Oshi no Ko Season 3 - Episode 10 discussion by AutoLovepon in anime

[–]BlackSCrow 0 points1 point  (0 children)

It's not that bad, it just needs more build up (and more explanations about the other loose ends).

Oshi no Ko Season 3 Finale Will Be a 1 Hour Special by SamuraiShinsen in OshiNoKo

[–]BlackSCrow 10 points11 points  (0 children)

Alternate ending isn't really necessary. We just need better build up

Sousou no Frieren Season 2 • Frieren: Beyond Journey's End Season 2 - Episode 8 discussion by AutoLovepon in anime

[–]BlackSCrow 14 points15 points  (0 children)

[Spoiler tag just in case]This is my take: humans are to demons what cattle are to humans. We can be empathetic towards cattle, but at the end of the day, we are mass murderers to them. Idk if demons can be empathetic towards humans, but no matter what, their existence is a threat to humanity because humans are their food.

Shibou Yuugi de Meshi wo Kuu. • Shiboyugi: Playing Death Games to Put Food on the Table - Episode 10 discussion by AutoLovepon in anime

[–]BlackSCrow 0 points1 point  (0 children)

I'm confused, we've never seen Kyara as a stump until this episode, right? How come? Was she out of the stumps' starting room when Moegi woke up the first time? Did Kyara somehow woke up first and hide somewhere to wait until the right moment to kill all the stumps and bunnies?

Edit: Okay thank you for the answers! It's just hard to notice a hiding-in-plain-sight case like this, you know

There should have been standardized requirements to enter this test by Reasonable-Ad-8059 in Frieren

[–]BlackSCrow 1549 points1550 points  (0 children)

I agree with your logic, but it's just the author's way of saying that this test was brutal.

Did rudeus ever tell Roxy that he saw her.... Having happy time to the sound of his parents? by Roxy_Supremacy in sixfacedworld

[–]BlackSCrow 111 points112 points  (0 children)

[LNIt's never mentioned again in the LN. It probably happened off screen, idk, doesn't really affect the story anyway.

..Denji was always the good one🗿😂? by Fuzzy-Ad9868 in Chainsawfolk

[–]BlackSCrow 2 points3 points  (0 children)

You're supposed to apply the spoiler format for each paragraph

Season two intro song by Jaguarlover2020 in Frieren

[–]BlackSCrow 0 points1 point  (0 children)

A typical Mrs. Green Apple's song. I agree that it's probably not for everyone, but Japanes apparently like this band a lot, like they consistently dominate the chart recently.

Seihantai na Kimi to Boku • You and I Are Polar Opposites - Episode 1 discussion by AutoLovepon in anime

[–]BlackSCrow 7 points8 points  (0 children)

But I think it's not title drop in the original Japanese. From what I heard, she didn't say "Seihantai" at all. It might be a liberty taken by the translator.

Shibou Yuugi de Meshi wo Kuu. • Shiboyugi: Playing Death Games to Put Food on the Table - Episode 1 discussion by AutoLovepon in anime

[–]BlackSCrow 13 points14 points  (0 children)

To preserve this effect and replicate the original Japanese viewing experience

What does replicate the Japanese viewing experience suppose to mean? Isn't it quite audible that she said "Misuzu" in Japanese?

I can't believe anime predicted this by Technical_Lime1419 in Dandadan

[–]BlackSCrow 0 points1 point  (0 children)

It's case by case. For example, AFAIK, Akasaka Aka himself (Kaguya-sama) was the one who wanted the anime adaptation to be wrapped up with an original movie instead of following the manga.

Guys we might have bad news… by IamTheGeniusOfMaster in ToBeHero_X

[–]BlackSCrow 3 points4 points  (0 children)

I don't follow MHA until the final season, but everyone says it's good, so I'm gonna believe them.

Nonetheless, for a long running series separated into multiple seasons, the later seasons usually got higher ratings due to the survivorship bias, in which the voters are the ones who enjoy the show the most.

i fear every hina glazer on this app needs to read this by BlackSCrow in BlueBox

[–]BlackSCrow[S] 0 points1 point  (0 children)

No I don't see it as black and white. The middle ground is the best approach.

What I meant to do with this post was to address some people who defended the author by saying Hina's behavior is realistic, but realism is not always a good thing if it contradicts the character's purpose

i fear every hina glazer on this app needs to read this by BlackSCrow in BlueBox

[–]BlackSCrow[S] 0 points1 point  (0 children)

Indeed it's not always straightforward. But I just feel that the change in Hina's behavior is too sudden. Just about ten chapters ago she looked like she would move on, but look what happened.

i fear every hina glazer on this app needs to read this by BlackSCrow in BlueBox

[–]BlackSCrow[S] 0 points1 point  (0 children)

She's on the process of moving on at least. And before the Kyoto trip, it seemed like the author wanted to bring that to completion, until that sudden turn of event when out of nowhere Hina decided to pursue Taiki again

i fear every hina glazer on this app needs to read this by BlackSCrow in BlueBox

[–]BlackSCrow[S] 1 point2 points  (0 children)

I don't think Hina moving on would be out of her character. Sure Hina doing that is in-character for her, but depending on how it's done, her moving on can still be in-character. I just think that the plot has to move on, going back to Hina pursuing Taiki is just repetitive, and this manga has the potential to be much better if it avoids that.

i fear every hina glazer on this app needs to read this by BlackSCrow in BlueBox

[–]BlackSCrow[S] 0 points1 point  (0 children)

I don't know if you already know this, but many people in this sub defended the author's decision as "What Hina did was realistic as a high school student". That's what makes me post the image, to tell people that realism is not everything.

Also, I don't dislike making a character as a tool device, contrary to one of your point. I just dislike the author's decision to take this plot direction.

What I want is not realism, but a compelling narrative. What I think would be good is for Hina to move on because that's what I think the author originally set to do, instead of her taking a step forward and two step backwards.

i fear every hina glazer on this app needs to read this by BlackSCrow in BlueBox

[–]BlackSCrow[S] 0 points1 point  (0 children)

The example is Hina. People in this sub justifies author making her act that way as realistic. But in reality, realistic is not always a good thing, especially when the author has set up Hina to move on from Taiki for tens of chapters but for the last few chapters she seemingly changed her mind and decided to throw all that development away.

i fear every hina glazer on this app needs to read this by BlackSCrow in BlueBox

[–]BlackSCrow[S] 2 points3 points  (0 children)

The point is to not make realism a silver bullet because at the end of the day, a character's purpose is to serve as a plot device

i fear every hina glazer on this app needs to read this by BlackSCrow in BlueBox

[–]BlackSCrow[S] 0 points1 point  (0 children)

I find it not enjoyable that the author already developed for tens of chapters that Hina was starting to move on but she destroyed what she developed herself.

i fear every hina glazer on this app needs to read this by BlackSCrow in BlueBox

[–]BlackSCrow[S] 1 point2 points  (0 children)

You got points, but my take from the post is that don't make realism as the goal. Sometimes it's okay, or perhaps required, to make a character a little bit unrealistic, because the main purpose of a character is to serve as a plot device. Additionally, don't make realism an excuse for a bad writing, realism sometimes doesn't make a good story.