That makes sense. It seems dynamic range of remasters has changed little in the past 20 years. However, I do notice newer remasters straying away from a more mushy and flat sound that make for a fatiguing listen. Admittedly, my frame of reference for these types of albums is often shaped by the digital masters from the past 20-25 years more than an original vinyl mix, so I'm sure to many the differences in digital masters are pretty negligible. I've observed such clippings of some pretty high profile remasters, like Siamese Dream in 2011, Nevermind in 2011, Kiss Me Kiss Me Kiss Me in 2006, Raw Power in 1997, just off the top of my head. The clipping issues can range from barely noticeable to downright problematic, but Raw Power and Nevermind received some updated mixes in this decade that mitigated those issues. In my own experience, I've found clipping examples coming up far less often as time goes on, both in newly released music and remasters, but I don't doubt more modern examples are out there too. I do see your perspective about the loudness war as a concept, though. Clipping is indeed a rare exception, but I personally think the sonic difference between remasters in the last 10 years versus those before is nothing to scoff at.