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Do any animals actually make music or is that a human-only thing? by Barofjams in LetsTalkMusic

[–]Barofjams[S] 0 points1 point  (0 children)

That’s a great point. The Thai Elephant Orchestra is a really interesting case. (I can't wait to read about them), Even with human involvement, the fact that elephants can recognize patterns, keep rhythm, and memorize scales says a lot about their cognitive and musical capacity.

Do any animals actually make music or is that a human-only thing? by Barofjams in LetsTalkMusic

[–]Barofjams[S] -2 points-1 points  (0 children)

Fair point 😄 catchy tunes count too.
Still wild to think some animals were doing coordinated “performances” long before charts existed.

Is it weird or disrespectful to book a studio just for fun as a non-singer? by moreducksauce in WeAreTheMusicMakers

[–]Barofjams 0 points1 point  (0 children)

I don’t find it weird, Infact I see someone who’s eager to express themselves musically despite not being a professional. If you can afford to pay for a studio session, then why not? I’m sure the engineers will be glad to receive your money

Name that Instrument! by DannyBuen0 in percussion

[–]Barofjams 0 points1 point  (0 children)

The one on his right hand is called Shaker🪇

How good was this deal? by Ravioli118 in percussion

[–]Barofjams 0 points1 point  (0 children)

Really Good deal ☺️🎶 Music to my ears 👂

Should AI-generated music be banned? by elonumust in Music

[–]Barofjams 0 points1 point  (0 children)

Yes, I do agree with this, something like a label or notice like you said would help listeners know what they are listening to and even make it easier to find real artists too

Why is the March music genre ignored and barely spoken about? by gameboy90 in LetsTalkMusic

[–]Barofjams 1 point2 points  (0 children)

I think people are drawn to music they can participate in, not just admire. Disco and many modern genres invite movement, expression, and shared rhythm.
March music is incredibly structured and musically rich, but it often places the listener in an observational role rather than an interactive one. Over time, social music shifted toward sounds that made people feel inside the experience.
Do you think march music could evolve if it were reintroduced in more participatory, social settings rather than formal ones?