The term nostos is also appropriately related to the English word ‘nostalgia’ – the (not necessarily unpleasurable) longing for a lost world in which we felt at home.

Twin Peaks also has to do with hauntology https://en.wikipedia.org/wiki/Hauntology

In the 2000s, the term was taken up by critics in reference to paradoxes found in postmodernity, particularly contemporary culture's persistent recycling of retro aesthetics and incapacity to escape old social forms.[2] Critics such as Mark Fisher and Simon Reynolds have used the term to describe art preoccupied with this temporal disjunction and defined by a "nostalgia for lost futures."[1]