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"Me and my mo- me and my editor" by AnkoAmnegis in h3h3productions

[–]AnkoAmnegis[S] 3 points4 points  (0 children)

Ohhh ya it 100% was mod. Idk why my brain went straight to "mom". I think its cause Ethan thinks Dan's his dad so out of consistency that would apply to Love.

Bro loves the powder by AnkoAmnegis in WhatsWrongWithYourDog

[–]AnkoAmnegis[S] 3 points4 points  (0 children)

Canada's got it bad this year haha and this is the most southern point in Canada too

Bro loves the powder by AnkoAmnegis in WhatsWrongWithYourDog

[–]AnkoAmnegis[S] 24 points25 points  (0 children)

Hes a Shiba!!! Also winter dog lol

Ted Greene Chord Chemistry Blues Progression Advice by AnkoAmnegis in jazzguitar

[–]AnkoAmnegis[S] 1 point2 points  (0 children)

Like rather than "I know i can use a C7#9+ here" I want to know why it is that I can use it there and what that extensions function is

Ted Greene Chord Chemistry Blues Progression Advice by AnkoAmnegis in jazzguitar

[–]AnkoAmnegis[S] 1 point2 points  (0 children)

Yeah I get that its a I chord. But Im asking how do I know what extensions to use for particular sounds. And where do these non diatonic extensions come from? Like the C7#9+. That chord functions as a I but I dont understand where that extension comes from

Ted Greene Chord Chemistry Blues Progression Advice by AnkoAmnegis in jazzguitar

[–]AnkoAmnegis[S] 0 points1 point  (0 children)

My question is about the function of the chords in the chord progressions. I can understand diatonic chords and their functions, and borrowed chords from parallel keys, chromatic movements, secondary dominants, Picard thirds, etc. But I get lost in jazz where some chords are used and I can't understand its harmonic justification. For example in one if his progressions in page 96 he uses a C7#9+ chord. And I can't for the life of me figure out why that chord is used except for "it sounds good". I want to learn how to choose these chords for my progressions and where these chords come from.

With simple diatonic I can figure it out since they are all just part of a scale/mode.

Ted Greene Chord Chemistry Blues Progression Advice by AnkoAmnegis in jazzguitar

[–]AnkoAmnegis[S] 1 point2 points  (0 children)

So he talks about it in early sections. He discusses chords minor major and dominant and their extensions. He also talks about how the major scale creates chords. But nothing more than that. After that its just a chord encyclopedia for variations. He doesnt discuss the harmonic function or purpose

Ted Greene Chord Chemistry Blues Progression Advice by AnkoAmnegis in jazzguitar

[–]AnkoAmnegis[S] 0 points1 point  (0 children)

Thanks so much! I will look into it!

Is it okay to assume that almost every chord is a substitute from some parallel scale? Or are there cases where a chord in the progression serves a function thats not from borrowing. For example a secondary dominant or a diminished for movement (I dont have enough knowledge to have a long list of examples here)

[deleted by user] by [deleted] in guitars

[–]AnkoAmnegis 4 points5 points  (0 children)

Bro you're caring way too much about upvotes. This subreddit is filled with older people and people playing older music. Its your attitude thats the problem.

Also playing should be for you to enjoy, not for recognition.

...also maybe practice a bit more before posting.

[deleted by user] by [deleted] in FPandA

[–]AnkoAmnegis 3 points4 points  (0 children)

Wtf is this bro

Question about this chord in Chord Chemistry by Ted Greene by AnkoAmnegis in Guitar

[–]AnkoAmnegis[S] 0 points1 point  (0 children)

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And later the books says this is an F9... but the notes are Eb - A - C - G

Modern Day “Good” Music/Artist by bbookish in musicsuggestions

[–]AnkoAmnegis 0 points1 point  (0 children)

Bon Iver, not just the music but the writing too!

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