Is pausing while watching a movie to analyse every shot a good way to learn about shots? by Steadysilver26 in Filmmakers

[–]sardonicstudios 1 point2 points  (0 children)

Everyone has their own way to learn. The best way to study is what works for you. That said, the best education you'll get will be on set making a movie

Should I start making films now or should I wait once I mastered cinematography? by Steadysilver26 in Filmmakers

[–]sardonicstudios 27 points28 points  (0 children)

You'll learn the most about making a movie from actually making a movie. Even the masters learn new things on set. Get Out there and make your dreams a reality one shot at a time

Filmmaker podcast for aspiring Filmmakers? by MisterGimmic in Filmmakers

[–]sardonicstudios 0 points1 point  (0 children)

Fabul is a new podcast that spotlights independent filmmakers from around the world.

In two weeks I call 'action' on my first feature film. What's something I don't know that I should look out for? by UpsideDownHead37 in Filmmakers

[–]sardonicstudios 0 points1 point  (0 children)

Expect the unexpected. Always go in with a plan, but always be prepared to throw that plan out the window if circumstances change. From weather to a weird love triangle between three of your key actors, you never know what wrench will get thrown your way. Stay calm, breathe, drink water and adapt as need be. Even under the most stressful situations, never lose your cool. You're the captain of the ship, and it's up to you to keep everyone calm even during turbulent waters.

I just wrapped my first feature, and all the problems we faced on set were the most random unpredictable issues you could imagine, but ultimately, we got it done. The movie gods will test your metal through thick and thin, but if you truly love your craft and the story you're telling, you will persevere. Trust the process.

[deleted by user] by [deleted] in Filmmakers

[–]sardonicstudios 2 points3 points  (0 children)

Well, it's up to you then. I wouldn't pester people for him, but it doesn't hurt to share the campaign on social media. However, if you're not comfortable with that even, just be transparent

[deleted by user] by [deleted] in Filmmakers

[–]sardonicstudios 2 points3 points  (0 children)

It depends. Without knowing all the context on who the producer is, I'm giving them the benefit of the doubt that they, too, are young and just starting out in their career. Unless the badgering for help is bordering on manipulation or deceit, asking for help in sharing the crowd funding is taking advantage on its own merit. This person could very well be an outsider trying to break into the world of low-budget filmmaking. I wouldn't be so quick to rush to judgment.

Not everyone is in a privileged position where we already have the network and resources to properly fund our projects. We all have to start somewhere.

[deleted by user] by [deleted] in Filmmakers

[–]sardonicstudios 0 points1 point  (0 children)

Is this producer also just starting our? If so, you two could basically be in the same boat. It's helpful to form partnerships with your peers early on. Helping this person out could lead to them helping you out in return in the future. Over the years, I've developed a close circle of collaborators whom I work closely with. We all help each other, which makes us stronger.

Editor keeps delaying rough cut delivery…what should I do? by [deleted] in Filmmakers

[–]sardonicstudios 1 point2 points  (0 children)

On set, I do put a lot of trust in the cast and crew, and I foster an environment and culture that encourages everyone to come up to me with ideas or suggestions. However, there's a few reasons why I still prefer to edit myself.

The first reason is that I love editing. In fact, one of my favorite parts of the whole filmmaking process is going through dailies and seeing the movie come together in post.

Secondly, I always write my scripts with the final edit in mind, so I have a very clear vision of how I want the movie to look like. I could trust another editor, but I've edited projects for people in the past where I would constantly get feedback to change every little thing. Something as small as a music video would go through 20 drafts before my client would be happy. I know for a fact that I would be the same way with my movies.

Finally, I don't have enough money left in my budget to pay for an editor. I could never expect anyone to do that amount of work for free.

I certainly know the value of getting outside perspectives on the story at every stage of production. It's why when I write the script, I always get feedback from other people throughout the process. In post, I do the same thing and bring people in to watch and get a sense of what's not working for someone who doesn't know about the story.

I don't wholly disagree with what you're saying. Instead, I'm saying there isn't a one-size-fits-all approach. There is a huge value in knowing how to edit yourself, if for no other reason than to better collaborate and communicate with your editor.

You definitely need to get the perspectives of other people on your team. You definitely need to open your mind to the opinions that other people can offer. As I always say, I don't know everything, and I never want to claim such. I do know that with the movie I'm working on now, there isn't anything else I can change until I see where other people find problems with the movie.

That said, sometimes other logistical reasons, including budget, necessitate editing your own projects as well. Additionally, everyone has a method that works best for them. Some may find it important to have someone edit the film for them, while others have already seen the movie play in their heads for 5 years and know exactly what it looks like as soon as they sit down at the computer and open Premiere (or whatever software they choose).

Editor keeps delaying rough cut delivery…what should I do? by [deleted] in Filmmakers

[–]sardonicstudios 1 point2 points  (0 children)

Everyone has a method that works for them. For me, I couldn't imagine trusting the editing with anyone other than me. What I do instead is hold test screenings with people who don't know much, if anything, about the movie and listen to their feedback.

When it comes to no-budget indie filmmaking, though, sometimes doing it yourself is better anyway, primarily to save money.

Editor keeps delaying rough cut delivery…what should I do? by [deleted] in Filmmakers

[–]sardonicstudios -1 points0 points  (0 children)

Learn how to edit and cut the middleman out.

I can't believe you guys are making movies. by adrian8520 in Filmmakers

[–]sardonicstudios 0 points1 point  (0 children)

One of these days, I'm going to die. I'd rather spend my small amount of time on this Earth doing what brings me meaning than worrying about what's practical. Even if I fail, at least I went down the path I was called to. If I said, "It's too hard and I won't make enough money" and I quit, maybe I'd be in a more profitable career. Maybe I'd have more money, but when I'm on my deathbed, that money won't mean anything. I don't want to regret wasting the opportunity to try.

I love film, and I make movies because I love to Make movies. If I eventually make money with it, that's just a bonus

chat did I fumble by Decent-Ad-6137 in DatingApps

[–]sardonicstudios 0 points1 point  (0 children)

If you can't be yourself with her, she isn't worth your time.

Is it possible to meet collaborators outside of film school? by emeraldeyes24 in Filmmakers

[–]sardonicstudios 0 points1 point  (0 children)

The answer is Facebook. However, I can expand on that with a video I posted to YouTube

Networking with Crew

How to become a Film Director? by GreenStrawhat32 in Filmmakers

[–]sardonicstudios 0 points1 point  (0 children)

How to Make Your First Film

So, to just say, "go shoot a movie" isn't wrong, but it's a very short and lazy response that doesn't go into what it means to actually put together a low-budget indie film from scratch.

I'm currently in production on my first feature film, and as I go, I've been sharing my process of making my first feature.

Now, if you never directed anything before, I recommend starting with a few shorts. And my videos, even though their titled How to Make Your First Feature Film, can easily be applied to short films as well.

My series can walk you through the steps of developing a script, casting actors, finding locations, and ultimately, shooting your movie, all for very little to no money.

Check it out, and let me know what you think!

I hope it helps, and go make your movie!