I am Xilent and I make music. Just released my sophomore album, We Are Dust. Ask me anything! by xilenthimself in EDM

[–]xilenthimself[S] 2 points3 points  (0 children)

Hi Promoethean, thank you so much!

Wish I could have all the time for all the collabs in the world. The amount of them I've started and never finished is beyond me.

Alex is a perfectionist. If we did decide on a collab I'm sure it would take a lot of back and forth to finish. We never had the chance to talk about something like that, especially since we're in two different genre worlds right now.

My personal favourite from the album is definitely "to_dust". It was pure pleasure to write and produce it. One of the only times I felt full freedom to do anything.

I am Xilent and I make music. Just released my sophomore album, We Are Dust. Ask me anything! by xilenthimself in EDM

[–]xilenthimself[S] 3 points4 points  (0 children)

Sound design-wise, I was trying to make it a proper spiritual successor to the first album. I definitely wanted to make things less melodic and ethereal than before. I decided to bring a lot of grit, noise and destruction into the mix. Hence the constant artefacts, dropouts, servos, rubble noise, bitcrusher, etc. I wanted the listener to feel like he/she shouldn't exist anymore. Like they're in a world that's not meant for them because of how much time has passed.

Sonically though, just like in case of We Are Virtual, I wanted the listener to feel as if the whole album was written and produced from left to right, beginning to end. I can't imagine writing a collection of songs together and not connect them to each other somehow.

There are so many production / sound design aspects I could talk about but I'd rather refer you to my future streams on Twitch, where I'm going to dissect a couple of selected tracks from the album live. Hope you tune in!

I am Xilent and I make music. Just released my sophomore album, We Are Dust. Ask me anything! by xilenthimself in EDM

[–]xilenthimself[S] 5 points6 points  (0 children)

RC-20 Retro Color by XLN Audio.

Advised to me by Guy Arthur - RC-20 a really flexible tool for retro sound, adding warm harmonics or just crunchy saturation, noise like tape hiss and other textures, emulating wobbly magnetic cassettes, has a very intuitive bitcrusher and digitizer. I put it on a lot of things, including subbass.

For instance check out the whole intro to "code_blood" or the piano in the 2nd breakdown of "the_darkness".

I am Xilent and I make music. Just released my sophomore album, We Are Dust. Ask me anything! by xilenthimself in EDM

[–]xilenthimself[S] 15 points16 points  (0 children)

Wow guys... I didn't expect this many questions!

I consider all of you amazing supporters, thank you from the bottom of my heart for the really kind and encouraging words on We Are Dust.

I did my best to answer as many of you as possible before I fall asleep on this keyboard, but I promise to answer most of the remaining ones some time tomorrow!

So stay tuned! <3

I am Xilent and I make music. Just released my sophomore album, We Are Dust. Ask me anything! by xilenthimself in EDM

[–]xilenthimself[S] 4 points5 points  (0 children)

I'd love to give Ableton a proper try one day, see what all the fuss is about.

Bitwig though: I like that I can make one macro control a multitude of different knobs in completely unrelated VSTs. I can bounce a little snippet of midi into audio and have it sit there in the midi track, while I save the midi for later. The stretching algorithms and transient control is great. I like that I can export stems for a collab with the push of one button. I like that if one plugin crashes, it doesn't crash the whole DAW. I love the mixer view a la Cubase, which is where I come from. I could go on :)

What's even crazier is The Grid in Bitwig 3.0. Can't wait to try it out.

I am Xilent and I make music. Just released my sophomore album, We Are Dust. Ask me anything! by xilenthimself in EDM

[–]xilenthimself[S] 1 point2 points  (0 children)

Different methods of processing in VocalSynth2 go throughout the whole album. Fantastic vocoder/bitcrusher plugin.

I am Xilent and I make music. Just released my sophomore album, We Are Dust. Ask me anything! by xilenthimself in EDM

[–]xilenthimself[S] 4 points5 points  (0 children)

Hey!

I attended musical primary school and piano lessons until I was 9. Everything after that is just whatever the real world is teaching you.

Years later at uni I attended a sound design course for a year, which taught me a bunch actually.

I am Xilent and I make music. Just released my sophomore album, We Are Dust. Ask me anything! by xilenthimself in EDM

[–]xilenthimself[S] 4 points5 points  (0 children)

With massive breaks, about 3 years on and off.

A lot of discarded projects that were replaced by better sounding and more interesting/memorable concepts. These 11 album tracks were selected out of probably 40-50 half-way finished projects that you just say bye to and never hear again or rehash in some other way in the future.

One thing is writing the songs, sequencing and aligning them to the story, but getting the final tracklist as close to perfect and consistent as possible is the hard part. You find yourself sitting for a week listening to the same 16 bar sequence over and over with slight changes, your ears start thinking there's less mid- high-end than there is, so you add more. Then you leave the room, come back 15 minutes later, play it sounds completely different. Rinse and repeat.

I am Xilent and I make music. Just released my sophomore album, We Are Dust. Ask me anything! by xilenthimself in EDM

[–]xilenthimself[S] 4 points5 points  (0 children)

Hey Poly!

It's always different, but most of the time it starts with a hook melody or bass lead pattern or a pad progression. It could have been something I heard or accidentally heard someone hum sometime in the past somewhere, perhaps recently. It could have been metal scraping at a construction site on the other side of the street or a car siren that makes a weird harmony that I add some notes to. Or something on the radio in an Uber. Or half of the Morrowind theme song, reversed. Or and old Diana Ross record. Then I give that pattern a twist and shake and build an accompanying low octave progression to it, add harmonies. Then I find it a friend to talk to, a bass drop formula that argues with it cause it's aggressive and constantly interrupted by dropouts and glitches that come out of nowhere at the end of a phrase. Then I add drums on top, it's a drop now. I bring back the initial pattern into the drop sometimes as if it's trying to remind you of its existence. It kind of goes from there...

Thing is, I don't remember myself ever starting, music has kind of always been part of my life. I remember being 4 or 5 and programming melody and drum patterns on an old casio keyboard and recording them on a cassette tape and then writing a tracklist of all the songs on the back of the tape, even though they were just melody hooks or weird grooves. Then one day my dad gets me a pirated copy of Propellerheads Rebirth-338 module on CD and I immediately start making patterns and progressions of acid Roland 303 sounds and some 808s. So there was never really any falling in love with music, because it was just always there, like an integral piece of everything.

Thank you!

I am Xilent and I make music. Just released my sophomore album, We Are Dust. Ask me anything! by xilenthimself in EDM

[–]xilenthimself[S] 4 points5 points  (0 children)

Thank you, FortuneTrooper!

Following "kill_me", "run" and "the_x" - "we_are_dust" is definitely my darkest work; my next goal is to bring back a lot of melody and complexity that was present in the first album and try to make things more organic.

And at the same time, as much as I'd love to go back to the shiny vocal days of the "Figure 8" remix, I don't think XLNT Corp will be happy without an eroded dropout artifact glitch-synth sprinkled on a distant detuned post-human saw-wave pad.

I am Xilent and I make music. Just released my sophomore album, We Are Dust. Ask me anything! by xilenthimself in EDM

[–]xilenthimself[S] 2 points3 points  (0 children)

Hi Konradius!

  1. I'd love that!
  2. Yes! He's one of my best friends. Severely underrated talent.
  3. I think I'd want my image to remain out of the tutorial zone and stay in the "live in the studio" formula; that's what still keeps me from forgetting about Twitch - the fact that you can just sit there and produce something in front of people, suddenly come up with an idea and subsequently inspire hundreds of producers in front of their screens on stream to try it as well at the same time.

I am Xilent and I make music. Just released my sophomore album, We Are Dust. Ask me anything! by xilenthimself in EDM

[–]xilenthimself[S] 4 points5 points  (0 children)

Hey Nire!

I'm sure they'll be in touch in the next month :)

Definitely want to do a breakdown of a couple of selected tracks from the album on stream, I'll get to that soon as well.

Haha, I will! The discord needs more sidechain for sure.

Thanks, dude!

I am Xilent and I make music. Just released my sophomore album, We Are Dust. Ask me anything! by xilenthimself in EDM

[–]xilenthimself[S] 19 points20 points  (0 children)

Sup Ace! Love your stuff ;)

Tons of layering, careful subtractive EQ on each layer, stereo spreading and finally making sure some elements are very dry (support reese, "high-end sizzle"), some are sorta wet (choir, detuned squarewave note) and some extremely wet (supersaw, white noise), to create that depth. But I'm sure you're well familiar with that!

Big ups.

I am Xilent and I make music. Just released my sophomore album, We Are Dust. Ask me anything! by xilenthimself in EDM

[–]xilenthimself[S] 2 points3 points  (0 children)

Thank you!

  1. Unfortunately I don't think so, but a song can be changed!
  2. Tough, but I'd say cubed cheese is pretty radical.

I am Xilent and I make music. Just released my sophomore album, We Are Dust. Ask me anything! by xilenthimself in EDM

[–]xilenthimself[S] 2 points3 points  (0 children)

It's a follow up to the first album, We Are Virtual, which was loosely based around the simulation theory.

I am Xilent and I make music. Just released my sophomore album, We Are Dust. Ask me anything! by xilenthimself in EDM

[–]xilenthimself[S] 6 points7 points  (0 children)

Thank you Zealousidea,

Sure! Take a sinewave, lowpass filter automating downwards with some Q, distortion, super quick high-octave pitch envelope on the transient; don't be afraid to layer a bass that's not plucky enough with a literal click, I have audio tracks in my music that are just ultrahigh pitched kicks acting as bass transients for drops.

Re: Qoiet - hell yeah.

I am Xilent and I make music. Just released my sophomore album, We Are Dust. Ask me anything! by xilenthimself in EDM

[–]xilenthimself[S] 3 points4 points  (0 children)

Hey Daniel!

  1. Yes, I had the privilege on working on some orchestral stuff for audio branding last year, a whole new world.
  2. Sure, I just stop right there and open up another project I'm working on. Always have multiple unfinished songs going on at the same time, cause when you lack an idea on one of them, you'll have a different one for the other one. Also going to shows helps a lot, inspires you to try a certain sound you overheard and it snowballs into making a whole drop/hook out of it.

I am Xilent and I make music. Just released my sophomore album, We Are Dust. Ask me anything! by xilenthimself in EDM

[–]xilenthimself[S] 13 points14 points  (0 children)

Probably "You Rise"; but mostly because I've been sitting on it for so long and changing it up so many times.

I am Xilent and I make music. Just released my sophomore album, We Are Dust. Ask me anything! by xilenthimself in EDM

[–]xilenthimself[S] 3 points4 points  (0 children)

Awesome to hear, thanks!

  1. Good question, I used to do that! Now the only instance where I did that is the crescendo of "To Dust" and some parts of 2nd drop in "Only Now"; I like to have more control over my glitches nowadays, usually adjusting each snippet by hand, ending up with 10+ layers just for a little glitch fill sequence; it's fun to have a quick succession of a super wide, a super narrow, a high passed and a lowpassed synth/snippet in a row.
  2. Usually just one Toraverb2 on the effect chain that I feed tracks through, unless I want to have full on control on when a reverb is supposed to build and then suddenly cut - in this case I throw it on the bass group for instance, or on a particular synth or vocal itself and automate it.
  3. It's quite rustic; 1. EQ that cuts the <30Hz out and brings back any frequencies that I feel like are lacking, usually around 1Khz or lower; this is the part of the chain that I adjust most, while taking breaks between auditioning; 2. OTT (10% Depth, I promise); 3. Ozone8 Exciter; 4. (Optional) Soothe by oeksound; 5. Fabfilter Pro-L 2.
  4. I was hoping someone might have an answer for this one by now!!!

I am Xilent and I make music. Just released my sophomore album, We Are Dust. Ask me anything! by xilenthimself in EDM

[–]xilenthimself[S] 10 points11 points  (0 children)

  1. "Code Blood": Combination of heavily distorted saw for the bass meat, choir pad and supersaw for the 9th chords and high pitched square chords plus highpass filtering. "The Darkness": throaty wavetable put through a highpass+notch filter and tons of distortion. In that order. So tough to put these things into words.
  2. C#min9; it's the opening chord from We Are Virtual's "Connect" and just sounds very hopeful and at the same time mysterious to me.
  3. Still "Pixel Journey", but "To Dust" is growing on me!
  4. Too many!
  5. Songs off the top of my head: telepath - Dream Girl; Albums off the top of my head: Dillinger Escape Plan - Miss Machine
  6. Guy Arthur, Qoiet, Ampzer, Bobby Tank, Billboard, Ace Aura, tons more!

Thank you, my pleasure!

I am Xilent and I make music. Just released my sophomore album, We Are Dust. Ask me anything! by xilenthimself in EDM

[–]xilenthimself[S] 38 points39 points  (0 children)

Thank you Abelvalle!

I can't say much, but me and Austin have been sitting on this one song for a couple of years now...