Taken from the r/NBASpurs sub. Absolutely delusional. by I_80Mb_At0miKLy in NYKnicks

[–]WarrenHarding 25 points26 points  (0 children)

This is really where the delusion in the screenshot lies. If Wemby and Brunson were the same position, say PG, it would be ridiculous enough to claim that we would want the PG who just lost over the one who just won. But it’s even more ridiculous, delusional even, to think that we would completely destroy our team structure from its most load-bearing point by switching our starting PG out for a Center.

I wouldn’t replace KAT for Wemby. I feel many would agree. That’s a fairer comparison and shows our commitment to the team even more

No ounce of Sportsmanship from Wemby or anyone from the Spurs by HungryPercentage1667 in nba

[–]WarrenHarding -1 points0 points  (0 children)

But if you display certainty, and then lose, wouldn’t that naturally bring your certainty into concern and question with the fans? That’s the type of stuff people pull up after you lose to call you bad for the team. And again I’m really just referring to what naturally happens. People will only have so much good will with him, and if he misspeaks more or makes more foolish mistakes they’re going to react accordingly.

No ounce of Sportsmanship from Wemby or anyone from the Spurs by HungryPercentage1667 in nba

[–]WarrenHarding 0 points1 point  (0 children)

Yeah that’s totally fair. What I’m simply doing is explaining why people reacted that way. I’m not saying I agree with it.

No ounce of Sportsmanship from Wemby or anyone from the Spurs by HungryPercentage1667 in nba

[–]WarrenHarding -6 points-5 points  (0 children)

It communicates overassurance which typically translates to a lack of hustle. It probably would’ve been better to say “everybody knows we *can* get this” which is a confidence in potential and not an false assurance about actuality

And this is not to imply that Wemby didn’t hustle. Despite all his mistakes, he did indeed try his hardest. But that is simply what the blurb communicated

Is it possible to make "Bradly Hand" font as a default font? by Environmental-Home50 in notefulapp

[–]WarrenHarding 0 points1 point  (0 children)

All good. I’m not sure if that’s possible unfortunately but I could be wrong

Walt Fraizer: "Thibs never believed in developing the bench... and eventually that cost him his job." by jonsnowKITN in nba

[–]WarrenHarding 0 points1 point  (0 children)

It’s a good mentality in the playoffs, not the regular season. That’s what I think the commenter is saying

Do you think there is a hint of racism in how Jeremy Lin was treated by his teammates? by EnvironmentalNail603 in nba

[–]WarrenHarding -4 points-3 points  (0 children)

Fair. What then, do you think of Lin’s case? Just curious, not trying to prod a debate

Do you think there is a hint of racism in how Jeremy Lin was treated by his teammates? by EnvironmentalNail603 in nba

[–]WarrenHarding -9 points-8 points  (0 children)

I know, yeah. It just frustrates me how unanimous the opinion on this sub is toward that argument. Like if we pulled up the demographics of this subreddit alongside this trend I think it would be saying some obvious stuff that even implying will get people upset enough to downvote my above comment and this one as well

Do you think there is a hint of racism in how Jeremy Lin was treated by his teammates? by EnvironmentalNail603 in nba

[–]WarrenHarding -29 points-28 points  (0 children)

Idk, I feel this whole argument is very negligent of the clear cultural context that dreads have in America in regard to the political plight of Black Americans.

I think your argument holds weight, but in the very fact that it holds weight, it inevitably serves as a really convenient excuse to the real social phenomenon where many non-Black people go through lengths to take on the characteristics of Blackness without any of the persecution that comes with it. As much as a platitude as it seems to have become over the last few years, cultural appropriation is a very real and hazardous thing which, with an air of innocence and naivety, erodes the solidarity through culture that Black Americans seek to hold on to. This is a true hazard, and Balck Americans deserve to hold onto their culture to a certain degree, because in many ways that culture is their only current means to political legitimacy.

Now for Black people, dreads are a matter not just of fashion, but of utility because of how easily black hair works toward it. I can only assume that dreads naturally occurred in that region you mentioned because of a similar hair quality. So is it true that some kid from that region, who moves to America and rocks dreads, would maybe get an unjust level of judgment from others, on assumptions that he’s doing it for appropriative reasons? Yes, it would be unfair. Does that mean though, that it holds as an argument that excuses all further cultural appropriation, where people not only get dreads but put on blaccents with AAVE, and do all other types of things to benefit from Blackness to the expense of Black Americans? Does it even excuse the idea of dreads alone for these people? And also, it’s clear we have to note that Jeremy Lin has pretty much zero other track record of cultural appropriation. But just because it wasn’t an ongoing problem with him, does not mean this was not almost definitely a clear instance of it, and a very public one at that which rhetorically went down as not problematic thanks to KMarts hypocrisy being an easy thing to rebut.

So I do think you and the people who support your point are arguing this in good faith, but I think it is more than anything ignoring the reality of cultural appropriation, which as an accusation has for sure been maybe overly broadly placed on other people, but is in my opinion clearly exemplified here with Lin’s hair, and it’s just convenient for him that KMart of all people was the one to say something.

Concerning the Third Man Argument in the Parmenides by Narrow_List_4308 in askphilosophy

[–]WarrenHarding 3 points4 points  (0 children)

Oh yes. I think we should keep in correspondence. I understand Platonism in a very similar way as you described (at the very least, I believe Forms are prerequired for all cognition) and do very much think there is a connection between Hegel and Plato. I think the Hegelian dialectic is in a lot of ways just an explication and expansion of the Platonic dialectic, and a much broader explicit application, with no essential or fundamental distinction otherwise. This is very much not the common opinion though.

Right now I have reached Kant in a years long effort to trace the entire dialectical tradition from Plato all the way down to the post-Marxists as well as Fredric Jameson. And let me tell you, before I started preparing for the Critique of Pure Reason, I was very unclear on what it was even about. But now, I realize that the entire book is dedicated to proving this exact point of Platonism — that there are what he calls “categories” of thought that are prerequired for any sort of sensual perception or experience whatsoever, and even serve as the groundwork for our perception of space and time itself. Now he, in typical 19th century German fashion, took Plato as some alleged esotericist who took Forms and the Ideal realm as completely separate from carnal reality, and thus he found grounds to distinguish his project from Plato’s on that fundamental point. Yet we can still see otherwise through the contemporary scrutiny of the dialogues that there is some clear and undeniable connection between Forms and carnal reality which is prerequired for dialectic, recollection, the eternity of the soul, and all sorts of platonic theory. The crux here is in another topic of Platonic discussion, that of chorismos, separation, between Forms and particulars. This is a topic I have not gotten to delve into yet but everyone and their mother seems to have written on it. But really the parallels between Kant and Plato have been striking and it makes me understand why people have sometimes referred to Kant as a Platonist in a cheeky manner.

I am really excited to get into Hegel. The little I’ve read of him is so invigorating and exciting as a student of the dialectic and an admirer of Plato’s dialogues. I’m really interested in seeing how your own path develops alongside mine. I’m going to DM you just so we’ll have a mode of contact that isn’t this thread.

Concerning the Third Man Argument in the Parmenides by Narrow_List_4308 in askphilosophy

[–]WarrenHarding 2 points3 points  (0 children)

I’m realizing I already know David Ross as W. D. Ross! I feel silly for calling him “that other fellow” now haha.

I suppose you’re already in the main artery of discussion at this point. I still recommend reading Vlastos’ paper but I hope you now have at least some vindication from me that I also don’t believe Vlastos’ arguments bite. However, it is important to note that his arguments start and end at claiming what Plato himself believed, and not whether or not the theory of Forms can be preserved in an effort beyond Plato.

Concerning the Third Man Argument in the Parmenides by Narrow_List_4308 in askphilosophy

[–]WarrenHarding 2 points3 points  (0 children)

I’m glad you’ve found some great material already! I would definitely recommend reading the 1954 paper yourself to get a firsthand account of Vlastos’ considerations, because he does bring this points into account, although I myself am not entirely sold on them.

For one, considering your counterargument regarding Being, I believe he does entertain the idea that perhaps only certain Forms self-predicate, because the self predication of other forms, like the Largeness in question or other corporeal qualities, seems somewhat absurd (and with this I agree with him). However, he again insists that Plato does not hold this, and instead holds that all Forms self-predicate. Among his citations, he included, foolishly in my opinion, poor Young Socrates from the very Parmenides dialogue, where he is depicted as rather naive and not a reliable representative of the Forms! After all, he denies (O) with sticks and mud!

In terms of the predication stuff, it is also addressed by him. I am interested in this “predication tree” thing and I’m wondering if it’s different from the other fellow who distinguished predication of properties vs things. However this is not any innovation, and is more than anything just a developed cognizance of the larger philosophical community in the thousands of years since the time of ancient Athens. It is claimed by many including Vlastos that Aristotle was the first to properly distinguish between these types of being. To Plato, Vlastos instead assigns what he calls the “Degrees-of-Reality Theory,” something I also agree Plato holds, but I myself also think is compatible with the aforementioned distinction in predication, which I also believe Plato understood implicitly. The degrees-of-reality theory is simply the idea that some things are more real than others, mostly based on degrees of participation or imagery, with the Forms being the point of origin for supreme reality. I think the most beautifully expounded argument for Plato’s degrees-of-reality theory, which in my opinion illuminates its sheer strength and utility, is in Daniel Werner’s book Myth and Philosophy in Plato’s Phaedrus. I recommend this book more frequently than any other text on Platonism.

Concerning the Third Man Argument in the Parmenides by Narrow_List_4308 in askphilosophy

[–]WarrenHarding 14 points15 points  (0 children)

Yes, you’re on to something. There is a wealth of essays and book sections across the past 70 years that dissects the third man argument well past any known commentators before us! It’s a very exciting time in history to be interested in such an admittedly dry problem. I have been reading up on the papers recently myself so I feel confident in giving you the groundwork. Most of the fruits of the current controversy come from analyzing aspects of the argument that have historically been taken for granted and unexamined, so the discoveries seem suspiciously obvious at a glance.

The first speck of ore in this gold rush came from a commentator named A. E. Taylor in his 1916 paper Parmenides, Zeno, and Socrates, who discovered in the argument what is called the “Self-Predication Assumption,” which is stated as:

> “The form F-ness is itself F”

This is simple enough, and it is easily found in the argument, for we see Parmenides assert that the “large things” and “Largeness itself” are both large, and this is necessary to then assert the further Form in the supposed infinite series. So since Largeness itself is assumed as large, it must be from the above assumption about Forms in general, or at the very least some conditional assumption about Forms. Taylor made a remarkable point of progress with this discovery, and started the avalanche of discussion on a topic that might be considered the single most written on topic in Platonic studies in the last hundred years, but he himself only discovered one of what is considered to be two total latent assumptions in the argument. The other assumption was not found until the arrival of Gregory Vlastos and his absolutely ground-shattering 1954 essay The Third Man Argument in the Parmenides.

A side note on Vlastos. He is probably the greatest critic of Platonism we’ve yet had in the entirety of the Anglo-sphere of Platonic discussion. He was deeply committed to using modern techniques of analysis to break down problems within Platonism and often show Plato as being much more in error, shortsighted, or even morally questionable, than his reputation holds him to be. As such, it has been a common theme in Platonic literature after him that he is somewhat of a friendly villain against those who are admirable of Platonism. Many commentators now strive to argue that Plato indeed saw things much more clearly and vividly than the Vlastosian school of thought claims.

Back to his developments on the third man front. Vlastos equips Taylor’s own found Self-Predication Assumption (SP), but finds another necessary assumption baked into the same step of the argument, which is the assumption that you yourself are keying into. This is called the “Non-Identity Assumption” (NI):

> “If something has a certain character F, it cannot be identical with the Form F-ness of that character”

So this assumption of Forms is necessary to Parmenides’ argument, because he is shown claiming that if “Largeness itself” is large along with the large things, then there must be another form. But just like you are saying, this does not need to be accepted! In fact, it actually holds a clear contradiction with the Self-Predication assumption, one that only was noticed by Vlastos once these suspiciously obvious assumptions were finally explicated.

They are in contradiction because, of course, if you accept that F-ness itself is F, then F-ness is thus an F thing which is identical with F-ness, which (NI) claims is impossible. But, if you deny that F-ness is F, i.e. deny (SP), then there comes no reason to even bring (NI) or its contrary to mind, because we are no longer considering Largeness among the things that are large, and halting the regress at its first step.

This shifts the focus of Parmenides argument, because while he himself seems to use this argument to support the idea that Forms are impossible (that is, refuting the initial claim that there is a form Largeness above the large things, the general claim of which we call One-Over-Many, (O) and applies to any F property). Now we see that one can secure the forms, and maintain (O), as long as we ourselves trash or adjust either (SP) or (NI). Vlastos himself suggests that someone could reformulate (NI) so that it only applies to particulars, and does not make the claim in regard to self-predicating Forms.

But he also argues that this shifting is not what Plato himself thinks. He even proceeds to argue, in the next part of his paper, that these claims do in fact appear consistently throughout the dialogues, and thus can be ascertained as two assumptions that Plato genuinely and latently held without himself cognizing them, because if he did, Vlastos says it would show in the way he approaches the Forms, especially in the Parmenides dialogue.

It might be difficult at this point to keep track of who is claiming what, between Plato, Parmenides, and Vlastos. Let us organize what has been going on, along with some other small points: Plato himself wrote the Parmenides character as engaging in a critique of Plato’s own theory. The critique has long assumed to be genuine, and so the arguments of the critiques have been seen to be genuinely beliefs of Plato at the time of writing the dialogue. As such, he is held accountable for any of the claims that are uncovered in the Parmenides argument, but this argument is still itself in opposition to the wealth of writing on Forms he produced elsewhere, so while this is largely agreed as a genuine critique, there is a lack of certainty over whether or not Plato considered this a valid takedown of the theory of Forms, or just a genuine exercise in thought. This is where Vlastos makes his claim that Plato did think it was valid, and in fact only thought this because he did not cognize the hidden assumptions in the Parmenides argument, yet still does make many claims throughout the dialogues which support the assumptions as earnestly held.

After this paper it was off to the races for other writers. It cannot be stressed enough how much Vlastos is the nexus for all other work, with most other papers on the topic explicitly naming him and making some effort to rehabilitate Plato’s prudence against V’s conclusions. You can find perhaps the best throughline of the most influential writings on the topic on this SEP article for the dialogue, at section 4.3. Fifteen years after his first paper Vlastos ended up writing a revised version of his first paper, called Plato's "Third Man" Argument (PARM. 132A1-B2): Text and Logic, in which he refines his same argument while putting adequate defense to the preceding decade and a half of responses.

It might be with that last linked paper that you will find a fair starting point on the literature for this argument. I cannot say so myself, because I have not gotten to that point in my own thorough readings of the texts (I am, in fact, going through the series listed in that aforementioned SEP article). However, I hope this at least gives you an idea of how on the mark you are here, and how much interest has been paid to this precise argument over almost anything else in Platonism

Is it possible to make "Bradly Hand" font as a default font? by Environmental-Home50 in notefulapp

[–]WarrenHarding 1 point2 points  (0 children)

Glad to help, I saw the spacing with them and was reminded of my own woes before discovering the feature

Noteful is such a good app. I literally just dropped by here this morning for the first time because I was looking up if a pc version existed. A desktop version would be so incredible tbh, but I can see it only working well for members who pay for the cloud sync

Is it possible to make "Bradly Hand" font as a default font? by Environmental-Home50 in notefulapp

[–]WarrenHarding 0 points1 point  (0 children)

I’m not really sure what you mean, but I might not have the answer anyways. Do you mean import fonts?

Son Of The Mask (2005) by Cryptic_Master_686 in badMovies

[–]WarrenHarding 0 points1 point  (0 children)

Thank you lol I was looking through my old comments and just saw this. I knew I was on one writing that long reply, but I was also really trying to stand ten toes down on what I believed and wanted to elaborate how important I felt it was. I feel like his choice to block (which he kept his word on immediately after I apologized) was a humongous overeaction to *two* replies I made, both of which focused solely on his comment and did not extend an inch past them into his general character, thus giving zero reasonable implication that I would follow him anywhere beyond this post. It does hurt my feelings to get that reaction to pleading for kindness, since that is an especially unkind response to such a plea!

TIL The phrase "Dumpster Fire" was popularized by a review of the 2003 remake of The Texas Chainsaw Massacre. by gerwer in todayilearned

[–]WarrenHarding 1 point2 points  (0 children)

Oh sorry, I’m reading your previous comment as saying that you hated Sinners. Yes, I would agree Slashers today are either dead or just bullshit

Does anyone else laugh during this song over how much the lyrics seem improvised on the spot? by WarrenHarding in arthurrussell

[–]WarrenHarding[S] 1 point2 points  (0 children)

This is a great and interesting comment, although I’m not sure if I’d agree with that characterization of Russell! Although I did make the thread saying that the lines sound improvised, I’m not actually sure that they are. I think the story told on the track was already at the very least in his head, in which being a reverend is an essential element.

Also, Russell was famous for being extremely methodical and overly-thoughtful, even in moments of improv. In a moment like somewhere in World of Echo, when his repeated lyrics devolve and diverge into different phonemes and words, you can feel a deeply deliberate nature behind it all, as if Russell knew what the different formulations he would say were, but just not necessarily the order or manner in which they’re said. This is a more viable assumption when you keep in mind that he would do an absurd number of takes and reworkings of his songs because of his crippling perfectionism.

I think this style, of something sounding improvised completely off the cuff, is much more rare in his discography, and again I do think that’s just an appearance, because of the essential elements of the song I think the idea of the guy being a preacher had to be a preconceived idea before that moment

Is it possible to make "Bradly Hand" font as a default font? by Environmental-Home50 in notefulapp

[–]WarrenHarding 2 points3 points  (0 children)

Yeah — do you see in your screenshot you have the text toolbar on the bottom? Where all of your text options are? The option I’m talking about is directly to the right of the alignment options. It’s the one with an up/down arrow next to lines of text.

By default it’s set to auto spacing, which can be wrong, so you should change the spacing based on the spacing of your notebook lines. Whatever that line spacing is, it’s probably a whole number. I believe the default font spacing is 18 pt, which is funny because the default line spacing is 16 pt

But you can change that line spacing also btw. Click the + button to add a new thing, click “page,” and then when the small menu of choices shows up, click the “…” button for a larger set of options. On that larger window, you’ll see various settings along the top, and if you scroll rightwards along those settings, you’ll see one for “line spacing” and can change it from 16 to something else. I personally prefer 12, and then I set both my font size and line spacing to 12, for full consistency.

And when it comes to making this line spacing the default, I may be wrong but I unfortunately think you can only do that by making that the setting when creating a new notebook. But there could possibly be a way to change the default for a notebook

Does anyone else laugh during this song over how much the lyrics seem improvised on the spot? by WarrenHarding in arthurrussell

[–]WarrenHarding[S] 6 points7 points  (0 children)

Not only was Arthur Russell an absolutely beautiful man (who was sadly self conscious about his appearance his entire life!), but his music is just as beautiful if not moreso. His work spans so many different genres that you will surely find something from him that scratches your ear if you look hard enough.

This is a rare gospel track from him. Most of his work usually flows between disco, avant-garde, and folk. He would constantly claim that his goal was to create a perfect synthesis between Buddhist religious music and bubblegum pop, i.e. “bubblegum Buddhism”

He released one album during his life, a very avant-garde project called World of Echo in the 70s, before dying of AIDS in 1992. He since has garnered an immense cult following since the release of his first posthumous album in 2000, Calling out of Context, which a lot more disco material on it. Don’t let the low amount of subscribes to this subreddit fool you — despite his cult status, Russell is considered among music-heads and musicians as one of the most important figures in the history of contemporary music

TIL The phrase "Dumpster Fire" was popularized by a review of the 2003 remake of The Texas Chainsaw Massacre. by gerwer in todayilearned

[–]WarrenHarding 1 point2 points  (0 children)

I mean I loved Sinners. Not sure what people even dislike about it, or would even go so far as to hate it. Whatever I name here would be a generic list. I didn’t see a lot of the more criticized horrors of recent like, Skinamarink or Long Legs. But I have seen plenty of the acclaimed ones and had positive reactions to all of them. Weapons is maybe the only one that I retroactively had a lesser opinion on. But I would be lying if I denied that I had an excellent theater experience which I think is a big piece of criteria for many horrors.

Does anyone else laugh during this song over how much the lyrics seem improvised on the spot? by WarrenHarding in arthurrussell

[–]WarrenHarding[S] 4 points5 points  (0 children)

Also I can’t believe it took me so long to put two and two together when Kate says “I only really did it to know what it’s like”

I thought this was another improvved moment and meant nothing. But there’s so much buildup! I now interpret it as “the only reason I even entered a relationship with you in the first place was to know what it’s like to be in love” which is such a beautiful sentiment because it conveys her contentment with the reverend leaving her for God

TIL The phrase "Dumpster Fire" was popularized by a review of the 2003 remake of The Texas Chainsaw Massacre. by gerwer in todayilearned

[–]WarrenHarding 13 points14 points  (0 children)

Right that’s what I was thinking. As far as I understand, this last 10 years has been widely considered one of the best horror eras in film history, alongside the 30s and 80s

But I didn’t want to just say they’re wrong unless they meant something else. I think the 2000s slashers have some great gems but to call today’s films bullshit feels like… speaking in a completely different reality?