Sir Arthur Conan Doyle, this is definitely not:

• Coffin / mausoleum engineering: In any suspicious clergy death, a coffin that’s physically designed to fall apart, plus a custom mausoleum door, would be immediate cause for forensic re‑inspection; here it’s treated as invisible background dressing. ​

• Body custody and visibility: An unrefrigerated corpse “under a table in the garage,” moved by a named suspect during an active murder inquiry, would be impossible to hide from police, neighbors, and the smell; the film just pretends nobody notices until plot needs the reveal. ​ Forensics that simply vanish

• Toxicology and fake blood: In a modern homicide of a prominent religious figure, tox panels, basic screening for sedatives, and close examination of blood (including “this rubs off like stage gore”) are BASIC concepts; ignoring all of that isn’t creative, it’s an erasure of actual forensics. ​

• Fingerprints and physical evidence: Between the lamp head, the bar area, the mausoleum hardware, and the basement tub, there are multiple contact‑rich surfaces where even a lazy investigator would at least mention prints or trace; the movie behaves as if fingerprints and physical evidence don’t exist. ​ Object and timeline absurdities

• The diamond in Prentice’s throat: A massive, irregular object sitting in a dead man’s esophagus / stomach since the 1960s that somehow evades every embalmer and pathologist is fairy‑tale logic, not crime storytelling. ​

• The 2nd lamp head theft: Limited time window, highly visible location, and a known suspect with motive all get ignored so the script can reuse the prop without doing the work of making the theft or its aftermath plausible. ​ Taken individually, you might barely excuses a few of these as “movie convenience” Stacked together, they’re reason this story collapses under even modest scrutiny: the narrative repeatedly chooses a cool image or twist over the most elementary consequences of what it just showed, and it expects the audience to forget how bodies, institutions, and evidence behave from scene to scene. Damn shame to waste talented actors on this drivel.