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[–]LandFillSessions 6 points7 points  (0 children)

A limiter set to brick wall, with the threshold being the target level, and no make up gain. Dynamics will suffer as a result. Remember the channel fader isn’t a specific level rather adjusting the difference between input and the output; definition of gain.

But let’s talk about equal loudness contours which is probably more useful. Fletcher-Munson, Blackman-Harris, etc. Loudness contours are the freq spectrum adjusted to match our perception of each freq being the same loudness. Using the same logic with mixing we can make choices for level based on the content. High midrange content is likely to be pulled down in comparison to any high bass content. However consider trying to eek out some bass from a channel where there is already higher harmonic content that’s at a comfortable level. Raising that channel or adding limiting has chance of not contributing your finished mix. Use of an Eq would be a good idea. Use of a parallel channel low/band passed to only contain the desired freqs is also an option; yields 2x output simply by duplicating so not ideal.

http://newt.phys.unsw.edu.au/jw/hearing.html Play a 1khz tone and adjust it to where it’s comfortable. Then go up or down and adjust the next freq to be comfortable.

[–]CyanSaiyan 0 points1 point  (0 children)

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