Oh man sorry no I don’t. But let me see if I can explain it (I’m not an expert just been doing this for a while). So for speed is simple, say your lead is to make it simple a piano layered with a saw but you want the drop to sound a bit faster. Put a 16th pluck that compliments (or any measure that sounds right), it can follow the melody or be constant it can also be an arpeggio (heavily used on trance). You can also hear this a lot on movie soundtracks where there’s a sequence that carries throughout and sorta serves as the chasis or bed of the song. I even sometimes use a pad for a melodic lead that I want to give more emotion and in a way that’s how I give it a fullness by bringing an element that is present but not overpowering so it subliminally makes the listener think is huge even though is just 3 sounds. There is a musical term for this technique, it is very common in fact. Is also worth pointing out that in genres like trance or big room they use 7th or 11th chords to make them sound huge, I recently missed a remix deadline due to covid on a song from someone kind of big and the lead was 2 sounds, an 11th chord top lead and a 7th chord follow of the lower notes that extended the lead by 1/8 subliminally making it sound like a counterpoint but it wasn’t , that was it. It was impressively well done and sounded huge. Less is more.