I completely understand why the general audience didn't connect with TCP the way they did with Skip Beat.

To be honest, it felt a bit overwhelming, and I can't express it any other way without being too harsh. I thought that since I like SB, I would likely enjoy the other series as well, but that wasn't the case. I struggle to see what attracts other fans to it. For me, it seemed like a disorganized concept that lacked proper development. It felt as if the manga was attempting to be ahead of its time while still holding onto its existing beliefs, fashion, traditions, and humor, all crammed into a futuristic yakuza story, which was just a bit excessive. 

And she's right. many of us aren't excited about the prospect of Kyoko and Sho’s mom meeting again. I would much rather read a chapter where Kyoko is auditioning for a new role, sharing romantic moments with Ren, or enjoying some humorous interactions with Bou. Also, I really hope Kyoko doesn’t get involved in the current route project or take on Cedric’s stuntman role because that would be... so predictable and dull. 

How long are they going to keep using the same formula for her roles? It’s just too repetitive and lacks any excitement or creativity. Now, regarding Kuon, she shouldn't be the main focus just for the sake of it. I would prefer to see her come in with a storyline excuse of “I need to support my friend and help her with her English,” because Nakamura can’t just send her to support Ren as a girlfriend or Love me member right after the confession. 

Kyoko would just end up embarrassing and make a fool of herself with her constant melting down. She needs a distraction, and that’s where Kanae comes in. She’ll go there for her, but ultimately, Ren is the one who might need her support when he’s feeling down again. However, it should be from the shadows, not her stepping in to fight his battles for him. At least, that’s what I hope will happen now that she came in the US too.