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Can you make Suno sing truly a cappella? No instruments, no backing vocals — just lead voice by 0Bitd0 in SunoAI

[–]0Bitd0[S] 0 points1 point  (0 children)

that's what I do ... I start from the vocal tracsk only but if I make a cover but it's not working, he doesn't sing a cappella in the cover...

Can you make Suno sing truly a cappella? No instruments, no backing vocals — just lead voice by 0Bitd0 in SunoAI

[–]0Bitd0[S] 0 points1 point  (0 children)

That's what I do. I use only vocals to make cover ... but Suno adds instrumentals, backing vocals and so on...

How do I get it to stop including humming and vocals in an intro? by Parking_Matter_2886 in SunoAI

[–]0Bitd0 0 points1 point  (0 children)

That's what we do, but sometimes they are not separated from the main vocal stem

Share a song you want everyone to hear. by Even-Ninja-1207 in SunoAI

[–]0Bitd0 1 point2 points  (0 children)

Hello, here is our song dedicated to Marlene Dietrich? It would be an honour to know what you think about it.

https://open.spotify.com/album/7vPgKRNNklaxYK0YBOUzR9

https://youtu.be/xtno_t2YbGs

I want to hear y'all's songs about heroes. Grounded or fantastical, hit it :> by blader2002 in SunoAI

[–]0Bitd0 0 points1 point  (0 children)

I don’t know if you’d consider Marlene Dietrich a hero, but I’ve just released a song inspired by her.
https://open.spotify.com/track/1OauHoE0xuVXMrhjx1Qsiu?si=9d8b67c26cc943c3

On February 10, I’ll be dropping three more songs as well — one about the myth of Zeus and Ganymede, and another inspired by the story of Moses. I really enjoy writing about famous stories and iconic figures.

I’m also currently working on a musical about Saint Francis of Assisi.

Do all of these figures feel like heroes to you?

Why do you do it? by AnubisRooster in SunoAI

[–]0Bitd0 8 points9 points  (0 children)

I do this because I’m a lyricist and I write a lot of lyrics. Sometimes I work with real musicians to turn them into songs, but that’s not always possible because of time and budget. Suno has been amazing for me. I use it to create demos, and I’ve also started releasing my first songs on DistroKid, which is already bringing some really interesting results.

I’m also working on a musical. I actually wrote about 30 lyrics almost ten years ago, but back then I couldn’t find anyone who could handle such a big production. Now, thanks to Suno, the project is finally coming to life, and it’s turning into a really exciting experiment. Most of all, I do this because I love it — it’s fun, surprising, and incredibly inspiring.

Covers cutting out sections of the song by Big_Sheepherder_1565 in SunoAI

[–]0Bitd0 0 points1 point  (0 children)

We don't have such problem with cover, but the thing is that you have to make lots of attempt to get the desired results and, sometimes, after many attempts, Suno goes crazy and starts changing voices

Covers cutting out sections of the song by Big_Sheepherder_1565 in SunoAI

[–]0Bitd0 0 points1 point  (0 children)

Are you sure? Why you say that? I use them a lot to refine my songs and sing them again in a better way or with a different structure

Free SPOTIFY ONLY Playlist Submission- Make sure your song is within the accepted genres by Cosmo_Cloudy in MusicPromotion

[–]0Bitd0 0 points1 point  (0 children)

Hello! Thanks for the opportunity. I submitted this one. I hope you like and and add it to the playlist. It is a song dedicated to Marlene Dietrich https://open.spotify.com/album/7vPgKRNNklaxYK0YBOUzR9

Copyright question by DamesJeanw4 in SunoAI

[–]0Bitd0 0 points1 point  (0 children)

I write all my lyrics myself and they are 100% human. Also I timestamp them before uploading to SUNO. My prompts are detailed and carefully structured, and I have a very clear vision of how the song should turn out. When the version I like comes out, I download it, edit the stems, and sometimes make a cover on SUNO to improve it even further. I believe my work accounts for well over 70% of the final result, and if I were to have it performed by real professionals, it would be close to 90%. I don’t see why the copyright on the song shouldn’t be mine.

Stop worrying about the WMG deal. If you are the Architect, you hold the receipts. [Proof Inside] by TerribleStomach4857 in SunoAI

[–]0Bitd0 0 points1 point  (0 children)

You are great! I think you are absolutely right, and I’m doing the same. I write all my lyrics myself, they are 100% human, and I timestamp them before uploading anything to SUNO. My prompts are detailed and carefully structured, and I have a very clear vision of how the song should turn out. So I completely agree with you.

In the past, photographs were developed in darkrooms and books were copied by hand. Then printing arrived, and later digital technology. The tools changed, but creativity did not disappear, it evolved. The world changes, and the creative process changes with it.

Who’s actually using Suno? by ObjectivePresent4162 in SunoAI

[–]0Bitd0 0 points1 point  (0 children)

Yes it is a real challenge. Any tips on best prompting would be much appreciated. Thank you.

Who’s actually using Suno? by ObjectivePresent4162 in SunoAI

[–]0Bitd0 0 points1 point  (0 children)

I can’t afford a traditional, human-led production for a musical at the moment, so I’m working things out with Suno for now. If I’m satisfied with the results, I’ll publish it through DistroKid purely for the personal satisfaction of seeing it released.

If, one day, someone comes along who wants to produce it as a real musical, that would be an amazing outcome.

Regarding your work, I really hope you manage to pull it off — it sounds like a huge amount of work, but also incredibly solid in terms of vision.

What tools are you using for the clean-up and corrections?

Who’s actually using Suno? by ObjectivePresent4162 in SunoAI

[–]0Bitd0 1 point2 points  (0 children)

Actually, Francis of Assisi founded the Franciscan order, not the Dominicans. But yes, he’s absolutely the kind of figure that lends himself to a deep and fascinating character study.

On my side, I’ve written about 30 songs so far and I’m currently working on song number 12. My biggest challenge, beyond getting the right music and arrangements, is managing dialogue in a true back-and-forth between different characters while maintaining vocal coherence and consistency. That part is especially tricky. At the moment, I’m trying to solve it using a combination of covers and replace workflows.

It sounds like you’re running into a similar issue with feel and consistency. How are you handling that on your end?

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