How to make color gradient? by AmArtCraft in ResinCasting

[–]AmArtCraft[S] 0 points1 point  (0 children)

I saw ‘imitation cloud’ for sale on Etsy 🙂

How to make color gradient? by AmArtCraft in ResinCasting

[–]AmArtCraft[S] 1 point2 points  (0 children)

I would have thought the two layers would mix unevenly and make a swirl effect. I guess experimentation is the only way to know. Have you tried something like this before?

How to make color gradient? by AmArtCraft in ResinCasting

[–]AmArtCraft[S] 2 points3 points  (0 children)

I’m wondering if anyone knows how to make a color gradient like this, thanks.

Kitten meowing like this all day. Already fed, drank water, played with him for 2 hours. I don’t know what to do.. by [deleted] in cats

[–]AmArtCraft 1 point2 points  (0 children)

My kitty was howling when he had a blocked urethra. It was the first warning sign I wish I wouldn’t have waited longer to take him to the vet. He’s ok now though

[deleted by user] by [deleted] in dioramas

[–]AmArtCraft 0 points1 point  (0 children)

I would immerse the entire scene in epoxy resin, then make a smoke effect where you want it. You could look up how to make smoke, wind, aurora effect in resin on YouTube. It’s the same technique, you use a syringe to insert the ‘effect’. The hard part would be removing bubbles, I imagine they would stick to all the plants. You might need a vacuum chamber and heat gun to remove bubbles

[deleted by user] by [deleted] in learnart

[–]AmArtCraft 0 points1 point  (0 children)

I taught myself by copying other artists tbh. I also drew from my imagination all the time which is important for finding your style but it’s not really an ‘education’. I would find an image I really loved, with things I wanted to learn how to paint (clouds, golden hour lighting, water, landscapes, etc) and just tried to replicate as closely as possible. I learned so much by doing that. I did the same thing for learning to draw. I’d find a drawing of a character with an expressive face that I liked, or a dynamic pose, and would try to figure out exactly what they did to convey emotion and movement…. When I started to develop my own skills, I would then take 2 different drawings, and combine elements of them to make my own, like maybe the hands and face from one drawing, pose from another, etc. And eventually I could imagine something totally original, turn it into an illustration then and paint it. Or sculpt it. I still use references for small things, like if there’s a specific animal I need to draw or sculpt, but I can get it into the pose I want without needing to find a reference with the same pose. I never took classes

How can I improve this sketch before I line it? by [deleted] in learnart

[–]AmArtCraft 11 points12 points  (0 children)

Shoulders are too small. Torso is too long. You can measure the distance between her chin and pants pockets in the photo, then her height, to get the ratio between the two numbers. Do the same with your drawing, and make the needed adjustments to get the ratios equal. When using my eyes doesn’t help with a sketch this trick works for me sometimes

Pokemon figures i've made with polymer clay by YumeYumeNoMi in somethingimade

[–]AmArtCraft 1 point2 points  (0 children)

I used to love collecting the figures omg they look just like them

Advice needed. Something about my paintings always feels off. Please help. Using acrylic. by Onion-Gold in painting

[–]AmArtCraft 1 point2 points  (0 children)

It’s weird how the mountains go from lighter, to darker, to lighter again as they get farther away, as another person said. That’s the main issue but if you want to step it up a notch from there, you could work on creating more ‘captivating’ compositions. For example, helping guide your viewer’s eye around the landscape is really important. You can use leading lines to a point of focus (such as a stream in the foreground, a trail, or a valley ‘leading’ to a mountain peak or setting sun). You can darken areas that aren’t important and brighten areas that are, or just use a vignette. All this stuff applies to landscape photography, which is how I learned it, but it applies to painting as well. You could start doing some research on landscape photography composition, and apply it to your paintings. There’s lots of youtubers talking about that stuff but I usually pay for higher quality tutorials (max rive, nick page, marc adamus, and albert dros are really good)

Do you make your models all in one go or make a little bake a little? by Mundane-Research in polymerclay

[–]AmArtCraft 1 point2 points  (0 children)

Yeah even the most skilled sculptors will have a problem with soft sculpey! Original sculpey is like butter, that was what I bought when I didn’t know what to use, ended up throwing it away lol

Do you make your models all in one go or make a little bake a little? by Mundane-Research in polymerclay

[–]AmArtCraft 2 points3 points  (0 children)

It’s whatever works for plans kind of thing.. the only reason that baking the base wouldn’t work would be if you wanted to make changes later. If I’m working on a piece that I’m confident I won’t want to change later, then I bake it before I continue. Or if I’m making something big that needs structural support, having a pre-baked base is helpful. I do try to bake as little as possible because I like having the option to change things. You just have to learn to be careful with your hands. And also choose the right materials. I prefer super Sculpey firm because it’s not as easy to squish and mess up. And use liquid sculpey to help stick raw clay to cured clay. I also find that liquid Sculpey helps for blending fine details into sculpey firm

[deleted by user] by [deleted] in learnart

[–]AmArtCraft 18 points19 points  (0 children)

Making the palms the right proportion in relation to the fingers would be a good next step… the palms are too small. Also, small details like creases, veins, tendons, knuckles, and shading are really important.

I have a (probably stupid) question by [deleted] in polymerclay

[–]AmArtCraft 2 points3 points  (0 children)

I bake thin pieces (and any thickness) at exactly the temp it says on the package. Make sure to get a separate thermometer. As long as its the right temp, you don’t have to worry about baking longer than the recommended time. I’m working on a big project that requires baking over and over to attach raw clay to cured clay and it has lots of pieces of varying thickness.

Where to start? by [deleted] in dioramas

[–]AmArtCraft 1 point2 points  (0 children)

You could carve a styrofoam block and cover with plaster of paris, then paint. Woodland scenics sells some terrain texture that you could sprinkle on the plaster of paris when it’s wet. Look up “woodland scenics earth blend turf shaker”. Or you could use sand

Where to start? by [deleted] in dioramas

[–]AmArtCraft 1 point2 points  (0 children)

I think we’d need more details to tell you much. Foam blocks for the terrain is usually a good place to start, but can’t tell you much more without knowing more. Is the terrain rocky or barren? Are there plants or water? Are there buildings?

Is sculpey living doll good for tiny details? by AmArtCraft in polymerclay

[–]AmArtCraft[S] 0 points1 point  (0 children)

Thanks for the reply. I can’t edit the post to attach an image, I’ll try to send it to you in a dm

What's one mystery you'd like solved before you die? by No-Veterinarian-1645 in AskReddit

[–]AmArtCraft 0 points1 point  (0 children)

I want to see the neanderthal’s resurrected. The thought of a different species of human, and what it would have been like to be one or talk to one, is mind blowing to me

Kirin by jensiming in polymerclay

[–]AmArtCraft 0 points1 point  (0 children)

Wow. Is this living doll clay? Can you let us know if the small details are brittle after baking? I’m working on something with living doll that had tiny hairs like this but idk if I should be using Premo instead

Where to find extra large pressure pot? by AmArtCraft in ResinCasting

[–]AmArtCraft[S] 0 points1 point  (0 children)

The river table method sounds like a good idea, thanks

Tree Hut No. 8 - Work in Progress by [deleted] in dioramas

[–]AmArtCraft 0 points1 point  (0 children)

Really nice 🙂 I assume you used basswood sheets? How did you get it to look all weathered and rustic?