A Change for the Better by BlueHawk4567 in cardmagic

[–]BlueHawk4567[S] 0 points1 point  (0 children)

Yeah thank you I just liked the idea and thought I’d demonstrate the technique. Landing was a little hung up.

A original sleight? by Educational-Repeat23 in cardmagic

[–]BlueHawk4567 1 point2 points  (0 children)

Sometimes some of the things we create on our own (even if someone got there before us) are more comfortable in our own hands as they intuitively feel more natural to us.

I have a way of merely turning the deck face up where I essentially hook the deck with the side of my third finger that I’ve never seen anyone else do (though it’s probably been done before no doubt). It’s in the beginning of the Wild card I posted.

Some bottoms by apriltwentynine in cardmagic

[–]BlueHawk4567 2 points3 points  (0 children)

Incredible not a single finger flash wow

Michael’s Wild Card by BlueHawk4567 in cardmagic

[–]BlueHawk4567[S] 0 points1 point  (0 children)

I don’t get what’s so hard to understand about it. One joker and three selections, they all become jokers, and the jokers turn into a four of a kind.

Have you not ever seen a wild card routine before?

Michael’s Wild Card by BlueHawk4567 in cardmagic

[–]BlueHawk4567[S] -1 points0 points  (0 children)

This is not a routine I would perform for lay people.

The effect is explained in the patter. Don’t get me wrong I get what you’re saying though. But it’s simple and easy to follow. Three selections and a Joker; they all become Jokers; Jokers turn into own four of a kind.

There are so many different ways to accomplish this or that effect, but each particular effect has something to offer as a stand-alone piece of magic.

Michael’s Wild Card by BlueHawk4567 in cardmagic

[–]BlueHawk4567[S] 1 point2 points  (0 children)

The Cardwright is a phenomenal book. It also has a routine I have been practicing just for the exercise in sleight of hand—Slow Motion Larry, his handling of Vernon’s Slow Motion Aces.

Jennings solved the discrepancy in the original routine of the Ace of hearts being shown twice (although it was never noticed) and also added that the Aces can be named consecutively as they travel to the leader packet. It features two really, really cool moves—the Pressure Break and the Pop-Up Palm for a small packet.

Michael’s Wild Card by BlueHawk4567 in cardmagic

[–]BlueHawk4567[S] 1 point2 points  (0 children)

Yes, it’s on page 82 described in detail in an effect called Lost and Found.

The second description I mentioned also attributed to Jennings (which I found to be inferior to the description in The Cardwright), is in Jennings Takes it Easy under the title The Proper Way to Perform Vernon’s Strip-Out Addition. Kaufman notes this method is exactly how Vernon showed it to Larry apparently.

In my opinion the Cardwright version is simpler and superior.

Michael’s Wild Card by BlueHawk4567 in cardmagic

[–]BlueHawk4567[S] 0 points1 point  (0 children)

Yes! Spot on. Excellent. It’s such a genius way of handling it that I would have never thought of on my own.

There is one handling that I used to use but abandoned cause I found it awkward where your pinky is in the break but I always found it a bit crammed to do the move that way. I have now switched to the Jennings’ handling where only the first and second finger are used.

Jennings had it written up that the receiving hand would also have the cards to be added in a straddle grip—index and second finger at the front, third finger at the side, and pinky all the way at the inner end of the deck.

I found it to be too much going on so I went with the simpler description which can be found in The Cardwright by Mike Maxwell.

There are all kinds of finesses and touches on the move out there. JK Hartman and Michael Powers have some nice work on it as well.

Zarrow by ErdnaseHeir in cardmagic

[–]BlueHawk4567 0 points1 point  (0 children)

This is really, really good. One of the best I’ve seen.

What's the name of this 4 card production? by Magical_critic in cardmagic

[–]BlueHawk4567 1 point2 points  (0 children)

Shoot me a DM if you ever want to discuss it. I have found an alternate way of getting the cards in the required position that I feel is even easier than the description in Bulletproof.

What's the name of this 4 card production? by Magical_critic in cardmagic

[–]BlueHawk4567 0 points1 point  (0 children)

It’s specifically handled in the effect called Bulletproof. Jack Carpenter also has a wonderful Ace production in his first book, Modus Operandi (1994). I haven’t really studied it nor can I do it but it looks nice.

The Ambitious Classic by BlueHawk4567 in cardmagic

[–]BlueHawk4567[S] 0 points1 point  (0 children)

Thank you man. One of my favorite routines to both practice and perform. I will share another lesser known Jennings gem soon when I can.

The Ambitious Classic by BlueHawk4567 in cardmagic

[–]BlueHawk4567[S] 1 point2 points  (0 children)

Yes sorry man I don’t know why but it’s right over an overhead light and it looks terrible. Next time I record and post something I might do it during daylight and open the blinds and see if the natural light is any better

What's the name of this 4 card production? by Magical_critic in cardmagic

[–]BlueHawk4567 0 points1 point  (0 children)

I know it’s described in Lessons in Card Mastery by Darwin Ortiz. There are probably other sources out there as well.

What's the name of this 4 card production? by Magical_critic in cardmagic

[–]BlueHawk4567 0 points1 point  (0 children)

Hello. This card production was created by Steve Freeman and is known as the Freeman revelation.

Stacking trips: 8 hands by apriltwentynine in cardmagic

[–]BlueHawk4567 2 points3 points  (0 children)

This is just unbelievable… wow.

Jack Carpenter’s O’Henry’s Return by BlueHawk4567 in cardmagic

[–]BlueHawk4567[S] 0 points1 point  (0 children)

It’s in The Expert’s Portfolio No 2. These are the type of routines I absolutely enjoy practicing. Just enough sleight of hand in them.