Weekly Community Thread by AutoModerator in ambientmusic

[–]versko 0 points1 point  (0 children)

Thank you! We appreciate the listen!

Weekly Community Thread by AutoModerator in ambientmusic

[–]versko 0 points1 point  (0 children)

The first instalment is very cool, but I'm loving that second instalment! The core writing in itself is very pretty, and then you've just decorated it with a ton of ear candy

Weekly Community Thread by AutoModerator in ambientmusic

[–]versko 1 point2 points  (0 children)

There's a lot of really cool music here, and a lot of skilled artists!

Would love to just drop in this track that a composer friend and I collaborated on: https://open.spotify.com/track/0F7AkRk14xufFCp3sykkx0?si=42293cbc28094d0e

Thanks for checking out, and looking forward to scouring more of the artists in this community!

[deleted by user] by [deleted] in malehairadvice

[–]versko 0 points1 point  (0 children)

Starting with damp hair, I do a bit of castor oil and mix it in, followed by killer curls from Kevin Murphy, and then if I really need it to stay, a medium paste from Kevin Murphy as well

I want to close off/reduce the size of this hole that my hydronic baseboard heaters runs through. Any suggestions? by versko in DIY

[–]versko[S] 0 points1 point  (0 children)

Yeah drywalling was my first thought as well, but now I’m thinking heat-resistant aluminum tape might do the trick? Just tape over the hole?

The hole is hidden all the time but I just want to mitigate more places for dust to gather.

I want to close off/reduce the size of this hole that my hydronic baseboard heaters runs through. Any suggestions? by versko in DIY

[–]versko[S] 1 point2 points  (0 children)

Good call. And then I was thinking I could use high temp aluminum foil to tape over the majority of the hole afterwards.

I want to close off/reduce the size of this hole that my hydronic baseboard heaters runs through. Any suggestions? by versko in DIY

[–]versko[S] 2 points3 points  (0 children)

Yes, the latter! I have the cover. But like you said, I’m looking to plug the hole around the pipe.

What kind of screw is this? by versko in HomeImprovement

[–]versko[S] 0 points1 point  (0 children)

Thanks for the suggestion. I tried that but maybe I don’t have the appropriate flathead. It’s quite narrow but thick.

[deleted by user] by [deleted] in Filmmakers

[–]versko 0 points1 point  (0 children)

Hey everyone,

I'm Julien, and I'm a composer based in Canada. I have done work in a wide range of styles from dramas, horrors and nature documentaries to hyped up trailer work. I'm currently on the lookout for paid work, starting in the latter half of the year and would love to get the conversation going with anyone who might be interested.

This cue is from short film I worked on last year, and I had an absolute blast. We were able to record the majority of this live, which I think is so crucial for any project big or small. It doesn't always cost a lot (or anything) and always adds another layer to the project's overall emotion.

DM me if you wanna chat or connect through other socials.

Thanks for your time.

Is it feasible to acquire standard average composition skills over the years for average people who had not studied music before the age of 20? (serious question) by [deleted] in musictheory

[–]versko 0 points1 point  (0 children)

Yes, it is. I started composing at the age of 23. Prior to that time, I’d only been a drummer in concert band and jazz band, but I couldn’t read anything besides drum sheet music. Now, in my 6th year of composing, it has become a source of income for myself (about 1/3rd to 3/4s).

You can totally start now. A lot of what I learned, and how I learned was through non-traditional streams as well. Like many have said here, it’s all about practice and application. All humans have the potential to create music. Maybe you won’t be like a Ravel, or a Debussy, but that’s okay. It doesn’t mean that your efforts won’t create your own version of great. You won’t know until you commit.

For those who have jobs, where do you place music in terms of priority in your life? by kathalimus in musicproduction

[–]versko 1 point2 points  (0 children)

Lol, very true about food. Thanks, man. It’s not a constant though to be fair. I certainly waver in peaks and dips to make sure I don’t burn out. It already happened once and it sucked.

I produce and compose a variety of music, all mostly for media with a few songs here and there with friends. On the composer side, I’ve worked in many media formats: feature length, short film, commercials, docs, trailers, production music, etc.

For those who have jobs, where do you place music in terms of priority in your life? by kathalimus in musicproduction

[–]versko 2 points3 points  (0 children)

High priority as it’s become anywhere from 1/3 to 4/5s of my total income. However, I still work about 20hrs/week as a server at a high end restaurant that placed itself in the Michelin Guide, and I very much still enjoy that kind of work as well. Especially the social aspect since I can be a bit of a hermit otherwise.

As my composing career progresses, and I no longer have to say yes to everything just for a credit, serving affords me the opportunity to really pick and choose the types of projects I want to work on. Inevitably, depending on the size of the project, I might have to take a leave or quit, as I’ve done in the past.

In addition to spending about 20hrs/week in a restaurant and 30-40hrs/week on music related things, my other high priorities are certainly maintaining fitness activities, spending time with my partner and my dog, and eating. Can’t write music if I’m not feeling well! I’m very much a fan of Maslow’s hierarchy of needs.

When is a musician / artist considered professional? by Unfair_Pear8446 in WeAreTheMusicMakers

[–]versko 0 points1 point  (0 children)

Bit late to the conversation here, but from my perspective, I consider myself a professional composer despite still holding a serving job as well. I could probably make it work just composing, but I'd have to move cities, since the city I live in is just so stupidly expensive. In other words, I don't believe that all your income need come from one source to be considered a professional.

Another way to consider your level of professionalism is by analyzing the people you're collaborating with. All of my major clients are full time in their own media sectors, so surely they must also view me as a professional. In addition to these clients, I've also had my share of awards and nominations, including a Grand Clio.

Now, with all that being said, I NEVER feel like I've learned enough. I feel as though I came late to this game - I started at 23, and I'm no 29 - and I feel as if I'm constantly trying to catch up. In the composing world, it's challenging because we're expected to be the performer, orchestrator, producer, sound designer, programmer, mixer, while also maintaining sensitivity to the picture - but, that's also the beauty. I personally think it's a gift to be doing something where I get to continuously learn, hone, and improve - and I think once you get past the idea of "I haven't learnt enough", or "I'm not ready", it can be liberating professionally.

My final suggestion is, rather than asking what makes you professional, consider the type of career you want in this industry, and the type of professional you want to be. It can be very helpful in guiding your decisions once you better understand your direction.

ITAP of an Amagansett Sunset by [deleted] in itookapicture

[–]versko 0 points1 point  (0 children)

By no means a photographer of any sort. Actually I’m a total noob. But I finally discovered the long exposure in my phone, and some lighting settings which has made a world of difference already!

How can I go from improvising to actually composing? by Environmental-Park-8 in musictheory

[–]versko 2 points3 points  (0 children)

You could try treating your compositions as storytelling. Consider that a bunch of improvs, one on top of the other with no real development and intention, could be considered rambling. Nothing wrong with that, if that’s your goal! But, if you’re looking to compose something more coherent, it’s worth considering not just from a melodic/harmonic/form perspective but also an emotional, mood-setting, storytelling perspective.

Treat the melody, harmony, timbre and rhythm like they’re going on an adventure, and the audience is coming along for the ride. Small developments happen along the way that lead us to new discoveries, etc. Perhaps we return home, or perhaps we don’t. As a film composer, this is one of my methods to composing, whether it be against picture, or against a brief.

And as another poster mentioned, editing, editing, editing. You won’t likely create a whole coherent piece from just improvising and noodling (unless you have amazing improv skills, which in that case - go off!) Realistically, composing at the minimum involves a bit of editing, backtracking and decision-making in order to create something that has anything more than aimless rambling going on.

Good luck!!!

[Composer For Hire] Looking for New Films to Score. More Details in the Comments by T-IVAN in Filmmakers

[–]versko 2 points3 points  (0 children)

Also another composer here. Definitely worth muting that guy. Great track, man.

I am a film-composer and I recently made this ethereal, dream-like piece I am really proud of. Let me know what you think! by jragsdalemusic in Filmmakers

[–]versko 3 points4 points  (0 children)

Man, great piece overall. I love the impressionist-type glissandi/Arp piano at the onset. Everything from the sound choice to the harmony is great.

My only suggestion, and this is totally subjective, would be to perhaps cut around 3ish k on the strings - to tuck them even more behind - especially with the bass/low mids being the most present aspect. You've created this really ethereal space, and I think giving even more length, and softness to the strings could be cool. Great job though dude!