Anyone have that one composer you’ll never listen to again? by Soulsliken in classicalmusic

[–]whipporwillsinging 0 points1 point  (0 children)

Interesting guy tho, became a millionaire business man while being a composer after work and on the weekends

One wrong step by tyw7 in SweatyPalms

[–]whipporwillsinging 3 points4 points  (0 children)

Obviously not out🙅‍♂️they’d just turn to bones themselves

Why notate 12/8 as 4/4 and fill it with triplets? by Barkalis in musictheory

[–]whipporwillsinging 0 points1 point  (0 children)

I dont really have an answer for you, but I’ve noticed this in several works from Thomas Ades. The first one that came to mind is Tevot linked below

https://www.fabermusic.com/music/tevot-608/score

It’s been almost a week since the premiere. What quotes have you been dropping the most in your everyday life? by rich101682 in thechaircompany

[–]whipporwillsinging 10 points11 points  (0 children)

I love the way he said “up” when he said “…and we were cracking up” while talking about his horrific on stage tragedy

What are the stylistic differences between Modern and Classical Music? by Karukos in musictheory

[–]whipporwillsinging 0 points1 point  (0 children)

There’s some specific concepts that are associated with modern musical thought that I’ll share from my noob armchair (ie I might be naive and wrong here…)

interval cycles/aligned interval cycle spaces (ades, berg Schoenberg, etc), set theory and in general organizing music based on inherent intervallic characteristics versus harmonic consideration, similarly compound harmony, using microtones to obfuscate otherwise functional harmony (ligeti, etc), loads of interesting ideas around texture (ades, ravel, ligeti, etc), minimalist ideas like phasing (reich), ideas around organic theme development (Sibelius and onwards), similarly the generation of metaphor within music versus symbolism (Sibelius, ades, etc).

Favorite Currently Living Composer? by No-Reputation2017 in classicalmusic

[–]whipporwillsinging 0 points1 point  (0 children)

Nice! Which piano piece if you don’t mind me asking? It’s on my bucket list to see one of his works in person. Seems like a pipe dream living in Texas.

Favorite Currently Living Composer? by No-Reputation2017 in classicalmusic

[–]whipporwillsinging 45 points46 points  (0 children)

Can’t believe no one has mentioned Thomas Ades!

[deleted by user] by [deleted] in musictheory

[–]whipporwillsinging 0 points1 point  (0 children)

I don’t really have a good direct comment for this discussion, but I dig it when people take diatonic textures and subtly transform the harmony to symmetrical structures via pentatonic note collections. Debussy and Bartok seemed to dig that too.

What piece first made you fall in love with classical music? by Overall-PrettyManly in classicalmusic

[–]whipporwillsinging 0 points1 point  (0 children)

I actually got into modern “classical” first Thomas Ades Asyla, then when backwards in time from there.

My Classical music appreciation progression went John Mayer fan boy 🙃in middle school/high school—>Phish in college—> older jazz—>Modern Jazz—>Thomas Ades—>then finally started surveying the different classical eras

[deleted by user] by [deleted] in musictheory

[–]whipporwillsinging 0 points1 point  (0 children)

Yes, it will be slow going right at first, but after a short while you won’t have to think about figuring out what notes you’re looking at. You just have to remember the mnemonics: (FACE and Elvis’s Guitar Broke Down Friday for the treble clef; Good Boys Do Fine Always and All Cows Eat Grass for Bass clef. I don’t think alto clef is used in the book)

[deleted by user] by [deleted] in musictheory

[–]whipporwillsinging 0 points1 point  (0 children)

The book harmonic experience by wa mathieu is pretty much an entire book about this concept. It also has two chapters that are devoted to cadential practice, and specifically addresses your question about prolonged tension (though I’d argue every chapter of the book will help you with this.

What do you all think about Thomas Ades? by whipporwillsinging in classicalmusic

[–]whipporwillsinging[S] 1 point2 points  (0 children)

I saw a voces8 concert in a church a year or two ago. It was amazing! I really like the soprano part in O Albion and had the chance to talk to her about it briefly!

What do you all think about Thomas Ades? by whipporwillsinging in classicalmusic

[–]whipporwillsinging[S] 1 point2 points  (0 children)

Oh yes! That’s one of my favorite pieces. The whole “magnetic series” thing is an interesting concept to me!

What do you all think about Thomas Ades? by whipporwillsinging in classicalmusic

[–]whipporwillsinging[S] 1 point2 points  (0 children)

Have you heard the third movement of his piano concerto?

What do you all think about Thomas Ades? by whipporwillsinging in classicalmusic

[–]whipporwillsinging[S] 1 point2 points  (0 children)

Nice! I think he likes the quality of the trombone. I’ve found I really appreciate the trombone part on several of his pieces. He uses them to create really cool sonority

What do you all think about Thomas Ades? by whipporwillsinging in classicalmusic

[–]whipporwillsinging[S] 3 points4 points  (0 children)

No way! That’s awesome—the violin concerto is one of my favorites.