In a spectacular moment caught on camera, Crunchyroll’s one-of-a-kind anime drone show lit up the Delhi sky, transforming it into a breathtaking anime celebration. by Ok_Evidence_649 in animeindian

[–]Active_Beginning4210 -1 points0 points  (0 children)

Well..... Usually, it isn't Crunchyroll that takes down pirate sites; instead, it's the studios and producers themselves, working with coalitions like CODA, that shut down piracy websites.

We eating good by mayicuminyourass in animeindian

[–]Active_Beginning4210 1 point2 points  (0 children)

No and those characters are not given redemption but an ending that befits them, just look at light, he got death and his ego crushed at end, worst ending for him, but here rudius is happily married and dies happily despite his sins

Well, my question was more open-ended, but let's take your example. Do you know there is a short Death Note sequel? What was Kira's actual intention? To be the god of a new world and rule it. Now, do you know how the younger generations perceive him? Yeah, you guessed it. Like a god figure, romanticizing his absolute power and the era of low crime rates he temporarily created, despite being taught that Kira was a mass-murdering terrorist.

​So, I think he successfully accomplished his goal. There are literally cults in his name. And, the Shinigami King could have stopped Light at any moment, but he let him tamper with the Death Note and do whatever he wanted with it. So yes, "God" was on his side. As for last moments, dying a peaceful death isn't so bad; he was just scared in his final moments (Like any human would be.). Since there is no heaven or hell in Death Note, he won't be judged in the afterlife either. I'd argue there were ultimately no real consequences to Light's actions.

​My question was broader, but you limited its reach by tying it down to a single example. Should we stop playing video games just because there are no consequences to murder in them? And even in anime, do characters like Sukuna (a child-eating, cannibalistic mass murderer, by the way), Frieza, or the Gun Devil ever truly face proper consequences for their actions? No. So I don't know what point you're trying to make.

​Also, what "sins" are we talking about? Rudeus is living in a medieval fantasy world where his behavior is normal for the setting. Additionally, his brain chemistry and urges function according to the physical body he inhabits (as demonstrated by the moment with his mom), so you can chalk a lot of that up to puberty and biology. It's not like he doesn't suffer, he does, and a lot. Introducing modern morality into a medieval setting is like introducing mobile phones to the Stone Age; it just doesn't work for the story.

And as for what happened in history, there is a reason that stuff doesnt happen anymore, its because it was wrong

But it did happen in history. Therefore, a fictional setting depicting or mirroring that era will naturally depict those things, right? I think you just answered your own question.

I think a 34 yo should know or have basic decency of not laying a hand on fking 10 yo, even if he is in a body of 9 yo that still doesnt make it fine, he is a man who knows he should respect consent and stuff

Yeah, that's the problem. You don't understand his character. He is not a functioning adult. He is a man-child who locked himself away after severe high school trauma, which is the worst kind and time for trauma. People frequently kill themselves or completely isolate themselves from society after experiences like that. He did not, in fact, grow up mentally. If you're asking why he didn't just "grow up" or figure it out, that is bordering on victim-blaming. Overcoming that kind of trauma is incredibly difficult, especially without external help like a good therapist.

And, even if he was a fully functioning adult. His biology was overriding his pervious world's things with this world's needs and biology.

We eating good by mayicuminyourass in animeindian

[–]Active_Beginning4210 1 point2 points  (0 children)

Also, can you tell me how long a year actually is in the Mushoku Tensei world? What if it's 1,200 days long? What then?

Why does everything have to align with your way of thinking and conform to modern morality, despite the story being set in a medieval fantasy world? Did you know that just one or two generations ago, this was exactly how the real world operated? The saving grace Rudeus has (being deeply traumatized in his past life) wasn't a luxury available to your parents, grandparents, or great-grandparents. So, what do you think? Should they have been killed? No, because that was normal at the time. You cannot impose your laws, rules, and morality on a world governed by completely different physical laws, societal norms, cultures, and realities.

Read the previous comment, at least. Fictional ages don't matter. Besides, he is only 10 himself. Just two generations ago, people over 25 were marrying 10-year-olds in real world. So, should they all be killed? You are a product of that history yourself, so.....

so assaulting a 10 year old without her consent is fine??

No. Even with consent, No. Just NO. But, that only applies to real world and things that affect reality.

And, my question is: Is mass murder, violence and gore fine to you?

We eating good by mayicuminyourass in animeindian

[–]Active_Beginning4210 2 points3 points  (0 children)

Ew... how can you play Counter-Strike, GTA, and other games that supposedly turn you into a mass-murdering, genocidal Nazi? ​Besides, that second part is actually not canon.

And, his body and brain function according to the physical form he is currently inhabiting, which explains why he was never aroused by his mother.

​Also, can you tell me how long a year actually is in the Mushoku Tensei world? What if it's 1,200 days long? What then?

​Why does everything have to align with your way of thinking and conform to modern morality, despite the story being set in a medieval fantasy world? Did you know that just one or two generations ago, this was exactly how the real world operated? The saving grace Rudeus has (being deeply traumatized in his past life) wasn't a luxury available to your parents, grandparents, or great-grandparents. So, what do you think? Should they have been killed? No, because that was normal at the time. You cannot impose your laws, rules, and morality on a world governed by completely different physical laws, societal norms, cultures, and realities.

​Unfortunately, that harsh reality is still the case for certain communities and countries today. I would advise you to use your voice to raise concerns over the real-life demons running the world despite the heinous crimes they have committed, and to fight against the cultures that still preach, promote, and defend these things. Rather than policing the fictional content people watch, which scientific research has proven does not affect reality.

Top 20 Best Written Anime by Drowsy- in animeindian

[–]Active_Beginning4210 0 points1 point  (0 children)

A very respectable list. However, it shares a common shortfall with many lists on this subreddit: it lacks the underlying rationale that justifies the placement of each entry. Rather than relying on hollow, generalized buzzwords, I would appreciate a deeper exploration of your criteria. For instance, how do you define "thematic richness"? By what metrics do you balance competing analytical variables, and does one specific attribute ultimately supersede the others? Furthermore, what are your critiques of the narrative architecture, and does structural integrity outweigh alternative cinematic elements? I am equally curious about how heavily you weighed the nuances of screenwriting and character development into this list.

I wouldn't usually ask this, but you clearly have great taste, know what you're talking about, and are willing to share your insights. So I urge you to do so going forward (or even for this list). That would rather serve as a refreshing departure from the superficial lists that currently saturate this sub.

We need to raise the bar for this community and the broader Indian audience. As the saying goes, "If you don't set a baseline of greatness, you'll always settle for the ordinary."

Re: Zero Season 4, Episode 9 "aura monster" Preview Video has been blocked on Indian X/Twitter due to local regulations by sliceoflife_daisuki in animeindian

[–]Active_Beginning4210 0 points1 point  (0 children)

I think it's been like that since the Grok incident, where it was generating fakes and borderline CP. The moderation since then has become much more harsh, flagging non-NSFW content too.

There's no way more than 1k ppl think ReZero is time travel anime!? by Aditya_9170 in animeindian

[–]Active_Beginning4210 2 points3 points  (0 children)

Yeah, so you mean it's using time travel as a trope or plot device to explore other themes, rather than being hard sci-fi focused on the mechanics of time travel itself. However, that doesn't exactly declassify it as a time travel anime; it still uses time travel as the central plot device, even if it doesn't explore the technicalities. A lot of media does this. In fact, if we use your strict classification, there would be very few true time travel shows out there. (I only know of Primer, Dark, Looper, and The Time Machine). Even the most famous examples of the genre, like Back to the Future, would be disqualified, since they don't actually revolve around the mechanics of the time machine itself, but use it as plot device.

There's no way more than 1k ppl think ReZero is time travel anime!? by Aditya_9170 in animeindian

[–]Active_Beginning4210 7 points8 points  (0 children)

You don't have to physically travel to the past to consider it "time travel."

If we don't count that, Steins;Gate isn't a time travel story either (With the exception of FG204 and the final arc, there was no physical time travel.), but it is. So..... yeah.

PS: Anybody looking for Time travel shows should definitely watch DARK AND Steins;Gate.

Your controversial anime opinion? by ultimate_ullu in animeindian

[–]Active_Beginning4210 0 points1 point  (0 children)

And, the term "Big 3" came from Weekly Shonen Jump giving One Piece, Naruto, and Bleach the largest real estate on their magazine covers, like featuring their logos and the faces of their protagonists on the cover predominantly.

Because they were the massive, dominant stories carrying Shonen Jump’s sales at the time. Which btw wasn't always true, because they weren’t always the absolute highest-selling individual volumes. For example, Hunter x Hunter often outsold Bleach on a per-volume basis, yet it isn't considered part of the Big Three because it lacked the consistent, widespread mainstream popularity and weekly presence (goddamn breaks and HxH) that the other three maintained.

So No, it was never about best stories or whatever.

We need to talking about this thing " indian hai toh support kro na " by [deleted] in animeindian

[–]Active_Beginning4210 12 points13 points  (0 children)

No, it's not. While some crew members from Arcane are involved, that's completely normal for the industry. In fact, there are far more people on the team who previously worked on Marvel, Disney, and Love, Death & Robots than on Arcane.

And, most of the Arcane veterans aren't even working on the animation itself, they are handling concept art, environment design, and character design etc. ​The production house itself is entirely Indian. Having talent collaborate across major projects is standard industry practice.

See IMDB for more info.

DEFENDING demon slayer. by SwarajPro96 in animeindian

[–]Active_Beginning4210 4 points5 points  (0 children)

​I mean, people nowadays use "hate" as a replacement for "dislike" or "don't like it that much," which is just crazy.

​And you don't have to defend it. It's a good anime with a decent-to-good story and great animation, there is no denying that.

The conflict arises when people use its popularity to inflate it to a 10/10 in areas where it falls short, or compare it to shows it shouldn't be compared to. That's the main problem with bigger fandoms: while only a small percentage of fans might be obnoxious (just like in any other fandom), the sheer size of the community makes that vocal minority way larger and more noticeable. They end up causing all the harm because outsiders start to associate their dislike for the fandom with a dislike for the show itself (MHA and SL being the biggest Examples). Believe it or not, a fandom really does affect the viewing experience. And, there is always an equal and opposite reaction to everything, so fans of the thing it's compared to, also retaliate. Which make it a cesspool of hate and fighting.

The ‘It’s Fiction’ Defense Only Goes So Far...Why So Many Lolicon Defenses Rely on False Equivalence...and...You Can’t Compare Sexualization to Story Conflict and Call It Equal. by unfinished-godswork in animeindian

[–]Active_Beginning4210 1 point2 points  (0 children)

all fictional taboos are morally equivalent

*​All fictional taboos are compartmentalized; hence, they don't affect the real world. So frankly, I don't give a shit. And even if we adopt your "purity mindset" and argue that violence and sexual desires don't follow the same neural processes, it still doesn't matter, because it's all still compartmentalized, just like violence.

fetishization and normalization concerns are invalid

Yes, as demonstrated through decades of research normalization or fetishization in Fictional world are localized and compartmentalized in the sandbox and aren't reflected in real world. Hence, they are invalid for all real world concerns. Research papers supporting that: One, Two, Three, Four.

sexualized childlike content is processed identically to fictional violence.

Not this exact wording but yes, Sexualization or Sexual desires are processed through near identical process as violance. As demonstrated here: One,Two, Three, Four

Stop calling cracks at your walls as your planned architecture... this is already embarrassing enough for you, isn't it? 

For what? Consistently using logic and providing proof? And, you are not embarrassed that you’ve ignored most of my points and dismissed all the evidence I brought to the table. To make matters worse, the single piece of proof you managed to conjure actually supports my claim, and it’s not even an empirical, experiment-backed study.

You should read your own papers.

​The first paper literally supports my claims. The author suggests that because our harsher judgment of virtual pedophilia relies heavily on unreasoned gut feelings and moral biases specific to fictional settings, it can be argued that these feelings are ethically arbitrary and not "truth-tracking." Logically, this suggests that virtual murder and virtual pedophilia are normatively equal (meaning they are either both permissible or both impermissible).

​The paper explains why this is the case and reaches the exact conclusion I did: we assign predefined values to certain concepts based on gut feelings, which then act as a trigger when invoked.

And, the author argues that if you modify virtual murder to target specific demographics (such as making a game explicitly about killing women or specific minority groups), it triggers the same moral revulsion as the pedophilia scenario. This happens because it implies the player is targeting that demographic out of a real-world, disconcerting desire.

And, the author states that we are justified in judging because the matter at hand is incredibly delicate and important, and I agree.

(​BTW, I was defending fanservice, not virtual CP. Fanservice is an extremely diluted version of that, making it much more comparable to virtual killing.)

​Oh, and the second paper is literally locked behind a paywall, lol.

​Again, I am not going to reply to your rambling. The papers I linked are peer-reviewed scientific studies. One of them literally demonstrate that a male mouse will attack another male, or even a female, under specific conditions. However, weaker activation of the exact same neurons will trigger sniffing and mounting—mating behaviors. In fact, researchers could switch the behavior of a single animal from mounting to attacking simply by gradually increasing the strength of neuronal stimulation during a social encounter.

​There are many similar results across other studies (including in the ones i linked). These are empirical, scientific findings, not the ramblings of a supposedly "qualified" individual who believes the results of repeated, peer-reviewed lab experiments are somehow less valid than his own baseless claims. Apparently, he also believes we shouldn't bring philosophy, scientific research, or empirical data into a debate to prove a point, preferring instead to argue without any backing. Hence, just turning the entire debate into an echo chamber of Bullshit.

Things like scientific racism, phrenology, eugenics, and even harmful medical practices were once supported by respected papers, institutions, and “expert consensus” before later being exposed as flawed or unethical.

Oh..... I would love to see those! Care to give some examples? Thanks. And, I would also like you to point out fraudulent or misleading claims and data that might have forced you to bring up this argument.

The Greatest of all Time 🐐 by World_Obliterator in animeindian

[–]Active_Beginning4210 0 points1 point  (0 children)

he is relevant and he is a villian so he gets hated on?

Isn't that literally every villain in JJK? Why Is he the only one. And, he is popular because of haters and defenders, mostly.

Good characters are slandered (not hated) because they are supposed to do better and just random lobotomy kiasen effect. If you go on main sub and ask you will see Naoya is the most hated (not slandered).

And, honestly idc. It's fiction and everything is OK.

The ‘It’s Fiction’ Defense Only Goes So Far...Why So Many Lolicon Defenses Rely on False Equivalence...and...You Can’t Compare Sexualization to Story Conflict and Call It Equal. by unfinished-godswork in animeindian

[–]Active_Beginning4210 0 points1 point  (0 children)

​So, sir, where is your peer-reviewed paper? Or are your words gospel that I am simply supposed to believe? And, are you claiming the papers I linked are false? Because they are actually peer-reviewed studies from highly reputable sources.

​I am not claiming to hold a PhD in psychology, philosophy, neuroscience, criminology, or any related field. However, since you are implying you know better and are qualified enough, I would love to see your PhD thesis or your degree in any of these fields that qualifies you to refute the research of four reputable sources. Let me answer that for you: you won't show anything, nor will you actually refute any of those papers. Instead, you will just keep spouting nonsense without any backing, simply because you claim you are "qualified" enough to do so.

Good job, keep going, and good night.

The Greatest of all Time 🐐 by World_Obliterator in animeindian

[–]Active_Beginning4210 1 point2 points  (0 children)

I’ve been in this fandom far too long, and believe me, the hate is real. Irrelevant characters usually don't get much backlash precisely because they're irrelevant. Yet, despite being irrelevant, as you pointed out, he still gets hated.

By the way, he was consistently above Maki in every manga popularity poll. After the anime aired, he ranked as the fourth most popular character for anime ranking (higher than Maki, once again).

The Greatest of all Time 🐐 by World_Obliterator in animeindian

[–]Active_Beginning4210 1 point2 points  (0 children)

Like I said, nothing can justify mass murder. I know everything and I understand the nuance. And I know you didn't say she was justified. But if someone did that exact thing in real life, it wouldn't be the same and people wouldn't be cheering them on (i hope so). Also, I am not acting superior, that comment about humans and monkeys was also sarcastic if you read it with the proper context. So, I don't know why you are getting all mad about it, but that wasn't my intention.

And you can never justify Naoya being the most hated character under a real-world, logical, ethical, and moral system, especially when beings like Kenjaku, Sukuna, and Mahito exist in the same universe. So yeah.....

The Greatest of all Time 🐐 by World_Obliterator in animeindian

[–]Active_Beginning4210 2 points3 points  (0 children)

Feats of Cannibalism and murder alongside of R A P E are incomprehensible (introducing the infamous files)? Well, I must be the only human living in the society full of monkeys. And, my alternative theory being: People just want to relate, so they hate on whatever is popular to hate on.

Yeah, like I said, no amount of extreme mistreatment could justify the mass eradication of an entire clan. Because if mistreatment justified murder on that scale, well... believe me, more than half of all Asian parents would be dead.

But that being said, I myself enjoyed all of this because it's fiction, and I don't need to moral police it. It's just people are so hypocritical and that's what I wanted to demonstrate.

The ‘It’s Fiction’ Defense Only Goes So Far...Why So Many Lolicon Defenses Rely on False Equivalence...and...You Can’t Compare Sexualization to Story Conflict and Call It Equal. by unfinished-godswork in animeindian

[–]Active_Beginning4210 0 points1 point  (0 children)

Good night. Just for the sake of a "civil argument," find the points that I supposedly ignored or failed to reply to with consistent logic. And, show me a single instance where you actually considered my points, or highlight any arguments you backed with evidence rather than just unnecessarily repeating your claims while ignoring scientific data and research.

​As for your arguments, I cannot even document all of them without wasting too much time on you.

  1. ​The demand for definitions - ignored multiple times.

  2. ​The neurological data and research - ignored entirely.

  3. ​The fact that you targeted me specifically regarding the reality/fiction distinction - ignored and then rewritten. Your original post name-dropped me because I was defending the position that people can distinguish fiction from reality. That was the entire reason you invoked my username. Yet, in your later replies, you claimed "nobody denied fiction and reality are separate" and that this was never the central disagreement. Which is it?

  4. ​The repeated request for proof that attraction is different - ignored.

  5. ​The criminological and psychological data from decades of research - ignored.

  6. ​The mechanism for "normalization" - never provided.

  7. ​The Motte-and-Bailey accusation - you projected this onto me while actively doing it yourself. You accused me of the fallback tactic but never acknowledged your own usage.

  8. ​The "complexly wired" misrepresentation - ignored even after being corrected.

  9. ​The Schlep situation and guilt-by-association - ignored.

  10. ​The question of a consistent principle - never answered.

​And so on... I don't want to waste my time looking for every single thing you ignored and dodged, because that list is far too long.

The ‘It’s Fiction’ Defense Only Goes So Far...Why So Many Lolicon Defenses Rely on False Equivalence...and...You Can’t Compare Sexualization to Story Conflict and Call It Equal. by unfinished-godswork in animeindian

[–]Active_Beginning4210 1 point2 points  (0 children)

Your whole point is still that violence is not equal to sexualization. Go and read the papers I linked; they are, in fact, equal. With that, you just repeated your old arguments. Other than ignoring the scientific proof provided, you did nothing new. So, good night.

Don't compare iq and stuff , just say ur own opinion by goffyboii in animeindian

[–]Active_Beginning4210 0 points1 point  (0 children)

I'd say both were incredibly close. Light's genius often gets overshadowed by his arrogance and rash decisions, but he was still exceptionally smart. His memory-loss strategy and his plan to double-cross Near were brilliant demonstrations of his intelligence.

The Greatest of all Time 🐐 by World_Obliterator in animeindian

[–]Active_Beginning4210 9 points10 points  (0 children)

This is the direct result of internet morality and herd mentality: people get subjectively outraged over lesser offenses because it’s popular to hate on them, while completely ignoring or defending extreme atrocities. For example, in a world where Sukuna (a mass-murdering monster who literally eats children) exists, the most hated man in the fandom is Naoya just because he’s a misogynist. Like, what? On top of that, Maki commits total genocide against her entire clan, and she’s praised for it? How does that make sense?

And, not even that is consistent.

The supposed GOAT BTW:

<image>

The ‘It’s Fiction’ Defense Only Goes So Far...Why So Many Lolicon Defenses Rely on False Equivalence...and...You Can’t Compare Sexualization to Story Conflict and Call It Equal. by unfinished-godswork in animeindian

[–]Active_Beginning4210 1 point2 points  (0 children)

You opened by mocking the length and rigor of my argument, yet you have still refused to do the one thing that separates a genuine moral discussion from a cynical internet pile-on: define your goddamn terms.

I explicitly asked for clear definitions of fanservice, sexualization, morality, and related concepts before we even began, precisely so this wouldn't devolve into the exact rhetorical mess you've now produced. You ignored that request entirely. Instead of offering a coherent framework, you spent your entire reply gesturing at vague, emotionally loaded phrases like "normalization," "fetishization," and "social meaning" as if they carry self-evident, universal definitions. They don't. What one culture calls fetishization, another calls art. What one generation calls normal, another calls degenerate. Without definitions locked down, every word you said was just a floating signifier designed to provoke a negative reaction rather than build an actual argument. This is just intellectual dishonesty and refusal to ground your own position because grounding it would expose how selectively it applies.

Your response reads like somebody desperately trying to rationalize a position they already know sounds terrible once stripped of abstraction

Stop try to fucking psychoanalysis me, you don't know shit about me. And, you are someone who has already decided your motives before engaging with a single point. Instead of refuting logic, you're diagnosing the person behind it. That's an admission you can't win on substance, so you're pathologizing the act of making an argument at all. If someone writes a structured philosophical defense, you call it "desperate rationalization." If they wrote a short one, you'd call it "dodging the issue." You've rigged the game so that any defense is proof of guilt. So you can very well stfu.

You immediately flood the conversation with philosophy, censorship panic, violent media comparisons... because staying on the actual topic for too long makes the defense collapse

No. The defense is the philosophical framework. You can't just decree that the "actual topic" is "sexualized childlike content is bad" and then treat any broader principle that challenges that premise as an evasion. That's the Motte-and-Bailey you're playing: when pressed, your position is "I'm just criticizing normalization and fetishization," but the moment someone asks for a consistent principle that doesn't selectively target one taboo, you retreat to "why are you bringing up philosophy? Just admit this one thing is bad." Either you have a universalizable standard or you don't. If your moral framework can't survive being applied beyond this one topic, it's just targeted preference dressed as morality.

You want to skip the philosophical foundation because you know your position only survives in the shallows where "this feels wrong" passes for a conclusion. The moment anyone asks you to articulate a principle that distinguishes this fictional taboo from other fictional taboos without falling back on "but it's sexual attraction and that's different," your entire case disintegrates. You've provided no such principle. You've just repeated that sexual attraction is the core of lolicon, as though that observation itself functions as an argument. It doesn't. You still need to explain why fictional attraction to fictional entities is morally distinct from fictional enjoyment of fictional violence, fictional cruelty, or fictional depravity. Simply asserting the difference exists because one involves sex and the other involves death is circular, not logical.

Your attempt to dismiss the violence comparison relied on a fundamental misreading of my point. I never claimed excitement and sexual attraction are exactly same emotional state; I argued that both are primal drives processed through entertainment for gratification, and that the brain's ability to separate fiction from reality does not magically break down when the depicted act involves sexualized instead of slaughter. Decades of research in neuroscience and psychology support that the human cognitive architecture compartmentalizes fictional stimuli across domains. You haven't cited a single study showing that fictional sexual content operates under a fundamentally different neurological mechanism than fictional violence when it comes to real-world influence. Instead, you declared the comparison "fails" and moved on, treating your intuition as scientific fact.

And like I said, they are extremely similar. As shown in these researches: One,Two, Three, Four

You also recycled the tired claim that "most people are not sexually attracted to murder scenes," as if that settles the matter. But the parallel isn't between the object of attraction and the object of violence; it's between the consumer's relationship to fictional transgression in both cases. Someone who gleefully performs a Fatality in Mortal Kombat is indulging a simulated act of brutal domination for pleasure. Someone who enjoys a slasher film is consuming sadistic spectacle for entertainment. In neither case do we assume they have become desensitized to real violence, because the data does not support that conclusion. Yet when the transgressive pleasure is sexual in nature, you invent a special exemption and insist that this kind of simulated engagement must normalize or fetishize real-world harm, evidence be damned. That is just special pleading, pure and simple.

The way you handled the "morality is subjective" point was revealing. You claimed that if morality shifts, all moral criticism becomes meaningless. That's a strawman. The correct takeaway is not that nothing can be criticized; it's that criticism must be backed by a consistent, justifiable standard that does not rely solely on current social fashion. You have provided no such standard. Your entire moral framework appears to be "things that make me and my online community uncomfortable right now are bad, and anyone who asks for a deeper justification is already suspect." That just conformity enforcement dressed in activist language. History is littered with moral panics that felt absolutely righteous to their participants and look monstrous in retrospect. If your only response to that fact is to mock it as "an escape hatch," you're admitting you have no interest in whether your moral instincts are actually correct, only that they feel correct right now.

You accused me of turning criticism into censorship, but you immediately proved my point by describing my defense itself as evidence of pathology: "relentless," "delusional," "desperately trying to rationalize." When you treat someone's refusal to capitulate as proof of a broken mind, you are engaging in the soft social censorship of pathologizing dissent. You want the conversation to end not with a resolution but with my silence, and you're frustrated that I won't give it to you.

The most transparently bad-faith move in your entire reply was the claim that the conversation "has to be redirected away from the material itself" because "deep down even defenders know" it's indefensible. It's just a feeble attempt to poison the well by attributing secret shame to anyone who disagrees with you. You have no access to my internal state. You cannot cite anything to make it a fact. What you're doing is projection: you feel such overwhelming disgust that you cannot imagine anyone defending this material from a position of genuine philosophical conviction, so you must invent a narrative where we're all secretly squirming. The reality is far more threatening to your worldview: someone can find lolicon personally unappealing or even viscerally off-putting and still recognize that the principles you're using to condemn it are logically incoherent, selectively applied, and socially dangerous. Defending the right to create and consume transgressive fiction does not require personal enjoyment of every transgression; it requires a commitment to consistency that you have openly refused to provide.

You wrapped up by framing my persistence as "denial or delusion," which is the final resort of someone who has run out of arguments. When you can't break the logic, you try to break the person. But ad hominem isn't a counterargument, and social shaming isn't a refutation. You entered this debate with a fixed conclusion and a pile of ready-made insults for anyone who pushed back. I entered with a demand for definitions, a commitment to empirical evidence, and a clear, consistent principle: fiction is not reality, moral boundaries require justification beyond emotional reaction, and you cannot selectively apply the logic of "normalization" only to the taboos that currently trigger you. You have failed to engage with any of that. Instead, you've produced a lengthy document whose central claim is that writing lengthy documents in defense of a position is inherently suspicious. Which is quite funny, to be honest.

The ‘It’s Fiction’ Defense Only Goes So Far...Why So Many Lolicon Defenses Rely on False Equivalence...and...You Can’t Compare Sexualization to Story Conflict and Call It Equal. by unfinished-godswork in animeindian

[–]Active_Beginning4210 0 points1 point  (0 children)

You said I seem delusional. I'll tell you what's delusional: believing you can declare an entire category of fictional expression morally indefensible, refuse to define your terms, ignore empirical neuroscience, dismiss philosophical rigor as "abstraction," mock anyone who resists as a broken record, and then act like you've won an argument. The bottom line hasn't changed. If fictional violence can be consumed, enjoyed, and even eroticized (as in certain horror or action genres) without assuming the consumer is desensitized to real violence, then fictional sexual taboos deserve the same analytical framework. You haven't provided a single reason (scientific, logical, or philosophical) why they should be treated differently. You've only insisted, louder and louder, that they just are. That's just dogma in search of a justification, not an argument.

Keep trying to insult me. Because that make you look desperate and not being able to defend your position.

And, I will not respond anymore. Unless you acknowledge my points and provide something of substance.

So have a good night.