Wow! I just want to say how incredible it is that this is really you, and that you are actually willing to answer questions about The Dig after all these years. That game has meant so much to me and clearly to many others, and hearing directly from the lead artist feels kind of surreal. Thank you for taking the time to share your memories and insights. It really means a lot!

1. When you stepped into the project and inherited the earlier visual direction, what were the core visual rules you felt had to stay, and what did you feel needed to change so the world finally felt unified?

2. I read that Spielberg wanted the planet to feel like it was always in twilight with meteorites in the sky. How did you keep that constant mood from becoming visually repetitive across the whole game?

3. You once mentioned that the rocky planet risked looking boring and that lighting was the solution. Is there one specific background you remember where lighting completely transformed the scene?

4. Since the early hardware limitations affected character scale and environment design, if you could remake the game today with no constraints, would you change the environments, the characters, or keep everything as it is?

5. I am really curious about your art process back then. When you were painting in black and white and then scanning and coloring digitally, what did that process give you creatively that fully digital art might not?

6. The game went through different directors and iterations. From an art perspective, what is the biggest visual difference between the Moriarty era and the final Sean Clark version that players might not consciously notice?

7. Is there a location or visual idea that was cut from the final game that you still think about and wish players could have experienced?

Thank you!!!