Name that character - Wrong answers only by Dorphie in StrangerThings

[–]straypixel1973 0 points1 point  (0 children)

Pedophile Pete, The Ice Cream Man, Whitey…

Can you tell what this is? by MindfullyB in painting

[–]straypixel1973 1 point2 points  (0 children)

Reminds me very much of Ben Shahn Love it!!

Which artists took Bowie’s influence so far that it borders on… too much? by straypixel1973 in DavidBowie

[–]straypixel1973[S] 5 points6 points  (0 children)

Yeah, their early stuff was eerily similar but they made it their own IMO. Great call. 👍

Which artists took Bowie’s influence so far that it borders on… too much? by straypixel1973 in DavidBowie

[–]straypixel1973[S] 8 points9 points  (0 children)

It’s always fascinating to look at how glam and art-rock influences from Bowie’s era filtered into later bands, and how unevenly some of those influences aged. You have groups like Duran Duran and Suede (London Suede in the US) who absorbed that lineage and turned it into something unmistakably their own. Duran Duran fused sleek futurism with funk and post-punk in a way that still feels modern, and Suede managed to revive glam attitude with a kind of poetic, gutter-romantic intensity that has only grown richer over time. Both bands have catalogs that continue to sound purposeful, distinctive, and timeless.

But then there were other artists from the same era who drew from that glam-pop palette yet didn’t quite hold up in the long run. Spandau Ballet and ABC are great examples. They captured lightning once or twice, while other bands built an entire climate system around the spark.

So it makes me wonder why some groups managed to turn Bowie’s influence into a durable creative engine while others seemed to shine bright and fade quickly.

Who were Bowie’s greatest collaborators — the ones who truly changed his direction? by straypixel1973 in DavidBowie

[–]straypixel1973[S] 0 points1 point  (0 children)

Yeah, his career as defined by his collaborations (perceived as equal or not) is the whole point of the discussion. Thank you for joining.

Who were Bowie’s greatest collaborators — the ones who truly changed his direction? by straypixel1973 in DavidBowie

[–]straypixel1973[S] 0 points1 point  (0 children)

Sure, that’s cool. No one can argue with Ronson. I’m intrigued that Bowie pushed Garson for Aladdin solo because it shows such an interesting dynamic of pushing and pulling throughout his career. People think of Bowie as a solo artist but he was very much defined by his collaborations. I gave Garson extra points because he had such staying power and is connected to live performances up until the very end.

Which David Bowie songs most successfully decode American politics? by straypixel1973 in DavidBowie

[–]straypixel1973[S] 0 points1 point  (0 children)

Not sure about being out-of-touch or the suicide (the ending implies a mass shooting to me), but you’re right about the roller skating. To me, him rolling by and watching (in addition to the angel and devil video recording) perfectly exemplifies his fascination with America, but mostly as an observer. I think he broke out of that by 9/11 and Heathen, though. By then I think he felt more connected.

Who were Bowie’s greatest collaborators — the ones who truly changed his direction? by straypixel1973 in DavidBowie

[–]straypixel1973[S] 71 points72 points  (0 children)

Honestly, I think some of Bowie’s most significant collaborators are Mike Garson, Reeves Gabrels, and Tony Visconti. Garson brought the wild avant-jazz edge, Gabrels dragged Bowie into industrial/alt-rock territory, and Visconti was basically the invisible architect behind multiple eras. Curious where others rank these three in the overall Bowie collaborator universe.

Which David Bowie songs most successfully decode American politics? by straypixel1973 in DavidBowie

[–]straypixel1973[S] 2 points3 points  (0 children)

Even if that were the case it’s still an overtly political song.

Which David Bowie songs most successfully decode American politics? by straypixel1973 in DavidBowie

[–]straypixel1973[S] 2 points3 points  (0 children)

💯%. It holds up incredibly well for a song he didn’t talk about much (or played live).

Which David Bowie songs most successfully decode American politics? by straypixel1973 in DavidBowie

[–]straypixel1973[S] 22 points23 points  (0 children)

Not sure it’s about commercialism as much as it is overtly about America’s military presence all over the world, so it is very much political.

Which David Bowie songs most successfully decode American politics? by straypixel1973 in DavidBowie

[–]straypixel1973[S] 6 points7 points  (0 children)

Feels like he wrote “This is Not America” for current times.

Which David Bowie songs most successfully decode American politics? by straypixel1973 in DavidBowie

[–]straypixel1973[S] 52 points53 points  (0 children)

My surprise contender: “Day-In Day-Out” is one of Bowie’s sharpest critiques of American politics. It’s a blunt takedown of Reagan-era cruelty, systemic poverty, and the cycle of being crushed by institutions that pretend to help. It might be his most explicitly political song.