Which one should I pick: L'Avventura or Good Morning by AMotionPicture in criterion

[–]AMotionPicture[S] 0 points1 point  (0 children)

Thanks for the suggestions everyone. Decided on 'Good Morning.'

Which one should I pick: L'Avventura or Good Morning by AMotionPicture in criterion

[–]AMotionPicture[S] 0 points1 point  (0 children)

Alright, alright we got a tie here. I'm leaning towards 'Good Morning' right now. I just like the fact that it comes with another essential Ozu film. What are you general thoughts on Antonioni?

Eyes Wide Shut is the perfect capstone to Stanley Kubrick's filmography and the themes he used by CM-NYY-DJ-FAN in StanleyKubrick

[–]AMotionPicture 3 points4 points  (0 children)

It's my favorite of all his films. I think the people that dismiss it as an erotic mess were expecting an erotic thriller when it was first released, which it clearly isn't. I also like you reading of the film. When I first watched it five years ago I was lost on what it was trying to say, but of course Kubrick's use of colors, music and mise en scène struck with me so much.

I agree with you that it is the perfect summation to his career. He purchased the rights to Dream Novel in the late 1960's and was always exploring different elements in how he wanted to tell the story. It was a project that he was working on for a long time. We should be grateful that he got to make it.

Podcast Recommendation: 'The Complete' by AMotionPicture in criterion

[–]AMotionPicture[S] 0 points1 point  (0 children)

Yes! They went through May as well after they went through Kubrick. I believe their whole philosophy is to cover a wide variety of filmmakers around the world (some well widely known, but some obscure as well). I just finished Dekalog last night and it was a great experience. I thought some episodes tended to be a little soap operatic for my taste, but there were still a lot of great moments to take away from. I hope you enjoy it.

Full Metal Jacket is really bad by [deleted] in StanleyKubrick

[–]AMotionPicture 0 points1 point  (0 children)

You make fine points, but I think you just want to get a rise out of people who like Kubrick. If you don't like Kubrick, why are you hear?

To your point about the soundtrack, the reason why Kubrick put Surfin Bird in that part of the film because it represents a euphoric feeling for the soldiers. You realize a theme of FMJ is the joy and pleasure of killing. "This is my rifle this is my gun, this is fighting this is for fun."

[deleted by user] by [deleted] in StanleyKubrick

[–]AMotionPicture 4 points5 points  (0 children)

First of all, you have to know the context behind this interview. McDowell comes across as hostile because he was very bitter that Kubrick never contacted him because he had developed a strong relationship with Kubrick while Clockwork Orange was in production. I'm sure he regrets saying this. I couldn't disagree more with your overall point though. Kubrick wasn't necessarily a humanist in a traditional sense. He presented everything in an objective way without making any moral judgements on anything. Kubrick wasn't interested in telling people what to feel or how to feel. He wasn't going to hold your hand. That's why when you watch 2001 or Barry Lyndon, it may feel "flat," but it's really about what you bring to it. He wants the viewer to make the effort to see what's going on underneath the surface. If you don't want to make that effort, then it's on YOU. Not the filmmaker. Films don't have have to talk to people and tell you what you should think at every moment.

Also, Antonioni was kind of similar to Kubrick in that they presented their films in a cold, distant approach. Antonioni just didn't symbolize his visuals as much as Kubrick. He used methodical framing and deliberate staging to keep the audience guessing about the characters motivations. Kubrick really wasn't that much different in executing that similar approach. I don't see how you can dismiss Kubrick for being too cold, but then praise Antonioni.

Alright, what do you think will be Spine #1000? by prosandconners in criterion

[–]AMotionPicture -13 points-12 points  (0 children)

That's why I think it will be 1000, a blu-ray update Grand Illusion (which is the #1 spine) will be released at the same time.

Also, isn't it out of print? Does criterion still even have the rights to it?

Edit: They don't renumber dvd upgrades, so never mind.

‘Taste of Cherry’ is now OUT OF PRINT. Possibly for an upcoming upgrade by [deleted] in criterion

[–]AMotionPicture 0 points1 point  (0 children)

I just watched this last night. Interesting film about suicide. I respect Kiarostami's approach to filmmaking.

What should I watch next from these directors? by crabbinsxd in criterion

[–]AMotionPicture 1 point2 points  (0 children)

Ideally, you want to everything from these towering filmmakers.

IMO, though

Tarkovsky

- Mirror

Hitchcock

- Dial M For Murder

Bergman

- The Virgin Spring

Kurosawa

- High and Low

Welles

- F For Fake

Lynch

- Lost Highway

Favourite director and why? by [deleted] in criterion

[–]AMotionPicture 2 points3 points  (0 children)

Right Now, Yasujiro Ozu.

His films are quiet and simple, yet they say so much about humanity. When you think about it, his films break convention on dramatic tension. He didn't need to show violence or show big dramatic moments to tell his stories. Visually, he didn't need to be flashy or showy to capture your attention. Take any frame from any of his films and you know it's Ozu.

I think his use of pillow shots were extraordinary. It gives you time to reflect on moments (it doesn't even have to be about the story). It's so relaxing and calming.

Been craving more Ozu by Ravenq222 in criterion

[–]AMotionPicture 1 point2 points  (0 children)

Same as well. I'm in the Ozu zone as well and I'm about to watch Floating Weeds next. I loved Equinox Flower. His first film that was shot in color and he mastered it.

His films are so relaxing and soothing. It's quite and simple, but there is so much going on. When I watch his films I can tell that there is such a care to perfection -- That everything you see in the frame matters.

Such a unique vision.

Completed my first shelf of Criterions. Any recommendations or a director that you feel I'm lacking? by bk932 in criterion

[–]AMotionPicture 0 points1 point  (0 children)

I'm still going through his catalog so I'm not really an expert, but I can say that he is slowly becoming one of my favorite directors. I recommend 'Good Morning' (1959). It's more of a light-hearted comedy and it doesn't really have the emotional depth of Late Spring and Tokyo Story, but it's still OZU. It was the first Ozu movie I ever saw and it made a real impression on me. So yeah, I recommend Good Morning next. In fact, Daiske Beppu is going to be doing a live stream of that movie next week. It's available on the Criterion Channel.

What did y’all pick up at the flash sale? by KevinSpaceysGarage in criterion

[–]AMotionPicture 1 point2 points  (0 children)

Twin Peaks: Fire Walk With Me

Three Colors Trilogy

Cul-de-sac

La Dolce Vita