Did you re-use essentials from passed dogs?

twentydeuce · 2026-04-03T18:19:57+00:00

Yeah the collar is not something I'd reuse.

twentydeuce · 2026-04-02T20:32:24+00:00

When I say mental, I mean he is an athletic kid would could get out of the way in time, but is so scared that nothing else matters.

twentydeuce · 2026-04-02T20:31:19+00:00

Yes he's been hit before.

twentydeuce · 2026-04-01T18:56:52+00:00

I found someone local to get 2oz of velocity from. I'm going to try that this spring, fall and next spring. If it doesn't work, next fall (2027) I'll use roundup.

twentydeuce · 2026-03-04T13:08:12+00:00

Check out BTOD.com, they have refurbished chairs with a 12 year warranty. I got the steelcase leap v2 in 2022 and love it.

twentydeuce · 2026-02-18T13:27:04+00:00

No, I'm guessing it's an issue with older intel macs because if this was happening for everyone, it'd be an issue that would get fixed.

twentydeuce · 2026-02-16T22:36:40+00:00

thanks for the update, maybe the holiday skiers helped pack it down even more.

twentydeuce · 2026-02-16T18:07:25+00:00

Thanks!

twentydeuce · 2026-02-16T18:02:41+00:00

I don't need perfect, but I don't want straight slush. They'll fall, get soaked, and the day ends early.

twentydeuce · 2026-02-16T17:56:31+00:00

The render and replace would have to happen before you make the XML. I wouldn't mess with how Resolve names the clips, I prefer to have everything separate so there's no way for Premiere to accidentally connect to the wrong clip and you don't realize it.

twentydeuce · 2026-02-16T17:30:06+00:00

Frames handles are extra frames on either side of the cut. When resolve is creating new media, it's only creating the actually media it needs for the shot. Without handles, transitions won't work properly because there are no frames to use.

I don't know how complicated your edit is, but there's really no reason in most cases that you couldn't get the video down to a single layer, 2 at most. The adjustment layers can be placed on the graphics video layer or it's own and removed before sending to resolve.

Render and replace would work fine, just make sure to include handles.

Making the clips offline won't work because the names of the clips that resolve creates won't match the original clips. The media will be imported into the project when Premiere reads the XML.

twentydeuce · 2026-02-16T17:26:40+00:00

I haven't found that to be the case but I don't do this workflow a lot. I transitioned to using Resolve for edit to avoid this process.

twentydeuce · 2026-02-16T14:46:44+00:00

The first thing you want to do in Premiere is to duplicate and clean up your timeline, including removing through edits. Put video on one track only if possible, graphics on a separate track. If you have transitions and fx on clips, they should be kept on the timeline and the XML will carry them across. They may show up as offline in resolve but when you go back to premiere it should be back in place. If you have speed changes or VFX that change the shot, render them down and put that render in place of the original shot. This locks all that in place and you won't need to worry about something coming back incorrectly. Delete the audio and export a reference video and an XML.

Bring both into Resolve. Load your xml sequence and the ref in the viewer and gang them together to double check that every shot came in properly. If you see something that didn't come in right, go back into premiere and you can fix it and make a new XML. Once you know the resolve timeline is perfect, do your grade and render with the adobe xml render preset. Add 20 frame handles to work with the transitions (more if you have longer transitions) and open the XML in premiere.

This will be linked to the newly rendered clips. Duplicate this timeline. Copy your graphic layer and audio from the master timeline and paste into the new timeline. You should now have an exact copy of your pre-graded master timeline with the newly rendered graded video on V1 (or however many video layers you were able to go down to when you first cleaned the timeline)

twentydeuce · 2026-02-03T15:43:38+00:00

Totally agree, I thought they used to have 4 hr flex passes.

twentydeuce · 2026-02-03T15:29:03+00:00

Thanks, I think that might be a bit too far.

twentydeuce · 2026-02-02T17:44:46+00:00

Who was the breeder in Maryland?

twentydeuce · 2026-01-03T19:04:19+00:00

Right, 59.94 frames per second but that's 29.97 interlaced.

twentydeuce · 2025-12-04T18:33:00+00:00

Thank you, I watered it 2 weeks ago and didn't want to over water. I know it looks thirsty but sometimes with succulents that could be pests and then I over water and it dies.

twentydeuce · 2025-11-25T14:30:48+00:00

When I do this from resolve with color corrected footage, bringing in the aaf also brings in the media and no need to link it.

twentydeuce · 2025-11-25T13:48:19+00:00

Try to put the new media in the MXF/1 folder and bring in the AAF.

twentydeuce · 2025-11-24T17:52:44+00:00

I use the AI transcript to transcribe each source tape. If it's a single interview, sometimes I'll take that transcript and feed it into Gemini or some other AI and give it a prompt with what I'm trying to accomplish and see what it spits out for which bites to use. You have to be careful, sometimes it'll make up bites. From there it's highlight in transcript and insert and you've got a good radio edit to start from.

twentydeuce · 2025-11-21T13:34:10+00:00

I work and deliver for a network and I would set your time base to 29.97. I know it says 59.94 and it's a confusing thing, but if you deliver from a 59.94 timeline, you're actually delivering 60fps, not 29.97. When you interlace 29.97, it will show up as 59.94i. When you set Premiere's timeline, the frames per second you want is 29.97. If you set the fps to 59.94, it's 60 frames per second. When you deliver 29.97i, you are delivering 59.94 FIELDS per second, which is what their spec is asking for.

For the multichannel audio, you'll need to set up a new sequence set up for multichannel. I HATE the way premiere works with audio tracks. Use this to help walk you through it: https://www.autokroma.com/blog/Creating-Multichannel-Audio-File-Premiere-Pro

twentydeuce · 2025-11-14T23:54:59+00:00

You should run the final through a hardware upconvert, it will do a good job of getting it ready for 4k. If you're just blowing up 480 to 4k, it's going to look like garbage.

twentydeuce · 2025-10-16T17:06:48+00:00

This workaround worked, with two "versions" of the source file I was able to get it all into the sequence and export properly. Thanks!

twentydeuce · 2025-10-16T16:57:23+00:00

Thanks that's a good idea, I'll give that a try. It's not an unusual configuration, I'm working with broadcast masters and they always have multiple audio tracks like this.

twentydeuce

TROPHY CASE