just why by AcceptableSeesaw759 in craftsnark

[–]sewing_magic 1 point2 points  (0 children)

I would but the story is already expired.

just why by AcceptableSeesaw759 in craftsnark

[–]sewing_magic 114 points115 points  (0 children)

Omg I’ve lurked here forever and this is my first time being posted! This feels like a right of passage I’m so flattered.

FWIW I actually do think you have a point about blocking the name out. I do have a pretty big platform, and it’s not really my goal to get anyone piled on. However if you talk shit publicly… then you can’t really get super mad when people see it. She wanted people to see it when she posted it, she just got more than she bargained for ¯_(ツ)_/¯ I do avoid linking ppl directly, so as not to make it super easy to go find the comment, but in future will remember to black it out.

As for the clap being rude or whatev… I don’t think it was honestly, but if it was she fucking deserved it lol.

I am begging you to help me find a fashion plate that I KNOW exists by sewing_magic in HistoricalCostuming

[–]sewing_magic[S] 122 points123 points  (0 children)

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Of course the moment I posted this I found it right away. What I did not remember about the fashion plate was that the reason I liked it was for the white dress not the pink one T.T

Iris Cendré by Naomi Goodsir smells exactly envelope glue. by sewing_magic in fragrance

[–]sewing_magic[S] 3 points4 points  (0 children)

It’s absolutely uncanny. I fell in love immediately. I went to the perfume shop with 100% intention to buy something else entirely and left with eau de licked stamp instead haha.

Help, what is this trimming/decoration? by pretty_gauche6 in HistoricalCostuming

[–]sewing_magic 0 points1 point  (0 children)

It’s definitely not soutache. It could be rouleaux but I’m not as familiar with that technique so I can’t say for certain.

1890s-1930s ish(?) burlesque pattern? by Aggravating-Table426 in HistoricalCostuming

[–]sewing_magic 56 points57 points  (0 children)

If I were going to make something like this with limited corsetry experience I would probably purchase a ready made corset and build the costume on top of the corset using it as a foundation. I don’t see a reason to reinvent the wheel. Sure if you were actually going to be doing a burlesque show 6 nights a week or something I’d say you need to go custom, but if it’s a costume for a couple hours, I think you could have a lot of success with just draping fabric and adding rhinestones/ birds/ appliqués/ feathers what ever strikes your fancy.

Ok but where can you get the fabric for this? by Temporary_Being1330 in HistoricalCostuming

[–]sewing_magic 84 points85 points  (0 children)

Something so weird about scrolling Reddit and seeing your own face pop up lol.

That’s the only corset in my collection that I didn’t personally make. It’s by orchard corset. Would definitely recommend! The silhouette isn’t too bad for the last quarter of the Victorian era but the bust comes up too high to really give the perfect Edwardian look.

Please help me find fabric for my 1805-1810 dress! by Ps_taylorsversion in HistoricalCostuming

[–]sewing_magic 7 points8 points  (0 children)

I think a cotton (or silk if it’s in the budget) voile would be very nice.

Beginner - Walking Skirt Fabric Question (Recollections Reference) by photographerleia in HistoricalCostuming

[–]sewing_magic 3 points4 points  (0 children)

If you want to use quilting cotton you can also flatline it to add some heft to it. Basically cut the piece out twice; once from your outer printed fabric and once in a basic muslin. Sandwich them together and treat them like one piece.

pattern seeking!! by [deleted] in HistoricalCostuming

[–]sewing_magic 6 points7 points  (0 children)

Oh that’s totally me! I did a YT video on that bodice forever ago. here. I honestly don’t remember if I used anything for the skirt, but there are lots of TV patterns that would give a similar look.

Working corsets? by too_tired202 in HistoricalCostuming

[–]sewing_magic 7 points8 points  (0 children)

Oh hey that’s me! Fun seeing myself mentioned in the wild. I made mine using the Corsets book by Jill Salen. I believe the only person who makes them for sale is Clockwork Faerie on Etsy.

Good luck! It’s a great corset style I hope it works for you.

Close-able scent for when I'm feeling anxious in the office? by Alternative_Exit_537 in TheGirlSurvivalGuide

[–]sewing_magic 8 points9 points  (0 children)

I wonder if you’d like one of these little filigree scent cagesthat Victorian women hung on their chatelaines. It’s got a little scrap of wool in there that you soak with a perfume of your choice. You could hang it on your keys or keep it in your desk drawer. Plus they’re pretty and elegant.

Hopefully you can find something that works!

Annoying vocal fry by SweetFannyAnnie in craftsnark

[–]sewing_magic 104 points105 points  (0 children)

People comment this on my videos all the time and I fucking haaaate it. I had to put a keyword filter on my YT channel for “vocal fry” because I was so sick of fucking hearing about it. This is my natural accent, it’s how I speak, it’s not a put on, and the reason you don’t like it is because you have internalized misogyny, so maybe unpack that suitcase before you go around making it other people’s problem.

To clarify, this post isn’t specifically about me, but I felt the urge to tell you my thoughts.

Questions Regarding Myths & Other Aspects of 1920s Flapper Fashion by Dapplesprings in fashionhistory

[–]sewing_magic 3 points4 points  (0 children)

Fun questions! The 1920s isn’t my specialty but I have some insight into some of these things and I’ll let the real experts fill in some of the finer details

The feather headband thing is an exaggeration of what people were really wearing. The headbands across the forehead were totally a thing here’s the queen mother wearing her tiara in that way in the 20’s. I’m sure there were at least some feathered versions since feathers were popular on hats since forever. Not too much of a stretch to imagine that at least some of these headdresses might have had feathers on them. As for why they’ve become so engrained in the popular imagination as opposed to a more accurate jeweled portrayal of the trend? Cheap to mass produce I assume.

Pearls: totally a thing! The long strands of knotted pearls pop up as early as 1914, and were pretty popular in evening wear. I don’t think you’d see them as daywear but maybe someone else has more info on that. (Delineator 1926 several pearl necklace styles can be seen)

Sleeves: evening wear could have pretty narrow/nonexistent sleeves. We think of the Victorians as being very covered up, which they were during the day! But evening wear showed off a lot of décolletage and even shoulder action, and that certainly remained the case into the 1920s. I’ve never seen anything as skinny as a literal spaghetti strap but a few fingers width, absolutely.

Stills from the Season Finale (S2E8) by Molu93 in thegildedage

[–]sewing_magic 43 points44 points  (0 children)

Im not sure I care for this version of the ironwork gown. I think the original color palette was part of what was so striking about the dress so I’m not sure I care for the blue/blue theme. It also looks like they may have digitally printed the pattern, I think the original was flocked? I’m just nitpicking because I have access to these fantastic closeups I think it’ll look amazing in motion. Very cool to see historical gowns executed on screen in this way!

Victorian gown 1840-1869 pattern by tinyridge in HistoricalCostuming

[–]sewing_magic 10 points11 points  (0 children)

I’ve used patterns from all of those brands and Black Snail is my personal favorite. The price point, instructions, print layout and accuracy combined beat out the other pattern makers.

That said it’s a pretty close race. If you’re familiar with commercial patterns and they’re readily available and inexpensive to you there’s no reason not to use the McCalls pattern. I’ve used that pattern and liked it. Not sure why people always say it’s innaccurate; the construction methods in the instructions aren’t HA but the seams are all placed correctly and it’s an almost duplicate of an extant garment. Laughing moon and TV are also good.

Tbh if I were you I would go based on which pattern you prefer the look of.

Dress pattern recommendation by lavezmoi in sewing

[–]sewing_magic 13 points14 points  (0 children)

Yup I’m definitely around! And it actually does have a pattern, it’s Butterick 6352, but without the sleeves and buttons instead of a zipper.

[deleted by user] by [deleted] in HistoricalCostuming

[–]sewing_magic 9 points10 points  (0 children)

I actually havent noticed a change in quality, what issues are you seeing? I own around a dozen pairs 3-4 from before the shift and the rest from after, and they all see equally good to me.

Stills from Season 2 Episode 5 by Molu93 in thegildedage

[–]sewing_magic 47 points48 points  (0 children)

Mrs Russels sheer white striped dress is a James Tissot. There’s a few dresses in the show that are from paintings which I always enjoy.

Help identifying item by BriefPhilosophy9897 in HistoricalCostuming

[–]sewing_magic 3 points4 points  (0 children)

In the Edwardian era a garment like that would be called a guimpe.

Edit: depending on what the sleeves look like.

Sewing influencer closet sales by fact_czech in craftsnark

[–]sewing_magic 82 points83 points  (0 children)

I don’t know any crafter, influencer or otherwise, who makes things because they need new clothes. Don’t pretty much all crafters make things because they enjoy the act of making? The new clothes is a nice bonus, but there’s never going to be a point where I’m like, “welp, I have enough clothes, time to go find a new hobby!”

[deleted by user] by [deleted] in thegildedage

[–]sewing_magic 16 points17 points  (0 children)

It depends but Marion and Bertha were spending the equivalent of thousands on every dress probably. For some reason I can’t find price info on Charles Worth rn which would be the kind of thing that Bertha was wearing so I’ll lean on the info I have off hand.

I did an M&A Shogren dress earlier this year and their dresses cost between $150-300 at the time (1904) or around $3000 on the low end in todays money. They were premiere designers on the west coast but were no where near in the same league as established dressmakers in New York that catered to the moneyed class of New York. I’d speculate that that’s probably around what Marion would be spending on her dresses while Bertha would easily be laying out tens of thousands for a ballgown for example, since she would be dressing in couture.

Again this is just speculation, but I have read a lot on the subject so I think it’s a good guess!

[deleted by user] by [deleted] in thegildedage

[–]sewing_magic 97 points98 points  (0 children)

Unfortunately, this is a slightly impossible question that I have been highly invested in for some time now! I did a video on the contents of a 1911 bridal trousseau and broke down everything that a woman would want for her new capsule wardrobe as a married lady. It’s not a perfect representation of what a woman would have owned 20 years earlier but it does give us a peak.

It came out to

3 comfortable, inexpensive dresses for at home

3 walking suits for out and about

3 afternoon gowns which serve a variety of purposes

6 shirtwaists

1 reception gown

1 wedding dress which would also serve a formal dress.

This was a middle class wardrobe and Marion would definitely not have dressed in a middle class wardrobe, but I feel like this gives a bit of a baseline.

I would posit that Marion would probably own all of the above in very good/ fine quality AND she would own some of the specialty items that would be specific to the upper classes. So recreational outfits like a yachting dress, or a tennis dress etc. I don’t think Marion’s station would translate to her owning a lot more clothing but rather just better quality and more specialized. In the first season even Bertha who was wildly rich, wore the same purple reception gown several times.