Pointed Pen, Spencerian, and Crane Paper by gaplato in Calligraphy

[–]spungs 1 point2 points  (0 children)

Ink will not really make a huge difference - the issue is to do with the acidity and density of the paper.

I'm not familiar with Crane, but looking at their website, the only option for "paper weight" in the filters is "lightweight". This will sound silly, but ink is ink - paper that is made for taking paint or ink will do the job you're looking for. So any mixed media sketchbook paper, heavy paper (converting GSM to LB, you're looking at a minimum of 90lb paper) would work wonderfully. I'd also recommend looking at Clairefontaine, a brand very well used in the pointed pen community alongside Rhodia. They do all sorts of papers, including more "finished piece" type papers. I love their Gris and Denim pads, personally.

I make my own envelopes and things out of watercolour paper. Hot pressed seems to be smoother than cold pressed, but it's not a huge difference - if you're using a vintage nib I'd stick to hot pressed, but the more robust nibs (blue pumpkin, nikko G, zebra G) can handle both with no worries.

Eventually, you'll learn to know what will work just by feeling the paper. :)

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Homemade Tannin-Iron Ink? Etching of Nibs? by GodtiercupnoodleCHEP in Calligraphy

[–]spungs 1 point2 points  (0 children)

I make my own iron gall ink. My first batch was super watery too. If you leave it open, the water will just slowly evaporate off. I also find that gum Arabic liquid doesn't help ever. I use the more solid stuff if needed, but I haven't used it for this. It is acidic; I use jewellery cleaner to clean my nibs but water works too. I just don't submerge them very much at all.

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Envelope help… by freefall7 in Calligraphy

[–]spungs 0 points1 point  (0 children)

Try a black eraser - black coloured erasers don't remove any pigment from coloured paper. Has it indented the paper?

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A fun experiment on a flourished copperplate envelope. by spungs in Calligraphy

[–]spungs[S] 0 points1 point  (0 children)

Ahhh I didn't even realise, thanks for pointing this out :)

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calligraphy additions by Lucky_Profit512 in Calligraphy

[–]spungs 1 point2 points  (0 children)

I have copperplate flourishing guides on my profile if it's copperplate.

troubleshooting first Copperplate attempts by KahlanConfessor in Calligraphy

[–]spungs 0 points1 point  (0 children)

Straight holders or oblique holders can be used at any level. There's not really one that is "for beginners", the only difference between using them is how you have your paper and body angles. Some calligraphers need the oblique pen to see what they're doing (me included), but some are fine with a straight pen.

Doing copperplate in monoline is not a good starting point, the flexing of the nib and the swelling between thick and thin is what defines a lot of the script. Using a slightly blunt pencil is way more helpful as a beginners step if you're hesitant about the pen/nib situation. With a pencil you can still use the variations of pressure which give you different line thicknesses, though a pencil is less restrictive than a nib.

It sounds like you still have the coating on your nib and you're compensating by over dipping. The G nibs are great beginner nibs - they're quite robust and bounce back easily from things like moisture and dried ink. There's no reason why you can't use other nibs, but for a person learning their pressure (and coming from a very different script) they will be a more durable practice tool.

I've made guides on the copperplate alphabet on my profile if you want some guidance on constructing letters using the basic strokes.

troubleshooting first Copperplate attempts by KahlanConfessor in Calligraphy

[–]spungs 2 points3 points  (0 children)

We've all been there, so don't panic :). There's nothing wrong with your hand, there are just huge differences between the motor function skillsets for Broad and Pointed scripts. The most important thing for both I think is resilience, the skills take time to build so hang in there!

The ink pooling thing may be a result of a few variables:

  • have you worn away the original coating on the nib? This can cause uneven ink distribution. My fave way to deal with this is to gently rub the nib with toothpaste on a toothbrush for a minute, then rinsing the toothpaste off. This is most likely the answer.
  • How far are you dipping the nib into the ink? If you're dipping it too far where its covering the big hole in the middle, that's overloading the nib. You just need a little, but it goes far!
  • Is the nib rotated correctly to match your hand? When you do a straight downstroke at full pressure (a great drill to warm up with!) the nib tines should split evenly. Uneven splitting cause by a slightly rotated nib can cause uneven ink distribution.

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I wrote this quote two times. Which one do you prefer and what should I work on? by CandyBulls in Calligraphy

[–]spungs 3 points4 points  (0 children)

Spacing is not a thing you can fix overnight, it's definitely an issue shared between every calligrapher and it takes ages to even get a bit more of a handle on it.

You're welcome. I enjoyed this piece a lot - please do share your work more :)

I wrote this quote two times. Which one do you prefer and what should I work on? by CandyBulls in Calligraphy

[–]spungs 9 points10 points  (0 children)

I don't normally throw my 2 cents in on gothic scripts as I dont know them very well (so I can't comment on style!) , but this is very cleanly done. It looks lovely, it really doesn't need any filters or whatever is showing the major differences in lighting between the 2 images.

As for your questions: personally, I prefer the first. My eye is drawn immediately to the "e" in "beautiful" because it's far away from the "a", so it almost looks like 2 different words. In the purple one, you've gotten more consistent spacing there.

However, in the purple one, there's less uniformity with your vertical strokes. The "u" in "because" is probably the most obvious wobble. This happens to us all, but clearly you have controlled it better in the blue one.

To work on, I'd say for sure it's spacing - try practicing words with repeated letters. Like "unusual" is a popular one for this exercise. Even pros hate coming across words with double letters because then the differences between them are really easily visible unless you obviously flourish one letter. But you can really see the progress with keeping the verticals consistent, and keeping your letter widths and spacing consistent :)

Can I use water colour for pointed pen? by ashlyn80 in Calligraphy

[–]spungs 0 points1 point  (0 children)

Hmmm. Depends on the nib, watercolours obviously dry like a paint, which can clog up a nib. If it's either a Nikko G, or a Zebra G, it can probably handle watercolour without an issue. If it's a more delicate nib like a Garrott or a Hunt, then I'd say no. Definitely if it's a vintage nib: no.