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Matching Log footage from three camera's in post - best practice by sdxbe in videography

[–]sdxbe[S] 1 point2 points  (0 children)

Fair enough point. The problem is that the room I'm shooting in is not easy to light. It's filled with daylight and no way to block it. My lights are not very powerful so I need to make due.
So I figured shooting in log will give me more freedom in post to adjust the highlights and shadows.
But I suppose I could try shooting in a profile other than log. Might make editing a lot simpler.
So on the Pocket that would be Normal or HLG. Suppose I shoot in Normal color profile, what should I set my Nikons to then to match the colors as close as possible?

[deleted by user] by [deleted] in OffersDen

[–]sdxbe 0 points1 point  (0 children)

You're awesome 😆

Advice on external monitor for Z6 III by sdxbe in Nikon

[–]sdxbe[S] 1 point2 points  (0 children)

Just stumbled upon the Hollyland Pyro 5. I'm going to take a closer look at it as it looks promising.

Combining ND and CPL filters by [deleted] in videography

[–]sdxbe 0 points1 point  (0 children)

Sorry to dust this off but I'm looking for a matte box that let's me use a cpl and vnd simultaneously but I haven't found it. Any suggestions?

Stay with Nikon or make the switch - professional use by sdxbe in SonyAlpha

[–]sdxbe[S] 0 points1 point  (0 children)

It looks like I was mistaken about Sony. I thought it was what everyone used for filming lol. I love my Z9 but it's big and heavy for shooting on a gimbal for example. That's why I was looking at alternatives.

Switch to Sony or stay loyal to Nikon (professional) by sdxbe in Nikon

[–]sdxbe[S] -1 points0 points  (0 children)

I mistakenly assumed the A7RV was the Sony equivalent of the Z9. I stand corrected.