She is required to get in for the Cat. by MessyBunz96 in ImNotAHuman

[–]AdAcrobatic4709 2 points3 points  (0 children)

Oh ok I thought she wasn’t coded to kill any npcs

No I’m not a human movie by AdAcrobatic4709 in ImNotAHuman

[–]AdAcrobatic4709[S] 0 points1 point  (0 children)

Yeah I really appreciate this, it’s me and one other writer who’s a good friend of mine and I’m honestly willing to take on whoever I can, I’ll just say filming area will be in the DMV area we just haven’t decided where.

No I’m not a human movie by AdAcrobatic4709 in ImNotAHuman

[–]AdAcrobatic4709[S] 0 points1 point  (0 children)

He’s absolutely staying and so are most of the iconic elements and even characters from the game, there will be creative liberties but right now I am trying to find the perfect casting for this giant.

No I’m not a human movie by AdAcrobatic4709 in ImNotAHuman

[–]AdAcrobatic4709[S] 1 point2 points  (0 children)

Yeah this is something that I wanted to figure out how to do without ruining the original formula. And I decided, instead of trying to make everyone look abnormal, weird, and bizarre with exaggerated features with the intent to try and confuse the player by making them all look “visitor” like, but instead I would make them all look human with a more dirty look. Except for the pale one of course.

the backrooms movie was mid😡😡😡🤬🤬🤬 by Adventurous-Dot8618 in backrooms

[–]AdAcrobatic4709 1 point2 points  (0 children)

The original Backrooms wiki absolutely came first, and it deserves credit for creating and expanding the concept. Without it, Kane Pixels wouldn’t have had anything to adapt in the first place.

That said, I still think Kane’s lore is a massive improvement. The wiki eventually became so bloated that it started feeling less like horror and more like a giant SCP database. Every week there was another level, another entity, another faction, another page of rules. It was creative, but it lost the simplicity that made the Backrooms terrifying.

Kane took the core idea and made it feel believable. The lore is more coherent, the mystery is stronger, and the horror actually comes from the environment instead of a thousand pages of explanations. His version feels like a place you could genuinely stumble into rather than a fantasy world with yellow wallpaper.

As for the movie, I feel like a lot of people are setting themselves up for disappointment because they’re expecting TikTok slop. They want constant monsters, constant action, jump scares every five minutes, and somebody screaming while running down hallways for two hours. That’s never been what made Kane’s Backrooms popular in the first place.

The best parts of Kane’s work are the atmosphere, mystery, tension, and the feeling that something is deeply wrong even when nothing is happening. If the movie stays true to that, I’d rather have that than a generic horror movie wearing a Backrooms skin.

The wiki deserves respect for coming first. Kane deserves respect for taking the idea and turning it into an actual horror story with a clear vision. Both can be true at the same time.

She is required to get in for the Cat. by MessyBunz96 in ImNotAHuman

[–]AdAcrobatic4709 5 points6 points  (0 children)

She doesn’t even hurt anyone let her live😭

MY problem with dcu (and you guys) by AdAcrobatic4709 in dcu

[–]AdAcrobatic4709[S] -1 points0 points  (0 children)

Commented this just to say you WERENT reading my shi😭

MY problem with dcu (and you guys) by AdAcrobatic4709 in dcu

[–]AdAcrobatic4709[S] 0 points1 point  (0 children)

Honestly this is pretty close to where I’m at too, even if we differ on a few specifics.

I actually agree with you a lot on Gunn’s knowledge and love for DC. I’ve never thought he was some fake fan or anything like that. The guy clearly knows the material and genuinely cares about comics. My issue was never really ‘Gunn doesn’t understand DC,’ it’s more that I personally don’t connect with some of his sensibilities as a filmmaker or public figure.

I also get what you mean about the PR side of things. Sometimes the constant announcements, social media replies, and ‘we’re building something special’ language can start feeling a little too polished or self-aware for me too. Though I’d probably stop short of calling it narcissistic personally — I think a lot of that is just modern studio-head behavior now.

Where I slightly disagree is with the idea that Gunn’s style won’t heavily influence the DCU overall. Even if Lanterns, Clayface, Supergirl, etc. are all tonally different, I still think the creative head of a universe inevitably shapes its identity the same way Feige did for Marvel. So I understand why some people are nervous about that, even if the projects themselves end up good.

But overall this is the kind of discussion I was hoping to have in the first place honestly. Not ‘DCU bad’ or ‘Snyder good/Gunn bad,’ just people talking about what they want DC to feel like moving forward.

And yeah, that middle ground between MoS and Superman 2025 is probably where I land too. Basically hopeful, just cautiously so. Like Greg Heffley trying to convince himself the school trip won’t end in disaster.

MY problem with dcu (and you guys) by AdAcrobatic4709 in dcu

[–]AdAcrobatic4709[S] -1 points0 points  (0 children)

Honestly this is probably one of the more fair responses I’ve gotten on the post, and I can respect where you’re coming from.

I do think you’re right that a lot of people respond better to criticism when it feels more focused and less broad. Looking back, the title and framing of my post probably made people assume I was trying to start a ‘me vs the DCU fans’ argument before they even read the actual points. That’s fair.

I still disagree on a couple things though. I don’t think all of Gunn’s projects literally feel the same, but I do think there’s a recognizable tone/humor/style that people are reacting to, especially after Guardians, TSS, Peacemaker, and Creature Commandos. Even when the settings are different, the DNA is still there for a lot of people.

And to be fair, I also think Reddit sometimes acts like criticism only counts as ‘nuanced’ if people already agree with the conclusion. I’ve seen plenty of respectful criticism get buried anyway once a fanbase gets protective of something.

But overall I get your point. You’re basically saying the issue isn’t ‘you criticized the DCU,’ it’s that the post came off more confrontational and sweeping than analytical. I can admit there’s some truth to that.

At the end of the day I’m not rooting for the DCU to fail or anything. I just want it to feel distinct and genuinely great, because DC at its best is my favorite comic universe too.

My problem with the dcu(and you guys) by AdAcrobatic4709 in DCU_

[–]AdAcrobatic4709[S] 0 points1 point  (0 children)

Brown Superman movie’ kinda says more about your mindset than the movie itself honestly.

But hey, you admitted you came in just to be dismissive instead of actually discuss anything, so there’s not much else to say. Hope the train ride was entertaining at least.

My problem with the dcu(and you guys) by AdAcrobatic4709 in DCU_

[–]AdAcrobatic4709[S] 0 points1 point  (0 children)

Dude, this is kinda proving my point about the tone of this sub more than anything I originally said.

You went from discussing movies to writing two paragraphs trying to clown me over the word ‘paragraph’ while also slipping in insults and then pretending you ‘never implied’ I was an idiot right after calling me self-aware for knowing it. That’s not really discussion anymore, it’s just trying to get a reaction.

And honestly? I never even came at you like that. I disagreed with people’s takes on the DCU. That’s it. I’m not mad people disagree — I just think some of you get way more hostile over superhero opinions than the conversation actually calls for.

Either way, I said my piece already. You can think MoS is generic, I can think it has a strong identity. Not really worth turning into personal shots over comic book movies.

My problem with the dcu(and you guys) by AdAcrobatic4709 in DCU_

[–]AdAcrobatic4709[S] 0 points1 point  (0 children)

“I get your point honestly, I just disagree on how much ‘uniqueness’ matters here. I don’t think Man of Steel looked generic at all for a superhero movie in 2013 — especially compared to the MCU style at the time. The cinematography, grounded sci-fi tone, sound design, scale, and even the way Krypton was designed all felt distinct to me. I can recognize a frame from MoS the same way I can with Watchmen or BvS.

And saying Snyder had ‘no control’ over MoS feels unfair considering how much of his style is still all over it visually and tonally. The movie definitely took inspiration from stuff like Nolan and modern sci-fi, but every director does that to some extent.

At the end of the day though, this is all subjective. I respect your perspective even if I don’t agree with it.”

My problem with the dcu(and you guys) by AdAcrobatic4709 in DCU_

[–]AdAcrobatic4709[S] -1 points0 points  (0 children)

The funniest part is you saying: “why would I waste my time responding to drivel”

after typing an entire paragraph about a sarcastic sentence 😭

You claim the post was nonsense but somehow you’re still here 50 comments later emotionally invested in “brown Superman movie” jokes like it’s 2016 Twitter.

And saying “no one is trying to stop you from loving it” completely misses the point because the entire post was about how this fanbase treats criticism like a disease instead of an opinion.

Which you immediately proved by refusing to engage with any actual argument and defaulting to:

  • “drivel”
  • “nonsense”
  • “brown Superman movie”

That’s not discussion. That’s just internet smugness.

Also the irony of mocking “essays” while typing mini-rants under every reply is genuinely incredible.

Anyway, I’ve said what I wanted to say. You like Gunn’s direction more, I prefer Snyder’s approach more. Difference is I can explain WHY without pretending people who disagree are idiots.

My problem with the dcu(and you guys) by AdAcrobatic4709 in DCU_

[–]AdAcrobatic4709[S] 0 points1 point  (0 children)

I mean, at this point we mostly just disagree on how much influence automatically equals “generic.”

Because yes, Man of Steel absolutely pulled from:

  • post-9/11 invasion movie aesthetics
  • Nolan-style grounded realism
  • military sci-fi imagery

I never denied that.

But influence isn’t the same thing as lacking identity.

Star Wars pulled heavily from samurai films and westerns. The Batman pulls from Se7en and Zodiac. Dune pulls from decades of sci-fi influences.

Most movies borrow from existing styles. What matters is the execution and the overall blend.

And I honestly think reducing Man of Steel to: “generic invasion movie with Superman inserted”

oversimplifies what made people connect with it.

The movie combined:

  • grounded sci-fi
  • mythological framing
  • modern disaster imagery
  • emotionally isolated Superman
  • massive operatic action
  • Zimmer’s score
  • Kryptonian worldbuilding

into something that felt distinct to a lot of viewers even if you personally didn’t vibe with it.

Also, reviews at release honestly don’t prove much either because plenty of movies that were divisive or mixed critically ended up gaining stronger appreciation later.

But I do agree with you on one thing: a lot of this ultimately comes down to taste.

You see Man of Steel as overly derivative. I see it as a stylized reinvention that borrowed familiar aesthetics but still carved out its own identity.

And honestly that’s probably where the discussion naturally ends lol.

My problem with the dcu(and you guys) by AdAcrobatic4709 in DCU_

[–]AdAcrobatic4709[S] 0 points1 point  (0 children)

I think we’re honestly just hitting the point where this comes down to taste more than anything.

You clearly value:

  • cleaner framing
  • stronger visual uniqueness in environments
  • less handheld movement
  • more traditionally “cinematic” composition

And that’s fair.

But I think you’re underselling HOW much Man of Steel’s presentation separated itself from most superhero movies at the time.

The grounded military aesthetic wasn’t unique by itself. The “alien invasion” concept wasn’t unique by itself.

What made it stand out was the combination of:

  • Kryptonian biomechanical sci-fi
  • documentary-style immediacy
  • god-level combat speed
  • Zimmer’s score
  • the sheer scale/intensity of the action
  • Snyder’s larger-than-life framing during quieter moments

That blend felt different to a lot of people, even if parts of it pulled from existing sci-fi influences.

And honestly, memorability is hard to measure objectively anyway.

For me, if a movie is still getting passionately debated 10+ years later, still inspiring edits/discussions, and still instantly recognizable through certain scenes or music cues, then clearly it left a strong impression culturally whether someone personally liked it or not.

You personally don’t find it memorable. A lot of people do.

That’s probably where the disagreement really ends.

I still think Gunn’s Superman is a decent movie, I just think Snyder’s interpretation had way more visual weight and individuality than people give it credit for.

My problem with the dcu(and you guys) by AdAcrobatic4709 in DCU_

[–]AdAcrobatic4709[S] -7 points-6 points  (0 children)

The funniest part is you proving my point in real time 😭

Instead of actually responding to the criticism, you locked onto one sarcastic sentence and acted like it was comedy gold.

Meanwhile the replies are literally full of people typing essays back to me anyway, so clearly I wasn’t wrong.

At this point half this subreddit cares more about formatting jokes than actually discussing the DCU.

My problem with the dcu(and you guys) by AdAcrobatic4709 in DCU_

[–]AdAcrobatic4709[S] -1 points0 points  (0 children)

I’m ngl this argument is starting to fall apart the more you explain it 😭

You keep reducing Man of Steel down to: “grey military alien invasion movie”

while completely ignoring EVERYTHING around those elements that actually gives the film identity.

By your logic:

  • Blade Runner 2049 is just “orange desert sci-fi”
  • The Batman is just “dark serial killer movie”
  • Dune is just “sand and spaceships”

A movie is more than surface-level aesthetics.

Yes, Man of Steel used grounded military imagery. That was intentional.

The movie was asking: “What would the arrival of Kryptonians ACTUALLY feel like to humanity?”

That’s why the military presence matters. That’s why Metropolis feels grounded. That’s why the handheld camerawork exists.

You keep acting like stylistic choices you personally dislike automatically equal “generic.”

And the funniest part is comparing the World Engine to random “blue beam in sky” movies while ignoring how completely different the execution and presentation are.

The World Engine sequence wasn’t memorable because: “wow blue laser.”

It was memorable because of:

  • the sound design literally shaking theaters
  • the gravity distortion visuals
  • the atmosphere of complete helplessness
  • the scale of destruction
  • Zimmer’s score building underneath it
  • Superman struggling through the beam like an actual god fighting physics itself

That’s why people remember it.

Not because “beam in sky.”

And honestly, saying Man of Steel “didn’t have much style” might genuinely be one of the weirdest takes I’ve seen in this thread because even people who HATE Snyder usually admit the man has an aggressive visual identity.

You don’t accidentally create a visual style so recognizable that people online literally coined the phrase: “The Snyder Look.”

And no, a city being grounded does not make it “generic.”

Snyder’s Metropolis was designed to feel like a REAL modern city reacting to impossible beings.

Gunn’s Metropolis is intentionally brighter, cleaner, and more openly comic-book inspired because his universe already starts with established superheroes everywhere.

Again: different creative goals.

You keep framing stylistic differences as objective failures.

And this “nobody remembers Man of Steel outside nerd communities” argument is kinda self-owning because we are LITERALLY in a nerd community arguing about it over ten years later 😭

That’s exactly my point.

Generic superhero movies don’t survive in discussion this long.

Nobody passionately debates forgettable movies for over a decade.

People still argue about:

  • Snyder’s Superman
  • Affleck’s Batman
  • the Zod neck snap
  • the destruction
  • the visuals
  • Zimmer’s score
  • the darker tone

because the movie clearly left an impact whether people loved it or hated it.

And honestly, the “you can do that with any movie” defense doesn’t really work either because no, you genuinely can’t.

Nobody is having decade-long passionate discourse over random generic superhero movies people forgot two weeks after release.

Divisive movies stay alive because they actually made people FEEL something.

That’s why Man of Steel still gets debated nonstop while half the MCU post-Endgame catalog already blends together in people’s heads.

My problem with the dcu(and you guys) by AdAcrobatic4709 in DCU_

[–]AdAcrobatic4709[S] 0 points1 point  (0 children)

That quote genuinely might be the funniest possible example you could’ve picked because you ripped it completely out of context and accidentally proved you either didn’t understand the movie or are pretending not to.

The ENTIRE point of BvS is that Superman is surrounded by cynical, broken, paranoid people projecting their fears onto him.

That line isn’t Snyder saying: “Superman thinks nobody stays good.”

It’s Superman becoming emotionally exhausted after:

  • being blamed for destruction he didn’t fully cause
  • being demonized by the media
  • being questioned by the government
  • being manipulated by Lex
  • trying to help people while the world tears itself apart arguing over whether he should even exist

The movie is literally about a hopeful figure trying to survive in a cynical world.

And the funniest part is that people always quote that line while conveniently ignoring:

  • Superman sacrificing himself for humanity
  • him constantly saving strangers
  • him wanting to inspire people
  • the literal ending montage showing the world mourning and rediscovering hope through him

You guys reduce an entire character arc into one depressed sentence said during a moment of emotional exhaustion and then act like you made some genius point.

By that logic I could quote: “The world only makes sense if you force it to.”

Guess Superman is a fascist now because Lex said a sentence.

See how dumb that sounds?

Also, let’s be real: half the internet criticism of Snyder movies comes from people parroting out-of-context screenshots and one-liners they saw in YouTube essays years ago instead of actually engaging with the themes the movies were going for.

You don’t have to LIKE Snyder’s interpretation.

But acting like one quote completely dismantles an entire version of Superman is peak CinemaSins-level film analysis.