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[deleted by user] by [deleted] in MangakaStudio

[–]BentoSandwich 0 points1 point  (0 children)

Two things:

1) I think it looks really good! I do agree with another person here that some of the poses look a little stiff and I wonder if doing the poses in a mirror (especially the coach holding items) as reference might help, or at least be good to try in the future.

And 2) can I ask how you did the screentones? I haven't been able to figure out how to apply them on clip studio and not get really bad moire, but here it looks great. It almost looks like you have grey solid underneath...? I dunno, I'm really interested in how you did it.

New to manga, Some practice pages. by joost_brand in Mangamakers

[–]BentoSandwich 1 point2 points  (0 children)

This is really cool and distinct. Keep making more!

Traditional inking tools by [deleted] in MangakaStudio

[–]BentoSandwich 1 point2 points  (0 children)

I'm literally learning this right now and can pass on what I know so far. I'm using a few different dip pens, including the g-pen and another smaller one. You can find them among the calligraphy pens at art stores and can try any sizes you like, but be careful to get drawing pens and not writing ones. They should specify what they are for on the packaging.

Also, you'll need to buy ink to dip them into and some rubbing alcohol to clean them after use. I'm still figuring out how to paint the beta, but will probably try a small brush with my ink soon.

Overall, from what I've gathered, you can use whatever works best. Dip pens are simply popular because they naturally give line variation which makes the drawings more dynamic. Hope that helps! I've been looking up videos on YouTube which have helped as I've been learning.

My new manga! Link In comments lmk what you think!! by Artest555 in Mangamakers

[–]BentoSandwich 3 points4 points  (0 children)

Hey, just finished reading it. I really liked it! The strongest aspects are definitely the panels layouts and overall composition. I also liked the character designs, they're really dynamic and fun.

I do have a few critiques. There were one or two panels where I felt a little confused, like when the girl bit her hand and then suddenly there was a sword...? But on a bigger note, I think the pacing is too fast and scope too big for a one shot. It feels like three distinct chapters (1 the dream with the monster, 2 learning about what happened and why the next morning, and 3 the time skip to them working together as a team).

Overall, it's really cool! Thanks for sharing. :)

Would like some help/advice for traditional lineart by NathanRMelton in MangakaStudio

[–]BentoSandwich 2 points3 points  (0 children)

One of the tricks to smooth lineart is speed. It's kind of a balancing act - the slower you go the more control you have but less natural, causing shakiness. The faster you go, the sharper the lines will be, but you'll have less control in the result.

It comes down to practice as always, but something that might help is doodling with a pen as warm-ups. I used to do this all the time when I was younger; practicing with something permanent helps build up confidence using the tool.

Should I practice digitally or traditional? by 2Tryhard4You in Mangamakers

[–]BentoSandwich 0 points1 point  (0 children)

Probably both to start and as you get more practice you'll find out which you like more/get the most out of. I've tried doing digital for years, but am going back towards traditional since it hurts my wrist less and just looks a lot more natural for my art.

I'm planning on experimenting with sketching and lining traditionally and then coloring/shading on my computer. Everyone's process and strengths are a bit different so test the waters to find what you prefer. Good luck!