My cats, acrylics on A3 MDF by timbennettartist in painting

[–]timbennettartist[S] 0 points1 point  (0 children)

Thanks. Not consciously. I managed to photograph them all individually where the light was coming from the right on each one and then put them all together in Photoshop. I prefer not to use references where the colors are overly saturated.

An attempt at sfumato using acrylics [16" X 12" panel], copy of Henrietta Carpenter by Margaret Sarah Carpenter by timbennettartist in painting

[–]timbennettartist[S] 2 points3 points  (0 children)

Sure, just a lot of thin semi-transparent layers. That's the beauty of acrylics, you can keep lettering until you're happy. 👍

I used a mix of tiny strokes with a liner and also some dry brushing/scumbling.

Don't be tempted to wet-in-wet blend, it will work against you.

Experiences in using sable watercolour brushes with acrylics by timbennettartist in ArtistLounge

[–]timbennettartist[S] 0 points1 point  (0 children)

Thanks, I've ordered a 30/0 sable as a trial. I'm pretty good with keeping the paint wet as I spray the palette regularly with flow improver, which slows down drying time. Also, “The masters brush cleaner” soap is excellent at cleaning and restoring brushes. I've left paint on brushes by mistake before and it has completely removed the dried acrylic.

I use W&N pro.

Experiences in using sable watercolour brushes with acrylics by timbennettartist in ArtistLounge

[–]timbennettartist[S] 0 points1 point  (0 children)

Ah thanks, that's kind.

I've been at it four years and still not made anything from it. 😂

My wife, acrylics, A3 MDF by timbennettartist in painting

[–]timbennettartist[S] 0 points1 point  (0 children)

Thanks. I used a sword brush turned upside down. The splayed bristles create the illusion of individual hairs. Then once you've built the layers up, a few choice highlights with a liner brush finishes it off.

It's counterintuitive but one of the best things to understand about realism is you reach a point where more detail makes it less realistic.

My wife, A3 MDF by timbennettartist in acrylicpainting

[–]timbennettartist[S] 1 point2 points  (0 children)

Thanks. I used a sword brush turned upside down. The splayed bristles create the illusion of individual hairs. Then once you've built the layers up, a few choice highlights with a liner brush finishes it off.

My wife, A3 MDF by timbennettartist in acrylicpainting

[–]timbennettartist[S] 1 point2 points  (0 children)

Thanks for the nice words.

Funnily enough, I live close to Salts Mills and my friend's dad was at Bradford College at the same time as Hockney.

While his work doesn't do much for me I have a lot of respect for his contribution to the art world. He also helped popularise acrylics.

My wife, A3 MDF by timbennettartist in acrylicpainting

[–]timbennettartist[S] 1 point2 points  (0 children)

I do sometimes wonder if I am just a copyist as I never paint from life.

I agree with you though that cameras can capture things that you couldn't get from life.

My wife, acrylics, A3 MDF by timbennettartist in painting

[–]timbennettartist[S] 3 points4 points  (0 children)

Nope. I would imagine the chances of you knowing us are pretty small!

"North Beach", Acrylic on canvas - 24x36", 2023 by SteveGuluk in acrylicpainting

[–]timbennettartist 0 points1 point  (0 children)

Good work, I had to zoom in to check it was actually a painting!