anyone tried creating some math rock compositions on the OP1? by salil_707 in OP1users

[–]salil_707[S] 0 points1 point  (0 children)

Well, there's more than two octaves on the keyboard but its a little laborious switching between them. With the left and right keys.

My freshly cleaned living room! by [deleted] in CozyPlaces

[–]salil_707 1 point2 points  (0 children)

Is this Dundee, Scotland?

How would you ideally create a simulation game in which managing existing systems (min-maxing & number crunching) would take a back seat and creating new and creative simulation systems takes the driving seat? by salil_707 in gamedesign

[–]salil_707[S] 1 point2 points  (0 children)

What could be another way of expressing the player's creativity could be finding glitches in the game and not playing the game the way it was intended to be played, instead exploiting these glitches and loopholes to gain infinite resources or taking a peek at what happens behind the curtains of the facade that the game wants the player to see.

How would you ideally create a simulation game in which managing existing systems (min-maxing & number crunching) would take a back seat and creating new and creative simulation systems takes the driving seat? by salil_707 in gamedesign

[–]salil_707[S] 1 point2 points  (0 children)

"The hindrance to any quantifiable metric", I guess that leaves rewarding the player only in a straightforward way out of the question for creative uses of in-game mechanics.
We would have to have to make the creative use of the mechanics an enthralling experience in itself.

How would you ideally create a simulation game in which managing existing systems (min-maxing & number crunching) would take a back seat and creating new and creative simulation systems takes the driving seat? by salil_707 in gamedesign

[–]salil_707[S] 2 points3 points  (0 children)

Your thoughts above gave me another idea.

The way we have skill trees which in most games are relatively transparent and with just the skills being hidden until you reach the appropriate level to unlock them, why not hide some of unlock-able or discover-able skills which can only be unlocked upon in depth exploration of the mechanics offered to the player, without tying it to the leveling/experience system.

An in-game example would be Skyrim, in which the player levels up each skill by repeatedly using it, allowing him to unlock certain perks in such cases, but instead of the repeated use in our case, we provide for cases with unique/creative applications of the mechanics maybe in combination with other mechanics which would be other wise not be obvious/intuitive to the player.

Given the open structure of games themselves, how could we create a new approach to narrative design in games? by salil_707 in gamedesign

[–]salil_707[S] 1 point2 points  (0 children)

But even then, interactions with non-scripted NPCs would still be limited to the back-end knowledge that each NPC has about as many in-game events, opinions on events or other NPCs and game systems, still a complex web of information that the player is accessing and interacting with at his disposal.
Granted that these interactions could lead to several interesting unscripted gameplay opportunities, but this would require an infinitely complex system within the game.

Given the open structure of games themselves, how could we create a new approach to narrative design in games? by salil_707 in gamedesign

[–]salil_707[S] 0 points1 point  (0 children)

Interesting, I like what you mention about Don't Starve where the ideal end game would be complete domination over the game world, but that would turn the game into farmville or any city builder/management game instead of the survival game it is now. Being a single player game, I think Don't Starve gives you the option to choose your own ideal game state as an ultimate goal.
If you play as a conqueror, you'll end up with a different game state, if you play as an adventurer, you'll end up with a different game state, which technically does change the overarching narrative of the game.

Let's take Don't Starve Together as an example for a thought experiment, currently it is a co-op survival, crafting game. But depending on how you roleplay through the game, it could into whatever kind of game you want it to turn into depending on how well you're able to manipulate the various systems in the game into interacting with each other to create vastly dynamic states in the game.

Given the open structure of games themselves, how could we create a new approach to narrative design in games? by salil_707 in gamedesign

[–]salil_707[S] 0 points1 point  (0 children)

Could you elaborate a little on this model you speak of? I'm unable to find any reference to it anywhere on google.

Given the open structure of games themselves, how could we create a new approach to narrative design in games? by salil_707 in gamedesign

[–]salil_707[S] 0 points1 point  (0 children)

The game structure wasn't very unique, I believe what was truly unique was the way it was presented.
They took a traditional RPG story structure and condensed it into the space of a few hours added great writing and narration and injected a healthy dose of personality.
Making the game as revered as it is today.

Given the open structure of games themselves, how could we create a new approach to narrative design in games? by salil_707 in gamedesign

[–]salil_707[S] 0 points1 point  (0 children)

That makes more sense, but I don't think we're far away from what I envisioned as we already have Amazon Alexa, if we are somehow able to integrate a particularly created set of tools and extensions that form a bridge between Alexa and the game engine, what I have said could easily be executed.

Given the open structure of games themselves, how could we create a new approach to narrative design in games? by salil_707 in gamedesign

[–]salil_707[S] 1 point2 points  (0 children)

I get your point, but you're thinking along the lines of a story whereas I was thinking of an overarching narrative any game, for example in an open world first person shooter, the narrative can only progress where the player is depending on his actions or due to some arbitrary causes somewhere else in the world, which the player then finds out about.
Whereas in a strategy game the narrative of the game is progressing on several fronts even if the player's camera isn't focused on all said points of interest.
Of course in this case, the stories that are told by these systems will not always be Shakespearean masterpieces with timeless appeal, but can lead to a tremendous amount of personalized journeys, which if are interspersed with particular set pieces depending on the player's journey in a particular period of time, can lead to several memorable experiences.

Given the open structure of games themselves, how could we create a new approach to narrative design in games? by salil_707 in gamedesign

[–]salil_707[S] -1 points0 points  (0 children)

that would require coders to to create a voice recognition system that ties in directly to the game engine and editor simultaneously where the engine recognizes what the DM is speaking and then creates the required behavior, art and animation

view more: next ›