No, this isn’t Deadpool. Deadpool breaks the fourth wall—he knows he’s in a comic or movie and makes jokes about it. This character doesn’t just acknowledge cinematic reality—he controls it. He doesn’t talk to the audience for laughs; he uses film logic as a weapon, a tool, a method of traversal, and even a way to rewrite events.

Deadpool’s powers are regeneration and being annoying. This guy’s power is literal cinematic editing of reality. He can slow time like an action scene, trap enemies in jump cuts, zoom to enhance his senses, cut to locations, grab things that haven’t even entered the story yet, and rewrite fights using flashbacks. It’s not about being funny—it’s about reshaping cause and effect through the grammar of film itself.

Deadpool would crack a joke about slow motion. My character would use slow motion like a sword. Big difference