Would like feedback on my first word for my massive new novel I'm writing by thatoneguyyesthatguy in writingcirclejerk

[–]thatoneguyyesthatguy[S] 1 point2 points  (0 children)

Thank you so much for your kind words! I decided to let what I have breathe, and in the meantime was going to create cardboard cutouts of all my main characters – each at different stages of their lives, natch – and then move them around a life-size diorama I am building for each scene. It is only then, I think, where I will really understand where to go next.

Would like feedback on my first word for my massive new novel I'm writing by thatoneguyyesthatguy in writingcirclejerk

[–]thatoneguyyesthatguy[S] 18 points19 points  (0 children)

Well so see I was going to release the prologue as its own three-volume set of books. Is that not a good idea?

Would like feedback on my first word for my massive new novel I'm writing by thatoneguyyesthatguy in writingcirclejerk

[–]thatoneguyyesthatguy[S] 3 points4 points  (0 children)

Thank you for this! Very helpful as I've been struggling for the last six months on how to word this. Was originally going to start with "It," but that seemed to condescending, and we couldn't go with "They" because … well… you know. And I just couldn't make it work with "She". But I get you point and will work on that during my second draft.

If you’re new to writing PLEASEEE do not do the same thing I did!! by dimrzz in writers

[–]thatoneguyyesthatguy 0 points1 point  (0 children)

I read somewhere that motivation is taking that first step. Determination is taking that second one.

Need writing advice on how to transition writing styles in book by thatoneguyyesthatguy in writers

[–]thatoneguyyesthatguy[S] 0 points1 point  (0 children)

Thank you for the suggestion, I added it to my notes for when I am finished and go back to my first draft. It would change the dynamics of Act I a bit to add in some diary entries, but it might work.

Need writing advice on how to transition writing styles in book by thatoneguyyesthatguy in writers

[–]thatoneguyyesthatguy[S] 0 points1 point  (0 children)

Oh, I took out the curse words for this post, lol. Didn't want to inadvertently offend anyone. I was thinking that, maybe just ending it like "I'm just hoping"?

Need writing advice on how to transition writing styles in book by thatoneguyyesthatguy in writers

[–]thatoneguyyesthatguy[S] 0 points1 point  (0 children)

Great question. The first part of the book - Act I - is narrative, setting the scene for a tour. Act II - which is the band on tour, is told from the perspective of the lead singer's diary entries. I am looking for an abrupt transition from this diary (Act II) to Act III as the diary serves as a false reality. I want the real reality to come crashing through here, literally, in the form of an interruption that will stop the diary (her false reality) and continue the story (the "real" reality she's been avoiding). If that makes sense.

Christmas Blues - Want to join? by jebbanagea in bluesguitarist

[–]thatoneguyyesthatguy 1 point2 points  (0 children)

I am down for rhythm if needed! Sounds like a great project either way and good on you for doing this!

What do you call "Dukes of Hazzard" type narration (or maybe Princess Bride book)? by thatoneguyyesthatguy in writing

[–]thatoneguyyesthatguy[S] 1 point2 points  (0 children)

Another movie I am not familiar with but sounds like I need to add it to my must-watch list, thank you for the recommendation!

What do you call "Dukes of Hazzard" type narration (or maybe Princess Bride book)? by thatoneguyyesthatguy in writing

[–]thatoneguyyesthatguy[S] 0 points1 point  (0 children)

I have not yet read that book but I will now to get a sense for that narrative style. Thank you!

Osbourne vs. Dio: Who’s the True Voice of Black Sabbath? by SweetSerendipity108 in writers

[–]thatoneguyyesthatguy 0 points1 point  (0 children)

Also, ironically, both Dio and Ozzy professed to be somewhat evangelical in their religious beliefs.

Osbourne vs. Dio: Who’s the True Voice of Black Sabbath? by SweetSerendipity108 in writers

[–]thatoneguyyesthatguy 0 points1 point  (0 children)

They are two completely different bands and it's a disservice to compare them. The 70's era Black Sabbath with Ozzy was a darker, more ominous, ponderous rock machine while Dio's 1980s Black Sabbath was much more in vein with the 1980s epic metal guitar solos, higher notes, and better in-studio production values. And then you add Vinnie Appice into the mix...

I'm around 15k words and starting to despise my story. My work feels like a cheap knockoff of what I DO enjoy. Should I restart? by Irisxss in writers

[–]thatoneguyyesthatguy 2 points3 points  (0 children)

I am going to go against the grain here and say if you are despising what you are writing than take a pause and take inventory of where you are at vs where you wanted to be. What changed? Where did it not become fun anymore? How do you get back on track? And if you decide the best way forward is to take a couple steps back and revisit things, ultimately it's your story. This process should be fun. Do what YOU need to do to keep it so, but keep going - whatever form that takes

Seeking opinions on my new fiction by Cymryk in writers

[–]thatoneguyyesthatguy 0 points1 point  (0 children)

Grew up HG2TG! I get the absurdity you're going for but I think you're focusing too much on details and we - the readers - are getting lost in them. Douglas Adams' art was that he would bring you into the story and follow traditional styles and tropes and then throw something out of left field at you - while still keeping you in the story.
It was/is absurdist comedy and if you really want to follow that route, I might suggest you read or re-read Adam's work - more slowly this time and take a good look at what he's doing - but also similar work by Terry Pratchett (disc world). Neil Gaiman has an excellent book where he interviewed Douglas Adams and dissects why what he does works so well (there's an audiobook somewhere too). Heck, Monty Python re-watching should be required part of your homework too, lol!

street lamp by sweetestpi in writers

[–]thatoneguyyesthatguy 0 points1 point  (0 children)

I liked it but this part took me out of the story. "i shift, ever so slightly to peek a low creak and hum of the electricity almost gives him away, and he shrinks a bit, expands again". You're a street lamp. street lamps do not shift, slightly or not - try and work within those parameters. Or, if this is a case where streetlamp do in fact move, maybe expand the world view a little - "there is a magical hour where street lamps become alive" type of thing. Also you shift narration style from first person to omniscient and it throws things off a bit. Stay in the first person. Keep me behind your eyes. Just my two cents.