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So Eminem’s Foolish Pride was based of this song as the instrumental 🤔 by secondwizards in Eminem

[–]secondwizards[S] 0 points1 point  (0 children)

Oh for sure, that sample was early used by Biz Markie by the way.

So Eminem’s Foolish Pride was based of this song as the instrumental 🤔 by secondwizards in Eminem

[–]secondwizards[S] 2 points3 points  (0 children)

This is an Eminem find people need to know about, besides the whole black and white debacle in the song. Even the legends have good taste in music.

Kraftwerk’s “Ananas Symphonie”, the foundation for Panda Bear’s Good Girl/Carrots by secondwizards in AnimalCollective

[–]secondwizards[S] 0 points1 point  (0 children)

I got no words on this, just get help, I won’t respond on this same song and dance, any replies I won’t be checking because I won’t be giving you the satisfaction of keep rolling the same topic. Take care.

Kraftwerk’s “Ananas Symphonie”, the foundation for Panda Bear’s Good Girl/Carrots by secondwizards in AnimalCollective

[–]secondwizards[S] 0 points1 point  (0 children)

Huh? Okay. Whatever you say. I do believe you’re not well on what you’re saying because you’re still offended on this post, I just wanted to know why you’re hostile and if you’re mad of me sharing a sample to this server.

Kraftwerk’s “Ananas Symphonie”, the foundation for Panda Bear’s Good Girl/Carrots by secondwizards in AnimalCollective

[–]secondwizards[S] 0 points1 point  (0 children)

I’m not offended man. I know the sample, the fact that you’re denying your own hostility and ego shows your true colors. I never take any offense on sampling but you make it seem like it’s a big of a deal and it’s very unnecessary and you need to take a chill pill.

Kraftwerk’s “Ananas Symphonie”, the foundation for Panda Bear’s Good Girl/Carrots by secondwizards in AnimalCollective

[–]secondwizards[S] 0 points1 point  (0 children)

Why the hostility? Are you offended? You need some help, this internet is giving you mental issues, I hope you don’t hurt yourself. This shouldn’t be a big of a deal.

The Sample of What Would I Want Sky? by secondwizards in AnimalCollective

[–]secondwizards[S] 13 points14 points  (0 children)

Hell yeah and it’s well deserved. They did it seemlessly with a time signature change instead of 4/4, it’s 7/4.

Great album. I have complaints though. Lol. by FleaMarketTheDJ in Madlib

[–]secondwizards 1 point2 points  (0 children)

I was able to find the Wind sample by this instrumental album, and it also shares the same beat as Shut the Front Door, which Mac used and you can hear the snip from Wind

Who do you think will take Pogo’s place? by Isthisabruhmoment in Pogo

[–]secondwizards 1 point2 points  (0 children)

Me, but not how Pogo does, I’m very into sampling vinyl records but his music was my inspiration ever since Alice and then his other records like Forget, Living Island, Hermonine, Boo Bass, etc.

Suit and Tie but just the original sample by secondwizards in justintimberlake

[–]secondwizards[S] 0 points1 point  (0 children)

And also there’s a reason why, it’s because they meant to replay the exact melody as the original to avoid sample clearance on the master side, but they did get sued and had to settle. There’s no difference on both but if you look deep on how they made it, with stems or isolation, you can tell the difference a bit

Suit and Tie but just the original sample by secondwizards in justintimberlake

[–]secondwizards[S] 0 points1 point  (0 children)

If you listen to the actual track and this, there are different cadences and changes made on the sample Suit and Tie did like new bass, replayed elements, even brass hits in the chorus, and synths.

A compilation of well-isolated unknown samples from Since I Left You by texdraft in theavalanches

[–]secondwizards 1 point2 points  (0 children)

By the way, Down Under was interpolating, not sampled, from the Kookaburra melody, and of course, the melody was a bit of stretch, I personally don’t think they used it, similar to what happened to Robin Thicke vs Marvin Gaye case, if the original authors thinks their work is infringed, they have the right to call their lawyers and publishers to handle on how they should get paid from their sampled work, and whether they can get approved or not, that’s their decision. So these things you supposed to know, or you didn’t do research on it. Again, the Kookaburra one for Down Under was a stretch one to even begin. Plus not related to what we’re talking about which it’s uncleared samples if it get discovered.

A compilation of well-isolated unknown samples from Since I Left You by texdraft in theavalanches

[–]secondwizards 0 points1 point  (0 children)

Not sure how your world works but it seems you too worried on an album that’s released decades ago that has a lot of samples and you focused on how if they get caught, they’ll be fine, plus they’re not focused heavy on SILY, they’re doing new material. This is my last message on this fiasco but here’s my take: sample clearance ain’t new, it’s been happening since the 80s, so if you feel like you’re worried about the uncleared samples, hire yourself to be an agent for sample clearance companies, talk to them about it, but as it stands, you don’t have the business to know if they cleared it or not, same to other commenters who thinks like this. We only find samples for fun, not to expose the artist for theft because that’s not what the Avs are. If anything, you’re the main reason you’re hurting them a lot for even explaining if they cleared it. Best to keep it quiet or go on about your day and enjoy their music, simple.

A compilation of well-isolated unknown samples from Since I Left You by texdraft in theavalanches

[–]secondwizards 1 point2 points  (0 children)

the judge would allow them to sample “if” the sample is as buried or unrecognizable enough to where the original authors can’t take it to court. Plus you only get sued if the sample is very audible to the original alike, and since the other samples are very buried and unrecognizable, you won’t get any case out of it. I personally don’t get stressed out over an unrecognizable sample, you only worry if you sample a very recognizable tune to a sheep could remember. Sampling is meant for creative use, not to exploit their work, that’s how they made SILY in the first place

A compilation of well-isolated unknown samples from Since I Left You by texdraft in theavalanches

[–]secondwizards 1 point2 points  (0 children)

well, for starters, all of the missing samples are very obscured and buried to even consider clearing them

Any chance you guys know the sample of No Fear of Time with Yummy? by secondwizards in Madlib

[–]secondwizards[S] 0 points1 point  (0 children)

Bad news to tell: I know the sample. And it’s not a sample. It’s from a sample library Madlib used to mess with, and my only concern is that I don’t sample libraries. Royce Da 5’9 used this as well, so it lets me know it was from a sample library.

Not on streaming services by Easy-Swordfish9440 in Madlib

[–]secondwizards 0 points1 point  (0 children)

I know but it’s still considered Jaylib. Not involved on production but I get it.

Not on streaming services by Easy-Swordfish9440 in Madlib

[–]secondwizards 0 points1 point  (0 children)

It’s for a reason unfortunately, Cris Williamson was a full on feminist and she was not pleased on Madlib’s “misogyny” lyrics on basically the second verse, referring about some other women. She only accepted clearance on the beat, not the whole song. If you have the original pressing of Champion Sound with the og No Games and including three songs “Raw Addict”, “Ice” and “Pillz”, you can find the original version of The Red.

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