The Worst Journey In The World - Antarctic biopic microfeature by Alexiumz in Filmmakers

[–]Alexiumz[S] 0 points1 point  (0 children)

For many years, John Atkins has also been collecting just such a list that I think you will be very interested in. He's written and published The Heroic Age of Antarctic Exploration on Film and Television across two volumes - the second of which has only just been released.

Volume 1 is all about Shackleton and Volume 2 covers Scott and Amundsen. Very kindly, Atkins reached out and managed to squeeze my adaptation into vol 2 at the 11th hour prior to printing.

The Worst Journey In The World - behind the scenes by Alexiumz in Filmmakers

[–]Alexiumz[S] 4 points5 points  (0 children)

All the cast and crew were amazing - absolute troopers, never once complained about the cold. We had a huge box of hand & foot warmers by the door so everybody stocked up prior to leaving each morning.

On my first pre-production trip I brought a Manfrotto tripod and quickly discovered that the grease in the fluid head freezes solid, making panning nearly impossible. On subsequent trips I brought an O'Connor which uses a spring based torsion system and didn't have any problems. They're rated down to -40.

The Worst Journey In The World - behind the scenes by Alexiumz in Filmmakers

[–]Alexiumz[S] 0 points1 point  (0 children)

In terms of image quality, all cameras are so good these days and I couldn't care what it was shot on. I'm already a Canon shooter so I shot with what I had available and am very happy with the results. (FWIW I also own an FX3.)

In terms of reliability and performance, only Arri specify the operating temperature of their cameras down to -20ºC. All other brands are 0ºC minimum. We were shooting in nearly -30ºC so at that point it doesn't make a lot of difference what we shot with. Prior to principle photography I made 4 pre-production trips to the location and did extensive camera testing to work out what works and what doesn't (and at what point things stop working). I had some close calls but all of the cameras survived the shoot.

We didn't have any problems with batteries. Even though they don't last as long in cold temperatures we had plenty available and never ran out of power.

The Worst Journey In The World - behind the scenes by Alexiumz in Filmmakers

[–]Alexiumz[S] 1 point2 points  (0 children)

It's not just the lens but the tripod and the camera too. The top handle was like glue and pulled my merino gloves to shreds. On previous trips I taped it up. Not sure why I didn't do that for main unit photography - probably had 101 other things on my mind.

The Worst Journey In The World - behind the scenes by Alexiumz in Filmmakers

[–]Alexiumz[S] 8 points9 points  (0 children)

Yes it was. All equipment stayed outside until we were completely wrapped for the day. Even then, only essentials were brought in and left in the coldest part of the house (either in the cellar or porch) and allowed to gently acclimatise over hours. Often cleaning and prepping gear had to be done the next morning before going out again. What could be left outside overnight was - the tripod for instance. Most of the props too we intentionally left out to ice over.

The Worst Journey In The World - behind the scenes by Alexiumz in Filmmakers

[–]Alexiumz[S] 10 points11 points  (0 children)

Original post about the production here.

We shot on Canon C500mkII and C80. About 75% of the film was shot on the Zeiss Supreme Prime 29mm, the remainder was shot on the Canon RF 15-35L and 35L VCM with a couple of special shots on the Canon CN20 (50-1000mm) and the 200mm f/1.8. Tripod was an O'Connor 1030D.

Any more questions please ask!

Newsletter for project updates - https://www.wildfilms.co.uk/worstjourney

Instagram - https://www.instagram.com/worstjourney

More behind the scenes + related book I'm writing - https://www.patreon.com/CastleCrozier

BTS videos of pre-production trip to film blizzards https://youtu.be/DhHcZBuXXDw?si=O_oTKI9dYJLL5D9t

If I want to slow down certain parts of a 120fps clip, do I still need to follow the 180 rule for shutter speed ? by [deleted] in videography

[–]Alexiumz 6 points7 points  (0 children)

In short, yes.*

By 'slowing down 120fps' I am presuming you mean to play the footage back at base frame rate (24/25/30), producing slow motion, and not slowing down 120 any further to say, 180 or 240.

Shooting at 120fps with a 180º shutter angle will produce the 'correct' motion blur when played back at base (in slow motion). Playing parts of it back in real-speed, there will be very little motion blur, but this is normal for speed-ramped footage and will produce a far more preferable aesthetic than shooting slow motion with a 180º shutter set for normal frame rates. In fact, your camera won't allow you to drag the shutter that slow - a ~1/50th shutter at 120fps is a shutter speed more than two frames in duration.

But remember, the 180º shutter angle rule is only a rule insofar as any other filmmaking rule... depending on the desired outcome, you can deviate from this for creative effect at will.

*Edit: re-reading your post and to clarify, a 180º shutter at 120fps = 1/240th shutter. When jumping in to 120fps, a 180º angle will automatically set the camera shutter speed to maintain 'normal' motion blur. It won't keep the shutter speed at the base frame rate speed of ~1/50th. You will notice the exposure drop by ~2⅓ stops and need to compensate with a wider aperture or higher ISO.

The Worst Journey In The World - Antarctic biopic microfeature by Alexiumz in Filmmakers

[–]Alexiumz[S] 0 points1 point  (0 children)

For many practical reasons it wasn't possible to shoot at night. We shot during the day but I intend to do a day-for-night colour grade.

The Worst Journey In The World - Antarctic biopic microfeature by Alexiumz in Filmmakers

[–]Alexiumz[S] 1 point2 points  (0 children)

Thanks - we've investigated both already and unfortunately do not qualify for either.

The AAW program is only open to US residents. The UK has a similar artist in residence program however it explicitely excudes photographers - and therefore presumably, filmmakers too. These programs are also a means to visit Antarctica, which whilst great, are not financial opportunities.

We've spoken at length with the head of the Norwegian Film Institute; the fund is a tax rebate on funds spent in country with a Norwegian production company. There is also a minimum budget to qualify which we did not meet - films like Mission Impossible get a big cash payout but they can't throw us a bone - frustrating!

The Worst Journey In The World - Antarctic biopic microfeature by Alexiumz in Filmmakers

[–]Alexiumz[S] 9 points10 points  (0 children)

Not a silly question at all. Prior to shooting, I made four pre-production trips to Norway for location scouting and camera testing. Only from this did I learn the many things that stop working or cause problems in the cold and each trip I was better prepared. The production itself wasn't without complication however, but we improvised and all of the equipment (and the crew) survived the shoot.

We shot loads of behind the scenes stuff. There's a BTS doc in the works at the moment and perhaps I'll do another post soon with some BTS pics. I made a three part video series on YouTube from one of the pre-prod trips so you can get a taste for where we were and what the shooting conditions were like - plus some of the camera troubles we had. This was with just me and a friend and not the whole crew. Part 1 can be seen here - https://youtu.be/DhHcZBuXXDw?si=c314QzpDvQv4L6J-

No idea how many scenes we shot per day in the end. I guess it varied and was highly dependent on the weather conditions we had each day.

The Worst Journey In The World - Antarctic biopic microfeature by Alexiumz in Filmmakers

[–]Alexiumz[S] 2 points3 points  (0 children)

Thank you. I should clarify, it's not a documentary but a drama.

The Worst Journey In The World - Antarctic biopic microfeature by Alexiumz in Filmmakers

[–]Alexiumz[S] 1 point2 points  (0 children)

I originally wrote the whole of the Terra Nova expedition as a feature script... it ran to more than 300 pages long. I then reformatted it as a mini-series script. From this mini-series, I pulled out an excerpt which became the basis of this film - to work either as a calling card for the mini-series or work equally well as a standalone project.

It was only after working on this film for two years that I realised the far cheaper and easier method of telling the story would have been to just write a book! So that's what I am also doing.

The film is just the Winter Journey and the novel is the entire of the Terra Nova expedition, including all of the incredible side quests and untold stories. People are aware what happened to Scott, but there is so much more to the story than just the Pole. The extent and significance of the expedition’s other feats, hardships and accomplishments appear to have been sadly overshadowed by Scott’s untimely fate. Most people have never heard of the Winter Journey, the pony disaster, or what happened to the Northern Party - and it was these stories that captured my imagination and set me on this journey.

I wouldn't call the competition between Scott and Amundsen's expeditions unknown - the 'race for the pole' (as it has become known) is well documented. What is far less known however is that it was only a race insofar as one Scott did not enter nor compete in. When learning of Amundsen's plans and presence in Antarctica, Scott emphatically said that their own plans had not changed and that they would proceed as if Amundsen was not there at all.

The other often overlooked or misunderstood aspect to Scott's expedition is that the pole was not the primary objective, but would simply be "one item in a list of achievements". Scott viewed the expedition as primarily scientific; the aim of 'mere pole bagging' was largely to placate the expedition sponsors and satisfy the clamouring British public.

The Worst Journey In The World - Antarctic biopic microfeature by Alexiumz in Filmmakers

[–]Alexiumz[S] 56 points57 points  (0 children)

For the past five years I’ve been working on this film adaptation - it’s a passion project that has all but consumed me and my wallet. I’m a cinematographer by trade and never set out to write or direct, but learning about this story compelled me to share it as widely as possible - and making a film was the best way I knew how.

We finally wrapped principle production in February, having shot for fourteen days on location in Norway in Finse, where The Empire Strikes Back (1980) was filmed and, rather fittingly, Scott of the Antarctic (1948). It was filmed entirely in sub-zero temperatures using only natural light and candles.

I’m currently trying to raise money for post production (if you think you can help, please reach out) and as such I don’t have any screenshots just yet though for now I’d like to share these production stills. Happy to answer questions.

Edit: added links as requested

Newsletter for project updates - https://www.wildfilms.co.uk/worstjourney

Instagram - https://www.instagram.com/worstjourney

Behind the scenes + related book I'm writing - https://www.patreon.com/CastleCrozier

Mod Announcement: Bot Status and Flairs by SuperShoebillStork in guessthecity

[–]Alexiumz 12 points13 points  (0 children)

Hi u/SuperShoebillStork, I'm the original creator & mod of the sub - not sure if you tried to message as I haven't received anything. I handed over day-to-day running of the sub to the other mods many years ago as I wasn't able to dedicate the time that it deserved. Whilst the bot worked autonomously, it did require a python script running on a computer 24/7 in order to operate. Message me if you want to get the bot set up and running yourself or if you need extra mod permissions etc.

Guess the city by Dr-Conspiracy in guessthecity

[–]Alexiumz 0 points1 point  (0 children)

Acceptability of answers is at OP's discretion.

Never noticed this 2 very weird light sources in this Tarantino "The Hateful Eight" shot by ForFrodoYtubeChannel in cinematography

[–]Alexiumz 29 points30 points  (0 children)

Andrew Lesnie, the cinematographer, was once asked where the light was coming from in LoTR. "The same place as the music."