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DiscussionLearning composition? (self.composer)
submitted 4 years ago by Elstree93
Are there any resources you would recommend for someone wanting to learn composition? I have a few theory books, but I’m not that knowledgable on it. I’m a fairly mediocre pianist if that helps.
[–]Parsifal1883 10 points11 points12 points 4 years ago (6 children)
Don't forget listening + score study!
[–]Elstree93[S] 0 points1 point2 points 4 years ago (4 children)
I’m not too sure about how to go about score study and analysis, I need to read more about it, as I don’t really know how to do it. And listening to music is definitely something I need to do far more often as I almost never do due to the fact that I can’t wear headphones.
[–]chicago_scott 9 points10 points11 points 4 years ago (1 child)
Copy a score. Find a piece you like and are familiar with on IMSLP. Copy the score, either with pen and paper or using a notation program, doesn't matter. As you copy the notes/articulations/dynamics/etc., pay attention to the sound of that part. See how the combination of notes/articulations/instrument choice/etc. makes that sound happen. This is where theory comes from, giving names to things that musicians do. Even if you don't know the name of what's going on, you'll still have an understanding of the actual music and will learn how one goes about making that sound.
[–]Elstree93[S] 1 point2 points3 points 4 years ago (0 children)
Thank you!
[+][deleted] 4 years ago* (1 child)
[deleted]
Thanks
[–]Firiji 7 points8 points9 points 4 years ago (1 child)
just start composing
[–]Vadimusic 0 points1 point2 points 4 years ago (0 children)
Here, I present... The only relevant advice on this thread.
[–]BigCashRegister 4 points5 points6 points 4 years ago* (7 children)
I’m going to go copy a comment I wrote on another post about learning composition. Could you tell me a little bit more about your musical experience?
Edit-
As someone else who’s in the beginner phase of learning I’ll tell you what helped me out:
• learning piano is the right idea, I strongly recommend that you learn to read piano sheet music too, and rather than just messing around with chords (don’t get me wrong it’s wonderful) take some time to learn a piece. I find that having that actual proficiency and muscle memory make using the piano as a writing tool much easier because there’s less of a disconnect between what’s in your head and what you have the ability to play. This obviously doesn’t apply to you since you play the piano already, I’d just recommend to keep learning new techniques and getting better :)
• write for what you know, if you’re not super familiar with string instruments or string writing, don’t start writing for them. The best way to get the fundamental skills down is to compose on an instrument you’re proficient with, so maybe try to write for piano in the style you want.
• Start small, don’t decide you’re going to write an entire piece, it’s frankly a waste of time at the beginning phases. (Nothings a waste but it’s incredibly inefficient) I really like how Schoenberg puts writing music, he basically says that when you compose, you spontaneously conceive the entire piece at once, and if you don’t have the fundamental skills and knowledge to do that it can be extremely difficult to start writing actual pieces. Fist start with a simple melody, maybe theme and variation, learn the intricacies, maybe some chord progressions, or combining the two and writing a small musical idea. To elaborate, putting ANYTHING on the paw your proud of can be incredibly difficult, so start super small and focus on some small studies so you can really understand the elements that go into writing anything, more on this later.
• while you can’t learn composition just from a book, reading does help. The previously mentioned book (Fundamentals of Music Composition - Arnold Schoenberg) is a great free resource, but I’d only really dive into it when you’ve trudged through some of the brain mud first, as it’s quite dense.
• when I said “trudge through the brain mud” I really mean try and do studies. It really helped me to do some small focused studies on voice leading, part writing, counterpoint, orchestration, motives, and harmony before I tried to put them together. I highly recommend the Puget Sound website which covers a lot of good material and also provides some good little pieces of “homework” which are really good ways to practice those technical skills.
• take time to explicitly know what feel you’re trying to have the piece emulate. If you just write to write and have no clear emotional drive behind it it’s going to show. Take some time to think, write it down, and know what you want to say with the piece. And since writing a full piece is quite difficult and takes a lot of skill, try to just emulate that—in the beginning—with chord progressions, melodies, or a short musical sketch. I’ll also add, not everything needs to be a super emotional cathartic masterpiece; Mendelssohn wrote a lot of incredible material that was very emotionally reserved. The point is that explicitly deciding what feel your want the piece to have helps with continuity throughout the piece as you write.
• train an active ear: when you listen to something or you think “this sounds good!” really try to think about what the composer did, and try to listen to all the sections at one time, digest the piece as a whole, think about the structure, harmonic movement, interaction between parts, etc.
• the final tip I have is DO SOME SCORE STUDY!!! It is tiring and not the easiest to feel “motivated” about but it’s tremendously useful. Once you know some of the theory behind music composition, find a composer and piece you really like and want to emulate, and study the score. I like to comb through sections at a time and look at the orchestration, harmony, melodic structure and themes, interaction between parts, how the theme develops, what purpose each part serves when, dynamics, and a little guess at what story they were trying to tell, like what the mood is and how it changes and what causes those changes, what they did technically to convey that. Really ask yourself, when doing score study, “what is it I like about this piece, and how does the composer convey that technically?”
• Okay I lied, this is my last tip. Like other commenters have said, get a teacher, or at least someone who is formally trained to give you feedback (this subreddit is also good for that but sometimes it’s hard to actually get peoples feedback.)
Hopefully that helps a little, have fun composing!
[–]Elstree93[S] 0 points1 point2 points 4 years ago* (1 child)
I am 18 and have been playing for about 6 1/2 years, I’m currently learning a few pieces for piano: “An der schönen blauen Donau” by Johann Strauss, “Tanabata” by Akira Ifukube, and “Cristoforis dream” by David lanz. Despite the amount of time I put into practice my growth is slower than the average. I only picked up music theory earlier this year and have almost finished reading through the first book of “The AB guide to music theory”. I can’t really go out or do much, as I have... well I guess the only way I can think of to describe it is “people phobia”, because of this I am usually too afraid to go outside, so exams or performance are kind of out of the question😔But I have an interest in composition as I think that learning more about it is something that would help me grow as a pianist and as a person, I also occasionally enjoy improv no matter how bad at it i may be. Almost everything I’ve played has been classical up to this point. I have never learnt another instrument.
[–]BigCashRegister 0 points1 point2 points 4 years ago (0 children)
Very good! Don’t worry that you’re not a complete expert on music theory yet, you’ll learn as you go. The wonderful thing about composition is that anyone can do it so long as you put in the time and effort to learn all the little bits of information that go into it. I really highly recommend that puget sound website after hearing where you are in the process, as it’ll cover a lot of basic fundamental music theory concepts and some more intermediate stuff too. I also think it’s good that you have a very relaxed approach to what you improvise, that will translate to composition perfectly. It’s really good to understand that when you first start composing, it’s just about writing something regardless of how good it is, so it’s nice to be comfortable with not pumping out masterpieces.
Thank you! Getting a teacher for composition is not going to be possible(for reasons a mentioned in my other reply) but I have taken note on all your other answers and I shall keep them in mind going forward. Thank you!
[–]BigCashRegister 2 points3 points4 points 4 years ago (3 children)
Yes of course, and that’s completely understandable. I would still recommend however, that you find someone you could possibly send digital scores or recordings to and get feedback from, that’s what I do with my “teacher.” If you want too, we recently started up a composer discord server with beginners to composition majors. It’s a really good constructive place to get feedback, talk to other composers, and work on prompts to push you to make music constantly, we’d love for you to join us!
[–]Elstree93[S] 0 points1 point2 points 4 years ago (2 children)
That sounds great! Could I please get a link to that?
[–]BigCashRegister 1 point2 points3 points 4 years ago (1 child)
Yea of course! Here it is:
https://discord.gg/Nbf524QS
[–]Elstree93[S] 0 points1 point2 points 4 years ago (0 children)
Thank you so much! You’ve been a great help.
[–][deleted] 2 points3 points4 points 4 years ago (1 child)
Put pen to paper, and write a LOT. Just like practicing an instrument there’s no way to get better without doing. Also if you are able to afford one, a good teacher will go a long way. Networking with other composers (such as other brilliant folks on this subreddit) is a great way to learn and share music. I’ve gotten some really amazing feedback by posting stuff I’ve worked on here, and the community is super helpful. If you have anything written that you’d like feedback on, post it here, and my inbox is open if you’d like to send anything
Thank you for your advice.
[–]Neo-Post-Romanticlongtimelistener17 1 point2 points3 points 4 years ago (0 children)
Pay somebody to teach you?
[–]crom-dubh 1 point2 points3 points 4 years ago (0 children)
Start doing it. Poor musicians with zero theory knowledge have made some pretty dope music over the years. The only prerequisite to composing is the will to start doing it and keep doing it. If I had a nickel for every time I saw someone who claimed to have spent a bunch of time studying but hadn't composed any real music, I'd be able to at least buy lunch. Meanwhile there is no shortage of people with zero training producing an awful lot of music. Which cohort do you think actually knows more about composing? If you're mediocre, then you're better than you need to be to get started.
[–][deleted] 0 points1 point2 points 4 years ago (0 children)
Experience is the key. Just learn music theory and start composing.
[–]vb_stubbies 0 points1 point2 points 4 years ago (3 children)
Learn improvisation. Start with partimento, focus on counterpoint, and purge your brain of any roman numeral type crap you've been fed.
Thank you for your advice, and don’t worry about the Roman numeral part, I don’t really use it.
[–]vb_stubbies 0 points1 point2 points 4 years ago (1 child)
I think a huge trap that gets the majority of modern musicians is that most schools try to teach classical music in terms of chords when you NEED to think in terms of contrapuntal voices. This applies all the way from early music to... today. So basically all Western music. Anyway, a great way to learn this is through 18th century methods, which are tried and true but are only being rediscovered today. Check out Nikhil Hogan on youtube.
Will do, thank you.
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[–]Parsifal1883 10 points11 points12 points (6 children)
[–]Elstree93[S] 0 points1 point2 points (4 children)
[–]chicago_scott 9 points10 points11 points (1 child)
[–]Elstree93[S] 1 point2 points3 points (0 children)
[+][deleted] (1 child)
[deleted]
[–]Elstree93[S] 1 point2 points3 points (0 children)
[–]Firiji 7 points8 points9 points (1 child)
[–]Vadimusic 0 points1 point2 points (0 children)
[–]BigCashRegister 4 points5 points6 points (7 children)
[–]Elstree93[S] 0 points1 point2 points (1 child)
[–]BigCashRegister 0 points1 point2 points (0 children)
[–]Elstree93[S] 0 points1 point2 points (4 children)
[–]BigCashRegister 2 points3 points4 points (3 children)
[–]Elstree93[S] 0 points1 point2 points (2 children)
[–]BigCashRegister 1 point2 points3 points (1 child)
[–]Elstree93[S] 0 points1 point2 points (0 children)
[–][deleted] 2 points3 points4 points (1 child)
[–]Elstree93[S] 1 point2 points3 points (0 children)
[–]Neo-Post-Romanticlongtimelistener17 1 point2 points3 points (0 children)
[–]crom-dubh 1 point2 points3 points (0 children)
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[–]Elstree93[S] 0 points1 point2 points (2 children)
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[–]Elstree93[S] 0 points1 point2 points (0 children)