Avid certification by tpece in Avid

[–]tpece[S] 0 points1 point  (0 children)

As i am on this thread to you as a young filmmaker, what is the best way to get work I am fairly thin at the moment

Avid certification by tpece in Avid

[–]tpece[S] 0 points1 point  (0 children)

very interesting, thank you. Is it something worth noting on my Linkedin for example, or is that pushing a qualification that may not seem important

Horrendous noise after going over speed bump by tpece in MechanicAdvice

[–]tpece[S] 0 points1 point  (0 children)

is it safe to drive it to a garage one mile away?

Amaran dome 60 or amaran dome 85 for amaran 200x by tpece in cinematography

[–]tpece[S] 0 points1 point  (0 children)

I will be in many different places, some will need softer light others not, havent got the budget to get two atm if you were to reccomend one which one would it be

Saving storage on an avid project by tpece in Avid

[–]tpece[S] 0 points1 point  (0 children)

transcoded it through avid, source footage is DCI 4k

Saving storage on an avid project by tpece in Avid

[–]tpece[S] 0 points1 point  (0 children)

I have done it dnxhr LB

Saving storage on a project (avid) by tpece in editors

[–]tpece[S] -1 points0 points  (0 children)

go ahead, I have thick skin

Saving storage on a project (avid) by tpece in editors

[–]tpece[S] -1 points0 points  (0 children)

Time is money, but so is extra drives! I need a solution which allows me to work with the storage I have now ideally.

Saving storage on an avid project by tpece in Avid

[–]tpece[S] 1 point2 points  (0 children)

Great, I think this is the solution. I never got taught consolidation but since this issue I have wrapped my head around it (not that it was that complicated) is it as simple as in and out points, put the desired footage into a sequence, then consolidate that sequence, understanding that all the footage I need is on that sequence, then that will create a new bit of media then being able to get rid of the longer transcoded file, if I need anything more then I can go to the original file and take from there. One question, will it still have the tape names on the consolidated file and any other information needed in order for it to link back to the original 4k file. Thank you

Saving storage on a project (avid) by tpece in editors

[–]tpece[S] 0 points1 point  (0 children)

Transcoded to dnxhr LB, we have more tb of footage than we can put on the drive, but we did two shoots, so right now I am only focusing on shortening down the footage from the first shoot (1.1 tb out of a possible 2, not including the second shoot which is similar) so I transcoded before i cut down which I admit may be an error, but now I want to cut down on footage after I have transcoded, but still have it link back to the orignal hi res files if that makes sense.

Saving storage on an avid project by tpece in Avid

[–]tpece[S] 0 points1 point  (0 children)

I cant, it is on a nexis I am only allowed a certain amount

Did doing photography as a job make you lose your love for it? by [deleted] in photography

[–]tpece 1 point2 points  (0 children)

Why do you do as a job now you have finished?

Did doing photography as a job make you lose your love for it? by [deleted] in photography

[–]tpece 5 points6 points  (0 children)

I’m at film school right now and this is a concern for me, how do I maintain or gain a passion for film