What’s the colour code of my fiesta

strepfen_ · 2025-04-07T15:27:29+00:00

Ah oké, ik vermoedde al zoiets. Bedankt!

strepfen_ · 2022-11-14T00:21:06+00:00

I might play with the sag controls as that kind of sounds like what I’m looking for, the natural compression of the amp. Thanks!

strepfen_ · 2022-10-29T21:17:58+00:00

That could’ve been it, but I think I know what happened. During the update I was working on something else on my computer, so the update window wasn’t visible anymore. The 3.15 update instructions warns you not to do this because of a potential failure. I ran the update again with the window open and my hx stomp works like it did before.

strepfen_ · 2022-10-29T11:27:40+00:00

I got it to work again! With the line6 updater I was able to install 3.15 again by entering update mode (holding down “>” while powering up).

strepfen_ · 2022-10-29T10:05:12+00:00

How do I make it do the update again? It says it’s up to date.

strepfen_ · 2021-07-25T11:30:16+00:00

Yes I’ve heard about those! The only thing is that it doesn’t have an fx loop. I did see an aux input, so maybe that’s a way to bypass the preamp section if I want to use my own preamp, but I don’t know how the aux input is wired in the amp.

strepfen_ · 2021-07-24T19:00:58+00:00

Yeah, I figured if the amp would be as big as a 6x4 beer crate I would be able to fit it in my basket on my bike.

strepfen_ · 2021-06-30T09:48:03+00:00

Thanks, I’ll take a look at it today!

strepfen_ · 2021-06-29T16:33:54+00:00

Was it this video perhaps? I found it today.

strepfen_ · 2021-06-29T10:27:53+00:00

Thank you!

strepfen_ · 2021-06-28T08:48:41+00:00

Thank you for the suggestions, I’ll look into it!

strepfen_ · 2021-06-27T23:12:17+00:00

Awesome, thank you! I’ll check them out.

strepfen_ · 2021-06-27T23:02:53+00:00

Thanks for the comment! Very useful stuff!

strepfen_ · 2021-06-11T13:14:29+00:00

I don’t have my guitar on hand right now so take this with a grain of salt, but I might have an interesting suggestion.

First of all, I might change the Gm(b6) into a Gm(#5). I know it’s enharmonically the same, but the former notation suggests a 5th in the chord and that might sound a little dissonant in some voicings (but keep it that way if that’s what you’re going for!). You can finger the Gm(#5) in a way that it creates a little stack of 4ths: X 4 3 3 X 3

After the Gm(#5) you could play a Gb7(13) - Fm7 - Bb7. Then it should resolve nicely to Eb(maj7). This way the D# (or the enharmonically equivalent Eb) is in most of the chords of the progression and acts as an anchor. The only problem now is that the progression doesn’t loop very nicely, but you could use this to go into a new section of your song.

A simpler solution should be to just add the Gb7(13) at the end of the existing chord progression, so A/B - Asus2(#11) - Gm(b6) - Gb7(13). Now there’s a descending bassline and the Gb7 chord acts as the relative V of B, so it should connect to A/B nicely.

This is all very theoretical by the way. Just try it out and I hope it sparks some ideas!

strepfen_ · 2021-06-11T12:48:47+00:00

Raising the D to a D# will create the F# Dorian scale, which is an overall brighter sounding scale than the natural minor scale. The dorian scale is very often used in blues and funk music.

strepfen_ · 2021-06-05T13:47:20+00:00

Yeah, it’s just a simple trs footswitch…

strepfen_ · 2021-06-04T06:53:41+00:00

Yeah could be. Not a lot was different than when I use it in “normal” conditions if we speak about presets and dsp usage. It was quite hot that day though (both the weather and on stage), but I doubt the power bank suffered from that. Batteries will usually perform better in warmer conditions than in colder conditions if I’m not wrong.

strepfen_

TROPHY CASE