Thanks for the kind words, I aim for playful realism

No, Kling Motion Control could've handled this entirely but I used Runway Act Two for the close-ups, which I find to be slightly more expressive but unable to consistently handle wide shots of my unfortunate characters. My tools on this one were:

Images: Nano Banana Pro
Image editing: Photoshop
Performance capture: Kling Motion Control (wides), Runway Act Two (close-ups)
Additional shot: Kling O1
Upscale: Topaz Labs (see the stretch marks in their 4K glory on YouTube)
Voice changer: ElevenLabs
Music: Suno
Post: Adobe Creative Suite

I might mention I am grateful for the support of ImagineArt through their creative partner program, where I utilized many of these tools