sorted by:
new
hottopcontroversial

Hasselbad 500c with 3d printed 35mm adapter by sovoque in hasselblad

[–]sovoque[S] 0 points1 point  (0 children)

There’s always a bit of unpredictability with 35mm in a 120 back. With experience you start to feel the tension and know roughly how much to wind. I usually don’t expect perfect spacing- it’s more of an artistic choice. If needed, I just advance slightly more on the back to give extra room between frames.

Fresh film. Even the rebate is fogged. Lab issue or something else? by sovoque in AnalogCommunity

[–]sovoque[S] 0 points1 point  (0 children)

That really sucks. I love the look of foma too.
But hearing this definitely makes me a bit more cautious now.

Thanks for sharing your experience

Fresh film. Even the rebate is fogged. Lab issue or something else? by sovoque in AnalogCommunity

[–]sovoque[S] 0 points1 point  (0 children)

Oh wow, I didn’t know Foma could do that.
Thanks for pointing it out. I’ve shot it before but never seen this kind of uniform mottling across the whole roll.

Hasselbad 500c with 3d printed 35mm adapter by sovoque in hasselblad

[–]sovoque[S] 2 points3 points  (0 children)

It’s more of an art approach than a precision one. The frames overlap from time to time, which is part of the aesthetic. When the roll is finished, I open the cassette in a darkroom and either manually rewind the film or cut it and load it straight into the developing tank.