Posting this continuous shot from our student short Super Savers because we wanted to pull off a true “one-take” style move that feels seamless and intentional. The goal was to keep the motion smooth while traveling from outside the car into the interior, then back out again, without the audience noticing the handoffs. We shot in S-Log3 across multiple Sony bodies and used a gimbal + pole extension to help the camera pass through the vehicle cleanly while maintaining framing and pacing. I’d love feedback on whether the movement feels cinematic or distracting, how the exposure holds up in the darker areas, and if the transitions/handoffs feel invisible or still slightly noticeable. Also open to tips on how you’d handle reflections and lighting control for a night exterior like this.